Pauranic Prana-aesthetics, a finer shade different from that of vitalistic aesthetics )the earlier having breathing-rhythm of Ksaya-Vrddhi --diminuation and augmentation--other than the latter`s emphasis only on the rhythm of augmentation), has been delineated in this study with examples from the world`s two of the best art-monuments: Ajanta (India), now not remaining unknown even to the most casual connoisseur, and Sopocani (Yugoslavia), the most significant and monumentally beautiful work of Byzantine art. Tracing Prana-aesthetics as the aesthetics of inner-light coded in the creeper-motif by the artists of Ajanta, this work emphasises decoding of the creeper-motif by Byzantine artists culminating into the frescoes of Sopocani done in Hellenistic-Byzantine aesthetics beatifield by Hesycast meditation to which that of Buddhists was not unknown. Comparisons of various determinant aspects, aesthetics and artistic denominators, and constraints not allowing similar consummation are properly investigated to substantiate the thesis that Prana-aesthetics transfigures at Ajanta but transubstantiates at Sopocani. The significance of the anabolic aspects of this aesthetics is highlighted especially as a way out from the reductivistic tendencies of the present day visual-arts straining them upto the stage of catabolic dissolution.

Incredibly rich treasury of authentic royalty-free designs adapted from artifacts of the Harappa culture, coins and pottery from South India, Ajanta and Bagh murals, Muslim monuments, Buddhist temples, textiles from Gujarat, Punjab, other regions, masks and tribal arts, much more. Immediately usable material or great resource for design inspiration. Introduction. Notes.

The Monograph Introduces The Remains Of A Legendary Stupa Of The Sunga Period (2Nd 1St Century B.C.) Which Once Stood Near The Village Bharhut In Madhya Pradesh . Since 1876 These Precious Antiquarian Gems Are The Prized Possession Of The Indian Museum, Calcutta. The Author In His Capacity As Director Of That Museum Had The Opportunity To Study Them Afresh And Reassess Their Cultural And Artistic Merits. The Renowned Scholar Dr. Mulk Raj Anand In His Capacity As Visitor To The Museum Suggested To Bring Out A Handy Pictorial Companion Which Could Be Useful To The Visitors To The Museum As Well As Lovers Of Early Indian Art. The Book Gives A Lucid Introduction Besides Several Interesting Interpretations About The Concept And Significance Of Stupa Tradition And Particularly The Socio-Religious And Artist Role Played By This Grand Edifice In The Pre-And Post-Christian Centuries. Important Sculptures Have Been Adequately Described And Projected Through Colour And Black And White Illustrations.

Mehndi, the ancient art of painting on the skin with henna, beautifies the body, rejuvenates the spirit, and celebrates the joys of creativity and self-expression. More than just a temporary tattoo, mehndi offers us a way to participate in a centuries-old tradition still practiced in India, Africa, and the Middle East. In this stunning and authoritative book, Loretta Roome traces the origins and meanings of traditional designs, demonstrates how to create them on the skin, and reveals the recipes, tools, and techniques needed to paint designs that range from simple to complex. The result of years of research and the author's experience as one of the nation's foremost mehndi artists, Roome's book offers practical information, creative inspiration, and many suggestions for enhancing the playful, intimate, sensual, erotic, and spiritual aspects of the ancient and amazing art of mehndi.

New in paperback, this stunningly photographed book was hailed by The Times Higher Education Supplement as one of the most gorgeous and stimulating books of Indian art ever produced.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

A poor little girl is rewarded with lovely gifts when she feeds a hungry bird all the rice she has. What happens when the girl’s greedy, nosy neighbour hears the story and tries to get better gifts for herself? Why did the once sweet sea water turn salty? How did the learned teacher forget his lessons only to be aided by the school cook? And how did the king hide his horrible donkey ears from the people of his kingdom? For answers to all this and more, delve right into another fabulous collection of stories by Sudha Murty.