Repub. of Doubleday 1973 edition, with new introductions by Kelton and an afterword.

A Good Morning America Book Club Pick and New York Times Bestseller! From debut author Asha Lemmie, “a lovely, heartrending story about love and loss, prejudice and pain, and the sometimes dangerous, always durable ties that link a family together.” —Kristin Hannah, #1 New York Times–bestselling author of The Nightingale Kyoto, Japan, 1948. “Do not question. Do not fight. Do not resist.” Such is eight-year-old Noriko “Nori” Kamiza’s first lesson. She will not question why her mother abandoned her with only these final words. She will not fight her confinement to the attic of her grandparents’ imperial estate. And she will not resist the scalding chemical baths she receives daily to lighten her skin. The child of a married Japanese aristocrat and her African American GI lover, Nori is an outsider from birth. Her grandparents take her in, only to conceal her, fearful of a stain on the royal pedigree that they are desperate to uphold in a changing Japan. Obedient to a fault, Nori accepts her solitary life, despite her natural intellect and curiosity. But when chance brings her older half-brother, Akira, to the estate that is his inheritance and destiny, Nori finds in him an unlikely ally with whom she forms a powerful bond—a bond their formidable grandparents cannot allow and that will irrevocably change the lives they were always meant to lead. Because now that Nori has glimpsed a world in which perhaps there is a place for her after all, she is ready to fight to be a part of it—a battle that just might cost her everything. Spanning decades and continents, Fifty Words for Rain is a dazzling epic about the ties that bind, the ties that give you strength, and what it means to be free.

A world with an obliterated population. A world where wolves are the new apex predators. In search of a quiet life, day after day Rain tries to survive, but when wolves start brutally killing her friends, she realizes her best bet of survival is returning to someone she vowed never to see again. On her way to meet up with him, she hurts her ankle, which is only the start of her problems. Weakened and injured, she stumbles upon a cabin in the woods where she finds Henry, a man who appears to be kind and caring. But Henry disappears every month with no mention of where he goes. Still she finds his cabin offers a more peaceful life than the one she was chasing, so she decides to stay. As she deals with vicious wolves and angry humans, Rain must also wrestle with her inner demons and determine if her choice to stay in the cabin is really the path to a perfect life or one more dangerous than she ever could have imagined.

Hewey Calloway, one of the best-loved cowboys in all of Western fiction, returns in this novel of his younger years as he and his beloved brother Walter leave the family farm in 1889 to find work in the West Texas cow country. The brothers are polar opposites. Walter pines for a sedate life as a farmer, with wife and children; Hewey is a fiddle-footed cowboy content to work at six bits--75 cents--a day on the Pecos River ranch owned by the penny-pinching C.C. Tarpley. Hewey, who "usually accepted the vagaries of life without getting his underwear in a twist", is fun-loving and whiskey-drinking. He spends every penny he earns and regularly gets into trouble with his boss--and occasionally with the law--often dragging innocent Walter along. When Walter falls in love with a boarding house girl and begins dreaming of a farmer's life, Hewey jumps at the chance to rescue him from this fate worse than death. He convinces Walter to join him on a mission for Tarpley, driving 600 head of cattle from beyond San Antonio to the Double-C ranch on the Pecos. The journey is both memorable and dangerous: a murderous outlaw is searching for Hewey; and another ruthless character is determined to sabotage the cattle drive. When the drovers reach the Pecos they find Boss Tarpley in the midst of a vicious range feud with Eli Jessup, a neighboring cowman. Hewey and his brother Walter have to get the herd safely across Jessup's land-but how? The events of Six Bits a Day precede those of Kelton's bestselling The Good Old Boys (1978, transformed into the memorable 1995 movie starring Tommy Lee Jones and Sissy Spacek), and The Smiling Country (Forge, 1998). At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A hardboiled novel about life in the American underground, from the pool halls of Portland to the cells of San Quentin. Simply one of the finest books ever written about being down on your luck. Don Carpenter’s Hard Rain Falling is a tough-as-nails account of being down and out, but never down for good—a Dostoyevskian tale of crime, punishment, and the pursuit of an ever-elusive redemption. The novel follows the adventures of Jack Levitt, an orphaned teenager living off his wits in the fleabag hotels and seedy pool halls of Portland, Oregon. Jack befriends Billy Lancing, a young black runaway and pool hustler extraordinaire. A heist gone wrong gets Jack sent to reform school, from which he emerges embittered by abuse and solitary confinement. In the meantime Billy has joined the middle class—married, fathered a son, acquired a business and a mistress. But neither Jack nor Billy can escape their troubled pasts, and they will meet again in San Quentin before their strange double drama comes to a violent and revelatory end.

Aging cowboy and bronco-buster Wes Hendricks just wants to be left alone on his poor ranch, even when town developers offer him big money to sell it. Wes's grandson reluctantly tries to convince him to give up his home, but that was before he, too, succumbs to the ranch's--and a young cowgirl's--wild beauty.

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.

A New York Times Editors’ Choice—“a gripping epic about a father and daughter that plumbs the dark side of a family riven by addiction and mental illness” (Entertainment Weekly). Gardiner Amory’s life is reeling—Nixon is being impeached, his wife is leaving him, and his worldview is rapidly becoming outdated. His daughter, Daley, has spent the first eleven years of her life negotiating her parents’ conflicting worlds: the liberal, socially committed realm of her mother and the conservative, liquor-soaked life of her father. But when the pair divorces, Gardiner’s basest impulses are unleashed in a deluge, the chasm between all of them widens, and Daley is stretched thinly across it. As she reaches adulthood, Daley rejects the narrow world of her father’s prejudices and embarks on her own life—until Gardiner hits rock bottom. Returning home to help her father get sober, Daley risks everything she’s found beyond him, including a chance at love, in an attempt to repair a trust that was broken long ago . . . In this Winner of the New England Book Award for Fiction, Lily King pulls readers into “a brilliant exploration of the attraction of martyrdom, the intoxication of playing savior. . . . An absorbing, insightful story written in cool, polished prose right to the last conflicted line” (Washington Post).

Rain is elemental, mysterious, precious, destructive. It is the subject of countless poems and paintings; the top of the weather report; the source of the world's water. Yet this is the first book to tell the story of rain. Cynthia Barnett's Rain begins four billion years ago with the torrents that filled the oceans, and builds to the storms of climate change. It weaves together science—the true shape of a raindrop, the mysteries of frog and fish rains—with the human story of our ambition to control rain, from ancient rain dances to the 2,203 miles of levees that attempt to straitjacket the Mississippi River. It offers a glimpse of our "founding forecaster," Thomas Jefferson, who measured every drizzle long before modern meteorology. Two centuries later, rainy skies would help inspire Morrissey’s mopes and Kurt Cobain’s grunge. Rain is also a travelogue, taking readers to Scotland to tell the surprising story of the mackintosh raincoat, and to India, where villagers extract the scent of rain from the monsoon-drenched earth and turn it into perfume. Now, after thousands of years spent praying for rain or worshiping it; burning witches at the stake to stop rain or sacrificing small children to bring it; mocking rain with irrigated agriculture and cities built in floodplains; even trying to blast rain out of the sky with mortars meant for war, humanity has finally managed to change the rain. Only not in ways we intended. As climate change upends rainfall patterns and unleashes increasingly severe storms and drought, Barnett shows rain to be a unifying force in a fractured world. Too much and not nearly enough, rain is a conversation we share, and this is a book for everyone who has ever experienced it.