Tomie dePaola’s “gorgeous…sumptuous” (Horn Book Magazine) retelling of the story of the three wise kings is perfect for sharing with little ones during the Christmas season! Three wise men of the East, having seen a new star symbolizing the birth of a great king, follow the star to Bethlehem where they present gifts to the newborn Jesus. This beautiful rendition of the well-known tale is sure to delight young readers.

This bilingual edition of the Three Spanish Querelle Texts is very well-conceived and will attract a wide audience among specialists and non-specialists alike. Francomano provides the first modern English translations of texts that enjoyed European-wide celebrity in the early sixteenth century. Her introduction is the best available summary of our knowledge about Torrellas' two texts and Flores' Grisel y Mirabella. Her translations are more readable than the Spanish texts, dividing Flores' elaborate, rambling sentences into more comprehensible discourse. She often captures the tone of ambiguous or mock sincerity in the pleadings of both Flores' and Torrellas' characters. Francomano has a special sensitivity to the ludic quality of these discourses which helps readers appreciate their expression of "male anxiety" and "female agency" in the gender politics of their era.

A fully revised, expanded and updated edition of this masterly portrayal of contemporary Spain. The restoration of democracy in 1977 heralded a period of intense change that continues today. Spain has become a land of extraordinary paradoxes in which traditional attitudes and contemporary preoccupations exist side by side. Focussing on issues which affect ordinary Spaniards, from housing to gambling, from changing sexual mores to rising crime rates. John Hooper's fascinating study brings to life the new Spain of the twenty-first century.

Spaniards in the Colonial Empire traces the privileges, prejudices, and conflicts between American-born and European-born Spaniards, within the Spanish colonies in the Americas from the sixteenth to early nineteenth centuries. Covers three centuries of Spanish colonial power, beginning in the sixteenth century Explores social tension between creole and peninsular factions, connecting this friction with later colonial bids for independence Draws on recent research by Spanish and Spanish-American historians as well as Anglophone scholars Includes some coverage of Brazil and British colonies

Since the early modern era, historians and observers of Spain, both within the country and beyond it, have identified a peculiarly Spanish disdain for work, especially manual labor, and have seen it as a primary explanation for that nation's alleged failure to develop like the rest of Europe. In "Lazy, Improvident People," the historian Ruth MacKay examines the origins of this deeply ingrained historical prejudice and cultural stereotype. MacKay finds these origins in the ilustrados, the Enlightenment intellectuals and reformers who rose to prominence in the late eighteenth century. To advance their own, patriotic project of rationalization and progress, they disparaged what had gone before. Relying in part on late medieval and early modern political treatises about "vile and mechanical" labor, they claimed that previous generations of Spaniards had been indolent and backward. Through a close reading of the archival record, MacKay shows that such treatises and dramatic literature in no way reflected the actual lives of early modern artisans, who were neither particularly slothful nor untalented. On the contrary, they behaved as citizens, and their work was seen as dignified and essential to the common good. MacKay contends that the ilustrados' profound misreading of their own past created a propagandistic myth that has been internalized by subsequent intellectuals. MacKay's is thus a book about the notion of Spanish exceptionalism, the ways in which this notion developed, and the burden and skewed vision it has imposed on Spaniards and outsiders. "Lazy, Improvident People" will fascinate not only historians of early modern and modern Spain but all readers who are concerned with the process by which historical narratives are formed, reproduced, and given authority.

In early April 1536, Gonzalo Jiménez de Quesada led a military expedition from the coastal city of Santa Marta deep into the interior of what is today modern Colombia. With roughly eight hundred Spaniards and numerous native carriers and black slaves, the Jiménez expedition was larger than the combined forces under Hernando Cortés and Francisco Pizarro. Over the course of the one-year campaign, nearly three-quarters of Jiménez’s men perished, most from illness and hunger. Yet, for the 179 survivors, the expedition proved to be one of the most profitable campaigns of the sixteenth century. Unfortunately, the history of the Spanish conquest of Colombia remains virtually unknown. Through a series of firsthand primary accounts, translated into English for the first time, Invading Colombia reconstructs the compelling tale of the Jiménez expedition, the early stages of the Spanish conquest of Muisca territory, and the foundation of the city of Santa Fé de Bogotá. We follow the expedition from the Canary Islands to Santa Marta, up the Magdalena River, and finally into Colombia’s eastern highlands. These highly engaging accounts not only challenge many current assumptions about the nature of Spanish conquests in the New World, but they also reveal a richly entertaining, yet tragic, tale that rivals the great conquest narratives of Mexico and Peru.

Three classic Spanish plays, made famous by Shakespeare and Webster Two of the most famous and successful playwrights of Spain's Golden Age of playwriting were Lope de Vega (1562-1635) and Rojas Zorrilla (1607-48). From their prodigious output, the three plays in this volume, based on similar sources to Shakespeare's and Webster's versions, provide a fascinating comparison with their Jacobean counterparts. Lope's The Duchess of Amalfi's Steward, in contrast to Webster's play, focuses on the nobility of love, with characters who are complex and appealing. His Romeo-and-Juliet story, The Capulets and Montagues, is a fast-moving mixture of serious and comic, with an ending that will surprise and entertain. Rojas' treatment of Cleopatra, with its rich imagery, emphasises the love theme, held within a knot of jealous relationships. A full introduction by Gwynne Edwards sets the plays in context and provides a thorough study of the individual works.