Once lived a hermit who was so religious that he spent most of his time praying. However one day he saw a poor sinner who was about to be hung and unconsciously the hermit said to himself "that one is getting his deserts". The God was not pleased with what he heard so the hermit was about to learn a lesson. He had to carry a dry branch until three green twigs sprout out of it. Do you think it is possible at all and will the hermit get his penance before his death? Find out in "The Three Green Twigs". Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 210 fairy tales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.

For readers of all ages, two hundred and ten tales of the Brothers Grimm, including "Cinderella," "Sleeping Beauty," "Snow White," and "Hansel and Gretel," translated by Ralph Manheim, the highly acclaimed and prize-winning translator. Manheim has rediscovered in the original German Grimms’ editions of the tales the unadorned, direct rhythm of the oral form in which they were first recorded. He has retained their ageless magic and mythology and restored the extraordinary vitality and wit, the acute perceptions of human strength and facility mirrored in the facets of these small gems. “The best modern translation of the complete Brothers Grimm.”--Choice

Uncover the fairy tale secrets that made the Grimms famous. In fairy tales, a young woman can have impossibly long hair, a man can turn into a lion during the day, and a simple spindle can change a kingdom's history. There are few limits on characters we can create or the stories we tell. Our characters don’t necessarily have to look or act a certain way, and fairy tale magic can delight readers in fresh new ways. In Lessons from Grimm, you’ll do a deep dive into how the Grimms masterfully handle key elements of genre, character, setting, plot, fairy tale magic, and theme. Lessons from Grimm is perfect for teenage writers and up. While beginning authors will learn basic storytelling techniques, more advanced storytellers will hone in on specific tips for writing fairy tale magic and themes. By studying examples of well-known and more obscure tales, you'll come away with a fresh perspective on Grimms' fairy tales and lots of ideas for writing your own stories. * quickly brainstorm ideas * streamline the creative process * create endearing fairy tale characters * build on time-tested plots and themes * write a better fairy tale Bonus! The appendix includes comprehensive lists of characters, settings, plots, romance tropes, magic objects and more, saving you hours of research time. Get Lessons from Grimm today and get started writing your own magical tale.

Heidi the stick insect prepares for her first day of school in this “whimsical and warm” (Children’s Book Daily) picture book in the tradition of Where’s Waldo. Heidi is a stick insect, tall and long like the twig of a tree. It’s her first day at a busy bug school, where she hopes to learn and make new friends. But finding friends isn’t easy when no one can find you!

A collection of 11 fairy tales about enchanted and magical creatures that do not appear to be duplicated anywhere else. Loretta Ellen Brady was an American author best known for this collection written in 1920.

As interest in folklore increases, the folktale acquires greater significance for students and teachers of literature. The material is massive and scattered; thus, few students or teachers have accessibility to other than small segments or singular tales or material they find buried in archives. Stith Thompson has divided his book into four sections which permit both the novice and the teacher to examine oral tradition and its manifestation in folklore. The introductory section discusses the nature and forms of the folktale. A comprehensive second part traces the folktale geographically from Ireland to India, giving culturally diverse examples of the forms presented in the first part. The examples are followed by the analysis of several themes in such tales from North American Indian cultures. The concluding section treats theories of the folktale, the collection and classification of folk narrative, and then analyzes the living folklore process. This work will appeal to students of the sociology of literature, professors of comparative literature, and general readers interested in folklore.