"Students and teachers of philosophy, psychology, and religion will appreciate Three Faces of Love, as will anyone seeking a fresh way to look at this most powerful and mysterious aspect of human life. Psychologists, psychiatrists, social workers, and counselors will be particularly interested in the chapter on the dark side of love, obsession, and possessiveness."--BOOK JACKET.

This study shows that the brain has at least ten intelligences, some emotional, and some behavioural. Using stories and simple exercises, it teaches how to access and orchestrate all ten intelligences, discovering new skills in the process.

To desire something is a condition familiar to everyone. It is uncontroversial that desiring has something to do with motivation, something to do with pleasure, and something to do with reward. Call these "the three faces of desire." The standard philosophical theory at present holds that the motivational face of desire presents its unique essence--to desire a state of affairs is to be disposed to act so as to bring it about. A familiar but less standard account holds the hedonic face of desire to reveal to true nature of desire. In this view, to desire something is to tend to pleasure if it seems that the desired state of affairs has been achieved, or displeasure if it seems otherwise, thus tying desire to feelings instead of actions. In Three Faces of Desire, Schroeder goes beyond actions and feelings to advance a novel and controversial theory of desire that puts the focus on desire's neglected face, reward. Informed by contemporary science as much as by the philosophical tradition, Three Faces of Desire discusses recent scientific discoveries that tell us much about the way that actions and feelings are produced in the brain. In particular, recent experiments reveal that a distinctive system is responsible for promoting action, on the one hand, and causing feelings of pleasure and displeasure, on the other. This system, the brain's reward system, is the causal origin of both action and feeling, and is the key to understanding the nature of desire.

Defining power as the ability to get what we want, this volume identifies three major types of power: threat power; economic power; and, integrative power. It argues that threat power should not be seen as fundamental since it is not effective unless reinforced by economic and integrative power.

Whether you love her, hate her, or love to hate her, Nellie Oleson is one of most recognizable literary figures of the 20th century. But Laura Ingalls Wilder, author of the Little House on the Prairie series in which Nellie appears, had a secret. . .Nellie wasn't a real person! Instead, she was a composite character created from three girls Laura knew from childhood: Nellie Owens, Genevieve Masters, and Estella Gilbert.The Little House character of Nellie Oleson is one-dimensional: snobbish, selfish, and thoroughly unpleasant. But the real women behind Laura's creation? An intriguing mix of the not-so-nice and the unexpectedly redeemable. In short, they were human.Discovering the true stories behind Nellie, Genevieve, and Estella has been a fascinating journey. All three ended up on the West Coast at one point. . .true westward movement! One was widowed twice, one ended up divorced, and one died way too young. Two only had one child, and one had three, though she outlived her youngest by a very long time. There's even some "Nellie-like" drama in there: Embezzlement. Lying on censuses. Shady land deals.But there are some beautiful things, too. . .like the enduring love of a husband after his bride died. Or the rare closeness of a mother and daughter who shared their lives as adults. Or the strength of a young widowed mother who not only cared for her son, but headed out west, in true pioneer fashion, while she did so.Laura Ingalls Wilder did a masterful job of creating the character of Nellie Oleson. But the three real-life women behind that iconic character are, in my opinion, infinitely more intriguing.

This ground-breaking book helps us discover all the ways we are smart. Based on three decades of teaching and research, it shows that we have at least ten kinds of aptitude---emotional and behavioral as well as mental. Personal stories and simple exercises teach us to access all ten, including: Spatial intelligence to pre-visualize important new projects; Motivational intelligence to light your creative fire; Mood intelligence to grow despite adversity; Pattern intelligence to combat addictions and negative habits; Intuitive intelligence to gain in spiritual wisdom; Parameter intelligence to sustain what you love and live in harmony with the universe.

In 1954 Drs. Thigpen adn Cleckley wrote a technical article, "A Case of Multiple Personality", for the Journal of Abnormal and Social Psychology. This appeared before they had completed the work on the case. The Three Faces of Eve is an extension of that collaboration - a complete account of this extraordinary case which is likely to engage the lay reader's interest as vividly as that of physicians and professional workers in psychology and sociology. Eve White was a shy, saintly housewife and mother. Eve Black was a coarse, seductive beauty with a passion for drinking, dancing and the company of strangers. Jane was the third Eve. She was a mature, poised woman - but her tormented soul held the key to Eve's deepest mystery. They were all one woman - and they were all unlike the Eve that finally emerged. --Google Books

Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly