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The Nobel Laureate's classic sums up all research in the field prior to 1877, then presents Rayleigh's own original contributions. Volume Two covers aerial vibrations, vibrations in tubes, reflection and refraction of plane waves, general equations, theory of resonators, Laplace's functions and acoustics, spherical sheets of air, vibration of solid bodies, and facts and theories of audition.

A highly original approach to the philosophy of musical experience.

Undergraduate-level text examines waves in air and in three dimensions, interference patterns and diffraction, and acoustic impedance, as illustrated in the behavior of horns. 1951 edition.

Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

Volume One covers harmonic vibrations, systems with one degree of freedom, vibrating systems in general, transverse vibrations of strings, longitudinal and torsional vibrations of bars, vibrations of membranes and plates, curved shells and plates, and electrical vibrations.

A history of acoustics from the 19th century to the present, written by one of the pre-eminent members of the acoustical community. The book is both a review of the major scientific advances in acoustics as well as an account of famous acousticians and their discoveries, taking in the development of the Acoustical Society of America. Acoustics is distinguished by its interdisciplinary nature and the book duly explores the fields development in its relationship to other sciences. In addition to covering the history of acoustics, the book concludes with the future of acoustics. Beautifully illustrated.