In this fourth volume of his magnnum opus, von Balthasar considers the metaphysical tradition of the contemplation of Being. He provides major studies of Homer, the Greek Tragedians, Plato and Plotinus and the development of this tradition in the Middle Ages. He then explores the analogy between the metaphysical vision of the Being and the Christian vision of the divine glory of the Trinity. The book is a remarkable attempt to rediscover the ancient vision of Being in all its awesomeness as the context within which the specifically Christian vision, rooted in God's gracious self-revelation, took form and was expressed.

Critically assessing Balthasar's interpretation of scripture in The Glory of the Lord: A Theological Aesthetics, Dickens demonstrates the extent to which his approach to scripture abides by certain pre-modern interpretive conventions.

*Presents a rigorous reexamination of von Balthasars interpretation of major ancient and medieval texts*

opens with a critical review of developments in Protestant and Catholic theology since the Reformation which have led to the steady neglect of aesthetics in Christian theology. Then, von Balthasar turns to the central theme of the volume, the question of theological knowledge. He re-examines the nature of Christian believing, drawing widely on such theological figures as Anselm, Pascal and Newman.

In this volume von Balthasar turns to the works of the lay theologians, the poets and the philosopher theologians who have kept alive the Grand Tradition of Christian theology in writings formally very different from the works of the Fathers and the great Scholastics. This volume contains studies of Dante, John of the Cross, Pascal, Hamann, Soloviev, Hopkins and Peguy.

The publication of Hans Urs von Balthasar's seven-volume The Glory of the Lord established von Balthasar as one of the greatest and most influential Catholic theologians of the twentieth-century.

"Volume 1 gives us a series of monographs designed to illustrate the different ways in which theologians have shaped their works. Volume 2 is a continuation of monographs in Volume 1 in which the aesthetical dimension of theology, its intrinsic beauty, is traced through some of the great Christian thinkers of modern times." -

This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar's contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar's own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.