Despite the importance of commitment in moral and political philosophy, there has hitherto been little extended analysis of it. Marcel Lieberman examines the conditions under which commitment is possible, and offers at the same time an indirect argument for moral realism. He argues that realist evaluative beliefs are functionally required for commitment - especially regarding its role in self-understanding - and since it is only within a realist framework that such beliefs make sense, realism about values is a condition for the possibility of commitment itself. His ambitious study addresses questions that are of great interest to analytic philosophers but also makes many connections with continental philosophy and with folk psychology, sociology and cognitive science, and will be seen as a distinctive intervention in the debate about moral realism.

This performance of the Giuseppe Verdi opera La Traviata in the picturesque setting of the Sydney Harbour features vocalists such as Emma Matthews, Gianluca Terranova, and Jonathan Summers in the leading roles. ~ Cammila Collar, Rovi

Viewing thematic writing as the differentiation and elaboration of cultural knowledge, P. M. Cryle applies this new kind of thematics to the commitment" most often mentioned by literary critics in connection with existentialist literature. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Themes play a central role in our everyday communication: we have to know what a text is about in order to understand it. Intended meaning cannot be understood without some knowledge of the underlying theme. This book helps to define the concept of ‘themes’ in texts and how they are structured in language use. Much of the literature on Thematics is scattered over different disciplines (literature, psychology, linguistics, cognitive science), which this detailed collection pulls together in one coherent overview. The result is a new landmark for the study and understanding of themes in their everyday manifestation.

Meet the Rabbitte family, motley bunch of loveable ne'er-do-wells whose everyday purgatory is rich with hangovers, dogshit and dirty dishes. When the older sister announces her pregnancy, the family are forced to rally together and discover the strangeness of intimacy. But the question remains: which friend of the family is the father of Sharon's child? By the bestselling author of The Commitments, now a long-running West End stage show. 'Unstoppable fun. A big-hearted, big-night out' The Times

"A Thematic Guide to Documents on the Human Rights of Women" is the first volume in a new series: "The Raoul Wallenberg Institute Human" "Rights Guides," As the term guide' implies, the series will facilitate orientation in international human rights standards by presenting the content of substantive standards in a systematic way. The Guides map out the entire range of human rights and fundamental freedoms as they relate to specific categories of beneficiaries. Future volumes will be devoted to children, minorities, indigenous peoples, detainees, migrants, and so on. Volumes are also planned to deal with health, information, and humanitarian relief, in which the category of beneficiary is open ended. In all such areas, those who are professionally involved in human rights activities need guidance to substantive standards, which are neither widely known nor readily accessible. This first volume establishes the structure to be followed by future Guides. Part 1 groups the relevant provisions from different instruments according to specific rights and freedoms. Part 2 supplies a chronological list of all the instruments that have been excerpted in Part 1, enabling the user to locate the entire document if wished. Part 3 contains an extensive index of all relevant provisions.

"William Myers has produced an outstanding study of the call to ministry among African American clergy. This is the broadest and deepest study of African American call stories and narratives ever written. Moving beyond the ethnographic descriptions, Myers has placed the call narratives and stories in theoretical perspective, relating them to the traditions of hermeneutics and theological reflection. Highly recommended for all students of African American religious traditions." --Lawrence H. Mamiya, Vassar College "The churches need this examination of a distinctive phenomenon of the African American religious experience to which Myers applies impressive cross-disciplinary research skills and insight. A fine contribution to black religious studies!" --Gayraud S. Wilmore, Editor, Journal of the Interdenominational Theological Center "This is a pioneering work. It attends to a central dimension of African American Christianity, the call, a topic largely neglected by theologians and religious studies scholars. Bringing multiple perspectives to bear, Myers argues that the call is not only a kind of religious hermeneutic but also a form of ritual and of narrative. Myers has a finely tuned ear for the nuances and richness of specific African American voices." --Ron Grimes, Wilfrid Laurier University

Jessica Berman demonstrates how modernist narrative connects ethical attitudes and responsibilities to the active creation of political relationships and the way we imagine justice. She challenges divisions between "modernist" and "committed" writing, arguing that a continuum of political engagement undergirds modernisms worldwide and that it is strengthened rather than hindered by formal experimentation. In addition to making the case for a transnational model of modernism, Berman shows how modernism's play with formal matters, its challenge to the boundaries between fact and fiction, its incorporation of vernacular and folkways, and its engagement with embodied experience and intimacy offer not only an expanded account of modernist texts and commitments but a new way of thinking about what modernism is and can do.