David Greig has been described as 'one of the most interesting and adventurous British dramatists of his generation' (Daily Telegraph) and 'one of the most intellectually stimulating dramatists around' (Guardian). Since he began writing for theatre in the early nineties, his work has been both copious and remarkably varied, defying neat generalisations or attempts to pigeon-hole his work. Besides his original plays, he has adapated classics, is co-founder of the Suspect Culture Theatre Group and is currently Dramaturge for the National Theatre of Scotland. This Critical Companion provides an analytical survey of his work, from his early plays such as Europe and The Architect through to more recent works Damascus, Dunsinane and Ramallah; it also considers the plays produced with Suspect Culture and his work for young audiences. As such it is the first book to provide a critical account of the full variety of his work and will appeal to students and fans of contemporary British theatre. Clare Wallace provides a detailed analysis of a broad selection of plays and their productions, reviews current discourses about his work and offers a framework for enquiry. The Companion features an interview with David Greig and a further three essays by leading academics offering a variety of critical perspectives.

'I have been thinking I might go berserk.' When Claire, a priest, survives an atrocity she sets out on a quest to answer the most difficult question of all: 'Why?' It's a journey that takes her to the edge of reason, science, politics and faith. David Greig's daring new play explores our destructive desire to fathom the unfathomable and asks how far forgiveness can stretch in the face of brutality. The Events was commissioned and first produced by Actors Touring Company in co-production with the Young Vic Theatre, Schauspielhaus Wein and Brageteatret. It premiered at the Traverse Theatre, Edinburgh, in August 2013.

Late at night in a foreign land, an English army sweeps through the landscape under cover of darkness and takes the seat of power. Struggling to contain his men and the ambitions of his superiors, the commanding officer attempts to negotiate the unspoken rules of this alien country. He seeks to restore peace to a country ravaged by war. This is Scotland in the eleventh century at the height of the fight for succession of the Scottish throne. David Greig's Dunsinane premiered in February 2010 at Hampstead Theatre, London, in a production by the Royal Shakespeare Company.

In 1928 a journalist asked George Mallory why he wanted to climb Everest. Mallory said, 'Because it's there.' Joe Simpson's memoir Touching the Void, international bestseller and BAFTA-winning film, charts his struggle for survival on the perilous Siula Grande mountain in the Peruvian Andes aged twenty-five. Adapted for the stage by David Greig, Joe's story explodes into a bold theatrical fantasia. We discover the counter-cultural world of Alpine climbing and the sensual joy of the mountains; we bear witness to the appalling moment when Joe's climbing partner Simon Yates, battered by freezing winds and tethered to the injured Simpson, makes the critical decision to cut the rope. Tense, funny and inquisitive, Touching the Void explores the mind's extraordinarily rich reservoirs of strength and imagination when teetering on the edge of death. David Greig's Touching the Void premiered at Bristol Old Vic, Bristol in September 2018.

Duck Macatarsney cares for her biker dad, Duke, whose MS is getting worse. Duke is a spliff-smoking (for medicinal reasons you understand), bike-riding, heavy-metal- and horror-movie-loving, pizza-eating widower who has brought up Duck since the death of her mum in a crash. The two of them are just about surviving when one morning the Duke wakes up blind and the Duck hears Social Services are coming to take her away.The Monster in the Hall follows Duck as she tries to protect her world from the terrifying prospect of change.David Greig's The Monster in the Hall premiered at the Citizens Theatre, Glasgow, in autumn 2010, and was staged at the Traverse Theatre, Edinburgh in 2011 as part of the Edinburgh Festival Fringe.

One wintry morning academic Prudencia Hart sets off to a conference in the Scottish Borders. Stranded there by snow, she is swept off on a dream-like journey of self discovery, complete with magical moments, devilish encounters and wittily wild music. 'You shouldn't miss this for the world . . . Rambunctiously life-affirming and touchingly beautiful.' Herald 'More vibrantly alive than any piece of theatre I've seen in Scotland for years.' Scotsman Inspired by the Border ballads, The Strange Undoing of Prudencia Hart toured throughout Scotland in 2011 in a production by the National Theatre of Scotland.

If we help, we invite trouble. If we don't, we bring shame.Fifty women board a boat in North Africa. They flee across the Mediterranean, leaving everything behind. They are escaping forced marriage in their home and seeking asylum in Greece.Written 2,500 years ago, The Suppliant Women is one of the world's oldest plays. It's about the plight of refugees, about moral and human rights, civil war, democracy and ultimately the triumph of love. It tells a story that echoes down the ages to find striking and poignant resonance today.Featuring in performance a chorus of local women, this is part play, part ritual, part theatrical archaeology. It explores fundamental questions of humanity: who are we, where do we belong and, if all goes wrong, who will take us in?Aeschylus' The Suppliant Women, in a version by David Greig, premiered at the Lyceum Theatre, Edinburgh, in October 2016, in a production by ATC.

"The most important playwright to have emerged north of the border in years." (Scotsman) Two Soviet cosmonauts, losing contact with the world they left behind; a Scottish civil servant in the throes of a midlife crisis; a Norwegian peace negotiator; a Russian erotic dancer; a French UFO researcher and an Edinburgh speech therapist in search of her missing husband are brought together through an extraordinary thread of connections, which bring us into contact with both the intimate and the epic. Space odyssey meets unrequited love story as The Cosmonaut's last message... explores the incessant search for harmony and peace within all of us.

THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.

"The most important playwright to have emerged north of the border in years." (Scotsman) The Architect charts the rise and fall of Leo Black, once an idealistic and idolised designer, whose magnificent visions are now crumbling, along with his family, in the light of grubby reality. "Provides convincing evidence of David Greig's confident transition from a dramatist of promise to one of stature." (Indpendent)