The American playwright and manager-director Augustin Daly dominated the theatrical scene in the United States during the last half of the nineteenth century. His plays and productions set a new standard for American theatre and exerted a strong influence in England, beginning with a first European tour in 1884 and culminating in the opening of Daly's own theatre in London in 1893. Daly, with the assistance of his brother Joseph, had over ninety of his plays or adaptations performed. This unique collection brings together three disparate examples from his prolific output: A Flash of Lightning (1868), Horizon (1871) and Love on Crutches (1884). Daly, an exceptional contriver of theatrical effects, offered the theatre of the 1870s and 1880s melodramas and comedies greatly superior to those of his competitors. These three plays represent the range and energy of his talent.

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Augustin Daly was one of the most influential figures in the American theater of the late 19th century, known for his prolific output as a playwright, producer, and director. This biography by his nephew Joseph Francis Daly sheds light on his life and career, from his early days as a journalist to his triumph as the founder of the Fifth Avenue Theatre in New York. Drawing on personal letters and other primary sources, the book offers a fascinating glimpse into the world of American theater in the Gilded Age. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

These letters and papers arose mainly out of his career as manager of the successive Fifth Avenue Theatres, 1869-1877, the Grand Opera House, 1872-1874, and Daly's Theatre, 1879-1899, in New York City. The vast majority of the letters are addressed to Daly.