A unique view of the contemporary American theater is seen through the discerning eyes and dramatic brush of one of its top poster artists in this collection of 36 posters from 1976 to the present. 225 color illustrations.

A memoir in paintings and words by internationally acclaimed illustrator, author, and teacher James McMullan. A Booklist Top 10 Biography for Youth “It is this dreamlike quality of my memories that I wanted to capture in some way in the paintings that accompany the text--to suggest in the images that the events occurred a long time ago in a simpler yet more exotic world, and that the players in that world, including me, are at a distance.” Artist James McMullan’s work has appeared in the pages of virtually every American magazine, on the posters for more than seventy Lincoln Center theater productions, and in bestselling picture books. Now, in a unique memoir comprising more than fifty short essays and illustrations, the artist explores how his early childhood in China and wartime journeys with his mother influenced his whole life, especially his painting and illustration. James McMullan was born in Tsingtao, North China, in 1934, the grandson of missionaries who settled there. As a little boy, Jim took for granted a privileged life of household servants, rickshaw rides, and picnics on the shore—until World War II erupted and life changed drastically. Jim’s father, a British citizen fluent in several Chinese dialects, joined the Allied forces. For the next several years, Jim and his mother moved from one place to another—Shanghai, San Francisco, Vancouver, Darjeeling—first escaping Japanese occupation then trying to find security, with no clear destination except the unpredictable end of the war. For Jim, those ever-changing years took on the quality of a dream, sometimes a nightmare, a feeling that persists in the stunning full-page, full-color paintings that along with their accompanying text tell the story of Leaving China.

Know what I do at night while you're asleep? Eat your trash, that's what! With ten wide tires, one really big appetite, and an even bigger smell, this truck's got it all. His job? Eating your garbage and loving every stinky second of it! And you thought nighttime was just for sleeping.

High-Focus Drawing by James McMullan presents an exciting new approach to figure drawing. This book is about combining memory, common sense, and a heightened awareness of the body to arrive at a profound understanding of representing the rhythms of the human figure.

Clank! Rattle! Bang! Who's making all that noise? Backhoe Loader, reporting for duty. Cleaning up a mess? Easy as pie. Make that a mud pie. RRRRRM! RRRRRM! Who wants to be clean when it's so much fun being dirty? Clunk! I just LOVE my job!

THE STORY: It is 1987 and Gil Burgess, a young archeologist, is alone in the Mexican jungle at dusk when his estranged mother, Patrice, suddenly arrives. The rift between them goes back to 1977 when Gil was a teenager living with his parents in Dur

The latest work by the award-winning author of Coastal Disturbances and The Art of Dining.

Artie Shaugnessy is a songwriter with visions of glory. Toiling by day as a zoo-keeper, he suffers in seedy lounges by night, plying his wares at piano bars in Queens, New York where he lives with his wife, Bananas. Who is. Much to the chagrin of Artie's downstairs mistress, Bunny Flingus who'll sleep with him anytime but refuses to cook until they are married. On the day the Pope is making his first visit to the city, Artie's son Ronny goes AWOL from Fort Dix stowing a home made-bomb intended to blow up the Pope in Yankee Stadium. Also arriving are Artie's old school chum, now a successful Hollywood producer, Billy Einhorn with starlet girlfriend in tow, who holds the key to Artie's dreams of getting out of Queens and away from the life he so despises. But like many dreams, this promise of glory evaporates amid the chaos of ordinary lives.

At a dinner party in New Jersey, two couples discuss polyamory as brought up by the introduction of a new temp, Pip, in Jane’s office. When they invite Pip and her two male partners, discussion turns to action and the exploration of unexplored desire turns animalistic, and then Jane’s daughter sees it all. How to Transcend a Happy Marriage blurs the lines of monogamy and asks how deeply friends, lovers and strangers connect.