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A reminiscence of a Christmas shared by a seven-year-old boy and a sixtyish childlike woman, with enormous love and friendship between them.

A boy recalls his life with an elderly relative in rural Alabama in the 1930s and the lesson she taught him one Thanksgiving Day about dealing with a bully from school.

This wide-ranging introduction to the short story tradition in the United States of America traces the genre from its beginnings in the early nineteenth century with Irving, Hawthorne and Poe via Fitzgerald, Hemingway and Faulkner to O'Connor and Carver. The major writers in the genre are covered in depth with a general view of their work and detailed discussion of a number of examples of individual stories. The Cambridge Introduction to the American Short Story offers a comprehensive and accessible guide to this rich literary tradition. It will be invaluable to students and readers looking for critical approaches to the short story and wishing to deepen their understanding of how authors have approached and developed this fascinating and challenging genre. Further reading suggestions are included to explore the subject in more depth. This is an invaluable overview for all students and readers of American fiction.

"The thing I like to do most in the world is talk," Capote once said, & talk he does in the more than two dozen interviews collected in this book.

Pugh explores Capote through a cinematic lens, skillfully weaving the most relevant elements of Capote's biography with insightful critical analysis of the films, screenplays, and adaptations of his works that composed his fraught relationship with the Hollywood machine.

A landmark collection that brings together Truman Capote’s life’s work in the form he called his “great love,” The Complete Stories confirms Capote’s status as a master of the short story. “To best experience Capote the stylist, one must go back to his short fiction. . . . One experiences as strongly as ever his gift for concrete abstraction and his spectacular observancy.” —The New Yorker Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.

To Kill a Mockingbird is one of the most widely read novels in American literature. It's also a perennial favorite in highschool English classrooms across the nation. Yet onetime author Harper Lee is a mysterious figure who leads a very private life in her hometown of Monroeville, Alabama, refusing to give interviews or talk about the novel that made her a household name. Lee's life is as rich as her fiction, from her girlhood as a rebellious tomboy to her days at the University of Alabama and early years as a struggling writer in New York City. Charles J. Shields is the author of the New York Times bestselling biography Mockingbird: A Portrait of Harper Lee, which he has adapted here for younger readers. What emerges in this riveting portrait is the story of an unconventional, high-spirited woman who drew on her love of writing and her Southern home to create a book that continues to speak to new generations of readers. Anyone who has enjoyed To Kill a Mockingbird or Go Set a Watchman will appreciate this glimpse into the life of its fascinating author, which includes photographs of Harper Lee, her family, and the film version of To Kill a Mockingbird starring Gregory Peck. I Am Scout is a 2009 Bank Street - Best Children's Book of the Year.

The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition is a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford’s body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford’s best work is showcased, including a nine-part dossier on Marlon Brando’s One-Eyed Jacks in which Gifford examines the public and private lives of those involved in the film. New to the collection are four previously published essays: a brief look at the novels of Álvaro Mutis; a reflection on Gifford’s schooling under Nebraska poet John Neihardt; an essay on Elliot Chaze and his novel Black Wings Has My Angel; and a short piece on Sailor and Lula.