The Thanksgiving Play “Satire doesn’t get much richer… A takedown of white American mythology… The familiar, whitewashed story of Pilgrims and Native Americans chowing down together gets a delicious roasting.” —Jesse Green, New York Times “Wryly funny… Deftly makes points that need making about representation and, to borrow a line from Hamilton, the crucial matter of ‘who tells your story.’” —Don Aucoin, Boston Globe A group of well-intentioned white teaching artists scramble to create an ambitious “woke” Thanksgiving pageant. Despite their eager efforts to put on the most culturally sensitive show possible, it quickly becomes clear that even those with good intentions can be undone by their own blind spots. What Would Crazy Horse Do? “A nuanced portrait of reservation life… A scalding cauldron of race and resentment, poverty, and mental illness.” —Robert W. Butler, Kansas City Star “A timely meditation on the dangers of nationalism tinged with a sad irony as seen through the filter of a Native American lens.” —Alan Portner, Broadway World Twins Calvin and Journey, the last two members of the Marahotah tribe, make a suicide pact to end the Marahotah when the grandfather who raised them dies. Then two white strangers knock on their door and the insular world of the twins is ripped wide open.

"This is an instruction manual to finding winners at the races, including worksheets!"--Back cover

It's 1967 in Detroit. Motown music is getting the party started, and Chelle and her brother Lank are making ends meet by turning their basement into an after-hours joint. But when a mysterious woman finds her way into their lives, the siblings clash over more much more than the family business. As their pent-up feelings erupt, so does their city, and they find themselves caught in the middle of the '67 riots. Detroit '67 is presented in association with Classical Theatre of Harlem and the National Black Theatre. Detroit '67 was awarded the 2014 Edward M. Kennedy Prize for Drama Inspired by American History

The first title from the original webcomics imprint of DC Comics!South of the Mason-Dixon Line lies a strange land of gods and monsters; a world parallel to our own, born from centuries of slavery, civil war, and hate.Lee Wagstaff is the daughter of a black sharecropper in the depression-era town of Charon, Mississippi. When Lily Westmoreland, her white playmate, is snatched by agents of an evil creature known as Bog, Lee's father is accused of kidnapping. Lee's only hope is to follow Lily's trail into this fantastic and frightening alternate world. Along the way she enlists the help of a benevolent, blues singing, swamp monster called Bayou. Together, Lee and Bayou trek across a hauntingly familiar Southern Neverland, confronting creatures both benign and malevolent, in an effort to rescue Lily and save Lee's father from being lynched.BAYOU VOL. 1 collects the first four chapters of the critically acclaimed webcomic series by Glyph Award nominee Jeremy Love.

When Masako is diagnosed with a rare and aggressive form of uterine cancer, her dispersed family is brought back to their Kentucky hometown to care for her. Hiro, the older daughter and a New York City transplant, struggles to make peace with the demons she inherited; the younger daughter, Sophie, negotiates her faith in the face of her mother’s illness and her own broken dreams; their father, James, is a recovering alcoholic seeking forgiveness and redemption; and a friend, John, worries about the legacy he’ll be able to leave his only son. Forced together in a time of need, five estranged people come face to face with their own mortality.

Native Americans are always a big topic with students. What they hunted, the clothes they wore, tribal dances, and maps that show where the different tribes settled are all included in this book. Fact-filled text boxes give additional information on these unique peoples.

The book includes 35 articles outlining key information that normally could take years for new college students to learn, 30 exercises on topics such as Time Management and Money Management that can be done individually, in small groups in class, or as homework assignments, journal writing prompts, 9 Case Studies, 8 Self Assessments, and assorted FAQs with answers . . . . a great tool for generating discussion about how to avoid the obstacles to success many new students encounter, as well as how to establish a foundation for academic success early on in college--Publisher description.

The Indian Removal Act promised Native Americans money and supplies to move west to an area called Indian Territory. The government said the Native Americans could live there forever. That promise was broken in the late 1800s. Find out more in The Indian Removal Act and the Trail of Tears, a title in the Building Our Nation series. Building Our Nation is a series of AV2 media enhanced books. A unique book code printed on page 2 unlocks multimedia content. These books come alive with video, audio, weblinks, slideshows, activities, hands-on experiments, and much more.

This foundational study offers an accessible introduction to Native American and First Nations theatre by drawing on critical Indigenous and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays, and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through the plays' visionary styles of dramaturgy and performance. The book begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations drama, followed by an overview of Indigenous plays and theatre artists from across the century. Finally, it points forward to the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Addressing the complexities of this dynamic field, this volume offers critical grounding in the historical development of Indigenous theatre in North America, while analysing key Native plays and performance traditions from the mainland United States and Canada. In surveying Native theatre from the late 19th century until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Indigenous peoples. This book frames the major themes of the genre and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts.