This book is not a descriptive monograph, but an essay in cultural analysis, one which views culture as a system of symbols and which takes form under the impact of modern structural theory. A theme which runs throughout is the concept of dual organization, a structure which once characterized ten to fifteen percent of all known human societies, and which is found in a highly developed form among the Tewa today. Defined as "a system of antithetical institutions with the associated symbols, ideas, and meanings in terms of which social interaction takes place," a dual organization is for the Tewa a natural result of adapting to an environment comprised of opposites--two extremes of weather during the year; two means of subsistence, hunting in winter and farming in summer; and two periods and directions of migration in the origin myth.

Tewa Worlds tells a history of eight centuries of the Tewa people, set among their ancestral homeland in northern New Mexico. Bounded by four sacred peaks and bisected by the Rio Grande, this is where the Tewa, after centuries of living across a vast territory, reunited and forged a unique type of village life. It later became an epicenter of colonialism, for within its boundaries are both the ruins of the first Spanish colonial capital and the birthplace of the atomic bomb. Yet through this dramatic change the Tewa have endured and today maintain deep connections with their villages and a landscape imbued with memory and meaning. Anthropologists have long trekked through Tewa country, but the literature remains deeply fractured among the present and the past, nuanced ethnographic description, and a growing body of archaeological research. Samuel Duwe bridges this divide by drawing from contemporary Pueblo philosophical and historical discourse to view the long arc of Tewa history as a continuous journey. The result is a unique history that gives weight to the deep past, colonial encounters, and modern challenges, with the understanding that the same concepts of continuity and change have guided the people in the past and present, and will continue to do so in the future. Focusing on a decade of fieldwork in the northern portion of the Tewa world—the Rio Chama Valley—Duwe explores how incorporating Pueblo concepts of time and space in archaeological interpretation critically reframes ideas of origins, ethnogenesis, and abandonment. It also allows archaeologists to appreciate something that the Tewa have always known: that there are strong and deep ties that extend beyond modern reservation boundaries.

Tewa Worlds tells a history of eight centuries of the Tewa people, set among their ancestral homeland in northern New Mexico. Bounded by four sacred peaks and bisected by the Rio Grande, this is where the Tewa, after centuries of living across a vast territory, reunited and forged a unique type of village life. It later became an epicenter of colonialism, for within its boundaries are both the ruins of the first Spanish colonial capital and the birthplace of the atomic bomb. Yet through this dramatic change the Tewa have endured and today maintain deep connections with their villages and a landscape imbued with memory and meaning. Anthropologists have long trekked through Tewa country, but the literature remains deeply fractured among the present and the past, nuanced ethnographic description, and a growing body of archaeological research. Samuel Duwe bridges this divide by drawing from contemporary Pueblo philosophical and historical discourse to view the long arc of Tewa history as a continuous journey. The result is a unique history that gives weight to the deep past, colonial encounters, and modern challenges, with the understanding that the same concepts of continuity and change have guided the people in the past and present, and will continue to do so in the future. Focusing on a decade of fieldwork in the northern portion of the Tewa world—the Rio Chama Valley—Duwe explores how incorporating Pueblo concepts of time and space in archaeological interpretation critically reframes ideas of origins, ethnogenesis, and abandonment. It also allows archaeologists to appreciate something that the Tewa have always known: that there are strong and deep ties that extend beyond modern reservation boundaries.

Great changes have swept the world of the Tewa Indian peoples of New Mexico since 1985, when this volume first appeared, including changes in relationships between Indian communities and the anthropologists who wish to study them. Returning to her classic work, anthropologist Jill D. Sweet revisits the ideas and the people who first inspired her love of the Tewa Pueblo dances. The Tewa have become increasingly sophisticated in managing tourism, including the new casinos, to ensure that it contributes to the persistence and even the revitalization of ancient ritual practices. This expanded edition reflects these changes by featuring the voices of Tewa dancers, composers, and others to explain the significance of dance to their understanding of Tewa identity and community. The author frames their words with her own poignant reflections on more than twenty years of study and friendship with these creative and enduring people.

My Life in San Juan Pueblo is a rich, rewarding, and uplifting collection of personal and cultural stories from a master of her craft. Esther Martinez's tales brim with entertaining characters that embody her Native American Tewa culture and its wisdom about respect, kindness, and positive attitudes.

More than 160 tales from eighty tribal groups present a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world. “This fine, valuable new gathering of ... tales is truly alive, mysterious, and wonderful—overflowing, that is, with wonder, mystery and life" (National Book Award Winner Peter Matthiessen). In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.

Text and photographs depict the home, school, and cultural life of two young Indian girls growing up on the San Ildefonso Pueblo in New Mexico.

This study focuses on the cultural-historical environment of the 88,900-acre (35,560-ha) Valles Caldera National Preserve (VCNP) over the past four centuries of Spanish, Mexican, and U.S. governance. It includes a review and synthesis of available published and unpublished historical, ethnohistorical, and ethnographic literature about the human occupation of the area now contained within the VCNP. Documents include historical maps, texts, letters, diaries, business records, photographs, land and mineral patents, and court testimony.‍?‍?This study presents a cultural-historical framework of VCNP land use that will be useful to land managers and researchers in assessing the historical ecology of the property. It provides VCNP administrators and agents the cultural-historical background needed to develop management plans that acknowledge traditional associations with the Preserve, and offers managers additional background for structuring and acting on consultations with affiliated communities.

A comprehensive guide to the historic and contemporary indigenous cultures of the American Southwest, intended for college courses and the general reader.

An informative and accessible pictorial history of the Hopi Indians illustrated with pen and ink drawings by Hopi/Tewa artist Neil David, Sr. David, who has been called the Hopis' Norman Rockwell, is noted for meticulous detail in his works and speaking his mind through the antics of the Koshare clown. Inspired by David's illustration, the authors tell the story behind these images, which capture some of the most important events and milestones in Hopi history from the Pueblo Rebellion against the Spaniards to living and coping with government edicts and intruders from the dominant American society during the late 19th through the 21st centuries. Each image is accompanied by a historical essay that further explores topics that have influenced the Hopi culture, shaped the Hopi society, and impacted David's life in the Hopi world. Historians, ethnologists, anthropologists, and art lovers will all appreciate the social, political, and cultural insights presented through Hopi eyes.