A brilliant interweaving of journeys and voyages--geographical, historical, psychological--The Terrors of Ice and Darkness is the riveting account of a narrator obsessed with a certain Josef Mazzini, a young Italian "lost in the arctic winter of 1981" who is himself obsessed with the Imperial Austro-Hungarian North Pole Expedition of 1873: "At first it was nothing more than a game to try to reduce the circumstances of his disappearance to some sort of explanation, any explanation. But every clue yielded a new unanswered question. Quite involuntarily I found myself taking one step after the other. . . . Cumulus clouds mirrored in a shop window became calving glaciers, patches of old snow in city parks became great floes of ice. The Arctic Ocean lay at my window. Much the same thing must have happened to Mazzini." Painstakingly retracing Mazzini's steps, the narrator simultaneously reconstructs the dramatic and fantastic story of the nineteenth-century journey, using actual letters and diaries of the members of that harrowing expedition. These documents--sometimes surprisingly poetic and moving--combine in the narrator's imagination to evoke as never before the awful beauty of the world's farthest northern reaches. In a novel as crystalline as the polar ice, as penetrating as the arctic cold, Christopher Ransmayr spins an adventure tale both spellbinding and paradoxical in its subversive undermining of conventional notions of heroism and exploration.

From Christoph Ransmayr, whose brilliant rise to preeminence among the younger generation of writers in the German language was recently crowned when he shared with Salman Rushdie Europe's most prestigious new literary award, the Aristeion Prize--a novel in which fiction and history are forged into a universe of mythic intensity. World War II has ended, but only in the West. Central Europe is slipping back into its agricultural past. The bomb has not yet been dropped--nor will it be for twenty years. The Allies have punished Germany for its war crimes by forcing it to revert to a preindustrial age: power stations, railways, factories, and all the machinery of technology have been destroyed or abandoned and left to decay. Moor is a small quarry town (Mauthausen in the all-too-recent past of real history). The occupying American army has installed a camp survivor, Ambras, to govern the local population. Brave, lonely, hated and feared by his former persecutors, Ambras has returned to Moor only because his Jewish wife died there. Setting up house in a derelict villa surrounded by wild hounds that earn him the nickname the Dog King, he chooses another loner, the village boy Bering, as his bodyguard. Moving away from his family and into the compound, the boy enters a new universe of power, of half-glimpsed ideas, of contact with the forbidden world outside. And he meets the only other person Ambras welcomes, a strange and beautiful orphan girl named Lily who lives and hunts in the hills, who knows where the weapons are hidden and forages in the "free world for the goods the villagers crave. But Bering's new life begins to unravel as he succumbs to a strange eye disease known as Morbus Kitahara, in which the vision gradually darkens and which tends to afflict marksmen and sharpshooters. Only Lily can find help, can offer them all a possible future. The three make a courageous bid to escape, and the account of their flight brings the novel to its extraordinarily gripping and suspenseful climax. Searingly powerful, with a poetic intensity that stays with the reader long after the last page, The Dog King is a modern masterpiece.

The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe

A news magazine intern sorts through the chaos of his life and the world around him after his parents' murder-suicide, and his brother's confession and suicide.

In The Atlas of an Anxious Man, Christoph Ransmayr offers a mesmerizing travel diary--a sprawling tale of earthly wonders seen by a wandering eye. This is an exquisite, lyrically told travel story. Translated by Simon Pare, this unique account follows Ransmayr across the globe: from the shadow of Java's volcanoes to the rapids of the Mekong and Danube Rivers, from the drift ice of the Arctic Circle to Himalayan passes, and on to the disenchanted islands of the South Pacific. Ransmayr begins again and again with, "I saw. . ." recounting to the reader the stories of continents, eras, and landscapes of the soul. Like maps, the episodes come together to become a book of the world--one that charts the life and death, happiness and fate of people bound up in images of breathtaking beauty. "One of the German language's most gifted young novelists."--Library Journal, on The Terrors of Ice and Darkness

The Waking Dark is “a horror story worthy of Stephen King” (Booklist) and “a book you won’t soon forget” (Cassandra Clare, author of the Mortal Instruments series)—perfect for readers of Gillian Flynn and Rick Yancey. They called it the killing day. Twelve people murdered, in the space of a few hours, their killers also all dead by their own hand . . . except one. And that one has no answers to offer the shattered town. Something is waking in the sleepy town of Oleander, Kansas—something dark and hungry that lives in the flat earth and the open sky, in the vengeful hearts of its upstanding citizens. As the town begins a descent into blood and madness, five survivors of the killing day are the only ones who can stop Oleander from destroying itself. They have nothing in common. They have nothing left to lose. And they have no way out. Which means they have no choice but to stand and fight, to face the darkness in their town—and in themselves. “Suspense, chills, gasps—all that and a gem-like writing style that will make you shiver with beauty and horror. A book you won’t soon forget.” —Cassandra Clare, author of the bestselling Mortal Instruments series and Infernal Devices trilogy “Twisted, pulse-pounding, shocking, and very, very scary. With The Waking Dark, Robin Wasserman conjures vintage Stephen King as she peers into the dark heart of a nightmare America, where violence and evil lurk behind the golden glow of small-town life, and new terrors arrive by the hour. A superb horror story that is by turns visceral and lyrical, heartrending and heart-stopping.” —Libba Bray, bestselling author of the Gemma Doyle trilogy and the Diviners series “This book has the combination of mystery and fright that I love. So many twists and shocks, I nearly jumped out of my chair several times! Trust me—this is a true chiller. Not to be missed!” —R. L. Stine “A thriller dark and beautiful and—yes—achingly romantic at every unexpected twist and turn. Astounding.” —Lauren Myracle, New York Times bestselling author of The Infinite Moment of Us and Bliss “Wild, nihilistic madness that will get true horror fans raising their pitchforks and torches in frenzied glee. Wasserman writes as if hooked up to IVs of Stephen King and John Carpenter's spiked blood.” —Daniel Kraus, author of Rotters and Scowler "Great dialogue and intriguing subplots add to the action-packed story . . . the suspense doesn’t let up until the final pages." —School Library Journal, Starred Review

Now a Netflix original film starring Alexander Skarsgård, Riley Keough, and Jeffrey Wright At the edge of civilization, nature and evil collide in what “stands out as one of the decade’s best books of its kind” (Alan Cheuse, Boston Globe). Written with “force and precision and grace” (John Wilwol, New York Times Book Review) Hold the Dark is a “taut and unforgettable journey into the heart of darkness” (Dennis Lehane). At the start of another pitiless winter, wolves have taken three children from the remote Alaskan village of Keelut, including the six-year-old son of Medora and Vernon Slone. Wolf expert Russell Core is called in to investigate these killings and discovers an unholy truth harbored by Medora before she disappears. When her husband returns home to discover his boy dead and his wife missing, he begins a maniacal pursuit that cuts a bloody swath across the frozen landscape. With the help of a local police detective, Core attempts to find Medora before her husband does, setting in motion a deadly chain of events in this “chilling, mysterious, and completely engaging novel” (Tim O’Brien) that marks the arrival of a major American writer.

The blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes—a "witty, wise, and heartfelt novel" (Washington Post) about art and love, fame and heartbreak from the acclaimed actor/writer/director. A bracing meditation on fame and celebrity, and the redemptive, healing power of art; a portrait of the ravages of disappointment and divorce; a poignant consideration of the rites of fatherhood and manhood; a novel soaked in rage and sex, longing and despair; and a passionate love letter to the world of theater, A Bright Ray of Darkness showcases Ethan Hawke's gifts as a novelist as never before. Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying—and narcissistic—Falstaff's of all time. Searing, raw, and utterly transfixing, A Bright Ray of Darkness is a novel about shame and beauty and faith, and the moral power of art.

'...dreaming of bears, or fire, or water...' The greatest of Elizabethan pamphleteers, Nashe had a magical ability with words, never more so than in The Terrors of the Night, where he mulls over ghosts, demons, nightmares and the supernatural. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Thomas Nashe (1567-?1601). Nashe's The Unfortunate Traveller and Other Works is available in Penguin Classics.

"Both W. G. Sebald (1944-2001) and the Austrian author Christoph Ransmayr (1954-) were born too late to know directly the violence of the Second World War and the Holocaust, but these traumatic events are a persistent presence in their work. In a series of close readings of key prose texts, Dora Osborne examines the different ways in which the traces of a traumatic past mark their narratives. By focusing on the authors' use of visual and topographical tropes, she shows how blind spots and inhospitable places configure signs of past violence, but, ultimately, resist our understanding. Whilst links between the two authors are well-documented, this book offers the first full-length study of Sebald and Ransmayr and their complicated relation to the traumatic traces of National Socialism. Dora Osborne is Lecturer in German at the University of Nottingham."