Born into the turmoil of mid-sixties San Francisco, the daughter of a flower child and a surfer, Joelle Fraser grew up with no bedtime, no boundaries, and no father. But “dads” she had in abundance, as her mother worked her way through boyfriends and husbands, caught between the traditional rules of her upbringing and the new freedoms of the “me generation” and women’s lib. Moving every few months, from houseboats and beach shacks to run-down apartments, Joelle came to learn that a woman’s life, free or not, is played out on men’s territory. Set in northern California, Hawaii, and the small coastal towns of Oregon, Fraser’s engrossing memoir captures this centerless childhood in wonderfully vivid, frank writing, then goes on to show how a legacy like this affects a girl as she grows up. Pretty, blond, precociously aware of her own sexuality, Joelle was drawn to men early, eager to unlock their mysteries. Working in bars, prisons, and firing ranges, she liked to hang out where they congregated. To her the only worlds that counted were men’s worlds. Men held the power; they made life matter. Fraser’s sharp vignettes of her intense relationships, brief, turbulent marriage, and itinerant life are haunting echoes of her early memories. In The Territory of Men, she brilliantly portrays the way a rootless childhood leads to a restless adulthood, and how a mother’s aimless life serves as a blueprint for her daughter.

Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.

Winner Trinity Schools Book Award 2018 Winner Gateshead YA Book Prize 'I love reading Sarah Govett - she's whip-smart, funny and by plugging into the hope and energy of the youth makes me feel better about these dark times.' Dame Emma Thompson Noa Blake is just another normal 15 year old with exams looming. Except in The Territory normal isn't normal. The richest children have a node on the back of their necks and can download information, bypassing the need to study. In a flooded world of dwindling resources, Noa and the other 'Norms' have their work cut out even to compete. And competing is everything - because anybody who fails the exams will be shipped off to the Wetlands, which means a life of misery, if not certain death. But how to focus when your heart is being torn in two directions at once? 'Truly heart wrenching! ... the 1984 of our time' The Guardian online 'Gripping dystopia with a keen political edge' Imogen Russell Williams, Metro 'This is a truly exceptional novel, exciting, gripping and intense' BookTrust 'pacy dystopian fantasy thriller' Telegraph's Best YA Books of 2015 'thrilling and thought-provoking' The Times 'powerful and shocking' Children's Books Ireland 'a terrific book. It simply is.' Bookwitch 'brilliant' Teen Librarian 'Brilliantly plotted, utterly gripping' Gemma Malley (The Declaration) One of The Telegraph's best YA books of 2015

Like all of us, though few so visibly, Alan Greenspan was forced by the financial crisis of 2008 to question some fundamental assumptions about risk management and economic forecasting. No one with any meaningful role in economic decision making in the world saw beforehand the storm for what it was. How had our models so utterly failed us? To answer this question, Alan Greenspan embarked on a rigorous and far-reaching multiyear examination of how Homo economicus predicts the economic future, and how it can predict it better. Economic risk is a fact of life in every realm, from home to business to government at all levels. Whether we’re conscious of it or not, we make wagers on the future virtually every day, one way or another. Very often, however, we’re steering by out-of-date maps, when we’re not driven by factors entirely beyond our conscious control. The Map and the Territory is nothing less than an effort to update our forecasting conceptual grid. It integrates the history of economic prediction, the new work of behavioral economists, and the fruits of the author’s own remarkable career to offer a thrillingly lucid and empirically based grounding in what we can know about economic forecasting and what we can’t.The book explores how culture is and isn't destiny and probes what we can predict about the world's biggest looming challenges, from debt and the reform of the welfare state to natural disasters in an age of global warming. No map is the territory, but Greenspan’s approach, grounded in his trademark rigor, wisdom, and unprecedented context, ensures that this particular map will assist in safe journeys down many different roads, traveled by individuals, businesses, and the state.

DIVThe first collection of nonfiction from the author Tony Kushner calls “one of the best novelists writing in the world today” /divDIV Over a thirty-year period, novelist Christopher Bram witnessed, and lived through, the powerful experiences of coming out, the AIDS epidemic, gay marriage, and the social changes that have occurred in lower Manhattan. From the title piece, which maps the state of gay fiction, to “A Body in Books,” about the gay books that changed the author’s life, the essays in Mapping the Territory form a coherent autobiographical account of Bram’s life. This work wouldn’t be complete without “Homage to Mr. Jimmy,” his account of how his novel Father of Frankenstein grew from his imagination and writing into the Oscar-winning movie Gods and Monsters. Mapping the Territory is a thoroughly engaging and compelling look into a great American writer./div

Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The work of one of the most formidable figures in American intellectual life." -- Washington Post Book World The seventeen essays collected in this volume prove that Ralph Ellison was not only one of America's most dazzlingly innovative novelists but perhaps also our most perceptive and iconoclastic commentator on matters of literature, culture, and race. In Going to the Territory, Ellison provides us with dramatically fresh readings of William Faulkner and Richard Wright, along with new perspectives on the music of Duke Ellington and the art of Romare Bearden. He analyzes the subversive quality of black laughter, the mythic underpinnings of his masterpiece Invisible Man, and the extent to which America's national identity rests on the contributions of African Americans. Erudite, humane, and resounding with humor and common sense, the result is essential Ellison.

The second book in the epic Ballantyne series Zouga was left alone, as alone in spirit as he had ever been in any of his wanderings across the vast African continent. He had spent almost the last penny he owned on these few square feet of yellow earth at the bottom of this hot and dusty pit. He had no men to help him work it, no experience, no capital.' A tribal battle. An Empire's war. Zouga Ballantyne has in his blood a fanatic's need to find diamonds, one that will take him to Southern Africa's most punishing places. Losing his wife to one of the many sicknesses that haunt the diamond mine camp, Zouga and his sons must find another way through the country, helping to build the British Empire, and developing their own form of civilisation in the face of tribal opposition. But the Ballantyne family success comes at a price -the sacrifice of the local Matabele tribe, who have tried to live alongside the colonists, but are slowly losing everything. In the face of exploitation, violence and greed, who will triumph in the land of ruthless men?

From one of the most significant contemporary Japanese writers, a haunting, dazzling novel of loss and rebirth “Yuko Tsushima is one of the most important Japanese writers of her generation.” —Foumiko Kometani, The New York Times I was puzzled by how I had changed. But I could no longer go back . . . It is spring. A young woman, left by her husband, starts a new life in a Tokyo apartment. Territory of Light follows her over the course of a year, as she struggles to bring up her two-year-old daughter alone. Her new home is filled with light streaming through the windows, so bright she has to squint, but she finds herself plummeting deeper into darkness, becoming unstable, untethered. As the months come and go and the seasons turn, she must confront what she has lost and what she will become. At once tender and lacerating, luminous and unsettling, Yuko Tsushima’s Territory of Light is a novel of abandonment, desire, and transformation. It was originally published in twelve parts in the Japanese literary monthly Gunzo, between 1978 and 1979, each chapter marking the months in real time. It won the inaugural Noma Literary Prize.