Northeast of modern-day Mexico City stand the remnants of one of the world's largest preindustrial cities, Teotihuacan. Monumental in scale, Teotihuacan is organized along a three-mile-long thoroughfare, the Avenue of the Dead, that leads up to the massive Pyramid of the Moon. Lining the avenue are numerous plazas and temples, which indicate that the city once housed a large population that engaged in complex rituals and ceremonies. Although scholars have studied Teotihuacan for over a century, the precise nature of its religious and political life has remained unclear, in part because no one has yet deciphered the glyphs that may explain much about the city's organization and belief systems. In this groundbreaking book, Annabeth Headrick analyzes Teotihuacan's art and architecture, in the light of archaeological data and Mesoamerican ethnography, to propose a new model for the city's social and political organization. Challenging the view that Teotihuacan was a peaceful city in which disparate groups united in an ideology of solidarity, Headrick instead identifies three social groups that competed for political power—rulers, kin-based groups led by influential lineage heads, and military orders that each had their own animal insignia. Her findings provide the most complete evidence to date that Teotihuacan had powerful rulers who allied with the military to maintain their authority in the face of challenges by the lineage heads. Headrick's analysis also underscores the importance of warfare in Teotihuacan society and clarifies significant aspects of its ritual life, including shamanism and an annual tree-raising ceremony that commemorated the Mesoamerican creation story.

*Includes pictures. *Includes footnotes and a bibliography for further reading. On January 31, 378 AD, a massive army arrived at the gates of the city of Tikal, one of the Ancient Maya's most important settlements in the Yucatan Peninsula. The events that transpired became known by the Spanish name "Entrada" ("Entry"), referring to "the entry of Teotihuacan". While there is no clear record of the events due to the sheer scale of destruction that took place, it's clear that neither Tikal nor the Maya as a whole had ever seen anything like it because these foreign soldiers not only conquered but also subsequently ruled Tikal despite the fact they had come from Teotihuacan, located about 630 miles (1,013 kilometers) away. In the process, the Teotihuacanos not only changed Tikal but the direction of the Mayan civilization for centuries to come. At the time, Teotihuacan was the biggest city in South America and was located in the Valley of Mexico near today's Mexico City. Thriving between 100-750 AD, it was one of the largest cities in the ancient world, with a population estimated at upwards of 150,000-250,000, over three times the size of contemporary Mayan capitals. Furthermore, Teotihuacan was a supremely well-planned and efficient city that was able to field massive armies and extend its power far beyond its home base to create a unified empire unlike anything in the region before it. In fact, the city's residents seemed so sure of its power that there were apparently no walls or military fortifications around Teotihuacan. Thanks to that power, Teotihuacan not only served as a vital center for trade in Ancient Mesoamerica but also spread its architecture, art, religion, and culture, all of which subsequently influenced the famous Mesoamerican civilizations that followed, including the Aztec and Maya. Although Teotihuacan reached the height of its power and influence about 1500 years ago, the city is still an endless topic of fascination and debate, in addition to being Mexico's most toured archaeological site. The origins of the city remain mysterious (as do the city's founders), and scholars are still coming up with theories to explain the city's demise. All the while, later Mesoamerican civilizations remembered Teotihuacan, and the Aztec even considered the city's ruins a site of worship. Teotihuacan: The History of Ancient Mesoamerica's Largest City covers the history of the city, as well as the speculation and debate surrounding it. Along with pictures, footnotes, and a bibliography, you will learn about Teotihuacan like you never have before, in no time at all.

In Memory Traces, art historians and archaeologists come together to examine the nature of sacred space in Mesoamerica. Through five well-known and important centers of political power and artistic invention in Mesoamerica—Tetitla at Teotihuacan, Tula Grande, the Mound of the Building Columns at El Tajín, the House of the Phalli at Chichén Itzá, and Tonina—contributors explore the process of recognizing and defining sacred space, how sacred spaces were viewed and used both physically and symbolically, and what theoretical approaches are most useful for art historians and archaeologists seeking to understand these places. Memory Traces acknowledges that the creation, use, abandonment, and reuse of sacred space have a strongly recursive relation to collective memory and meanings linked to the places in question and reconciles issues of continuity and discontinuity of memory in ancient Mesoamerican sacred spaces. It will be of interest to students and scholars of Mesoamerican studies and material culture, art historians, architectural historians, and cultural anthropologists. Contributors: Laura M. Amrhein, Nicholas P. Dunning, Rex Koontz, Cynthia Kristan-Graham, Matthew G. Looper, Travis Nygard, Keith M. Prufer, Matthew H. Robb, Patricia J. Sarro, Kaylee Spencer, Eric Weaver, Linnea Wren

A Companion to Mexican History and Culture features 40 essays contributed by international scholars that incorporate ethnic, gender, environmental, and cultural studies to reveal a richer portrait of the Mexican experience, from the earliest peoples to the present. Features the latest scholarship on Mexican history and culture by an array of international scholars Essays are separated into sections on the four major chronological eras Discusses recent historical interpretations with critical historiographical sources, and is enriched by cultural analysis, ethnic and gender studies, and visual evidence The first volume to incorporate a discussion of popular music in political analysis This book is the receipient of the 2013 Michael C. Meyer Special Recognition Award from the Rocky Mountain Conference on Latin American Studies.

The most comprehensive account yet of the human past from prehistory to the present.

David Freidel and Linda Schele’s monumental work A Forest of Kings: The Untold Story of the Ancient Maya (1990) offered an innovative, rigorous, and controversial approach to studying the ancient Maya, unifying archaeological, iconographic, and epigraphic data in a form accessible to both scholars and laypeople. Travis Stanton and Kathryn Brown’s A Forest of History: The Maya after the Emergence of Divine Kingship presents a collection of essays that critically engage with and build upon the lasting contributions A Forest of Kings made to Maya epigraphy, iconography, material culture, and history. These original papers present new, cutting-edge research focusing on the social changes leading up to the spread of divine kingship across the lowlands in the first part of the Early Classic. The contributors continue avenues of inquiry such as the timing of the Classic Maya collapse across the southern lowlands, the nature of Maya warfare, the notion of usurpation and “stranger-kings” in the Classic period, the social relationships between the ruler and elite of the Classic period Yaxchilán polity, and struggles for sociopolitical dominance among the later Classic period polities of Chichén Itzá, Cobá, and the Puuc kingdoms. Many of the interpretations and approaches in A Forest of Kings have withstood the test of time, while others have not; a complete understanding of the Classic Maya world is still developing. In A Forest of History recent discoveries are considered in the context of prior scholarship, illustrating both the progress the field has made in the past quarter century and the myriad questions that remain. The volume will be a significant contribution to the literature for students, scholars, and general readers interested in Mesoamerican and Maya archaeology. Contributors: Wendy Ashmore, Arlen F. Chase, Diane Z. Chase, Wilberth Cruz Alvarado, Arthur A. Demarest, Keith Eppich, David A. Freidel, Charles W. Golden, Stanley P. Guenter, Annabeth Headrick, Aline Magnoni, Joyce Marcus, Marilyn A. Masson, Damaris Menéndez, Susan Milbrath, Olivia C. Navarro-Farr, José Osorio León, Carlos Peraza Lope, Juan Carlos Pérez Calderón, Griselda Pérez Robles, Francisco Pérez Ruíz, Michelle Rich, Jeremy A. Sabloff, Andrew K. Scherer, Karl A. Taube

The ancient city of Teotihuacan, North America’s first metropolis, flourished for nearly eight centuries in central Mexico until its demise in 650 C.E. Known primarily for its massive architecture and monumental wall paintings, the city—and its dazzling artwork—inspired awe in its time, and continues to do so today. Made to Order, the first systematic study of more than 150 painted portable artworks produced in Teotihuacan, offers a unique, deeply informed perspective on the cultural practices and artistic techniques of the largest urban community in pre-Hispanic Mesoamerica. The painted vessels Cynthia Conides considers—featured here in finely reproduced full-color photographs—constitute nearly the entire body of material now available for analysis. With attention to their origins and provenance, wherever possible, the author views these objects from a range of vantage points, using ceramic chronologies to measure the changing characteristics and cultural significance of pictorial paintings on portable media. Her approach—ranging from stylistic analysis and narrative theory to theoretical perspectives on artistic exchange among artisans living and working in a thriving urban setting—reveals the importance of such objects to a city where social status, and the acquisition and display of its symbols, were paramount. This perspective is in turn grounded in new interpretations of the religious, social, and ritual contexts in which the objects functioned. The most complete analysis of both ceramics from excavations at Teotihuacan and those held in museum collections worldwide, Made to Order will become a standard source for specialists and students of pre-Columbian visual culture and archaeology, and a vital resource for those interested in cross-cultural ceramic studies.

The Oxford Handbook of Mesoamerican Archaeology provides a current and comprehensive guide to the recent and on-going archaeology of Mesoamerica. Though the emphasis is on prehispanic societies, this Handbook also includes coverage of important new work by archaeologists on the Colonial and Republican periods. Unique among recent works, the text brings together in a single volume article-length regional syntheses and topical overviews written by active scholars in the field of Mesoamerican archaeology. The first section of the Handbook provides an overview of recent history and trends of Mesoamerica and articles on national archaeology programs and practice in Central America and Mexico written by archaeologists from these countries. These are followed by regional syntheses organized by time period, beginning with early hunter-gatherer societies and the first farmers of Mesoamerica and concluding with a discussion of the Spanish Conquest and frontiers and peripheries of Mesoamerica. Topical and comparative articles comprise the remainder of Handbook. They cover important dimensions of prehispanic societies--from ecology, economy, and environment to social and political relations--and discuss significant methodological contributions, such as geo-chemical source studies, as well as new theories and diverse theoretical perspectives. The Handbook concludes with a section on the archaeology of the Spanish conquest and the Colonial and Republican periods to connect the prehispanic, proto-historic, and historic periods. This volume will be a must-read for students and professional archaeologists, as well as other scholars including historians, art historians, geographers, and ethnographers with an interest in Mesoamerica.

Writing and the Ancient State explores the early development of writing and its relationship to the growth of political structures. The first part of the book focuses on the contribution of writing to the state's legitimating project. The second part deals with the state's use of writing in administration, analyzing both textual and archaeological evidence to reconstruct how the state used bookkeeping to allocate land, police its people, and extract taxes from them. The third part focuses on education, the state's system for replenishing its staff of scribe-officials. The first half of each part surveys evidence from Mesopotamia, Egypt, the Maya lowlands, Central Mexico, and the Andes; against this background the second half examines the evidence from China. The chief aim of this book is to shed new light on early China (from the second millennium BC through the end of the Han period, ca. 220 AD) while bringing to bear the lens of cross-cultural analysis on each of the civilizations under discussion.

Collection of articles providing new research on warfare in ancient Maya and other Mesoamerican societies based on archaeological, ethnohistorical, and linguistic evidence