In a purgatory at the banks of the Hiwasee River in Southeastern Tennessee, two teenagers—the garrulous John Stone and the young Jenny Evenene—barrel through an endless night in a Firebird Trans Am. Jenny wakes each morning, the same morning, and chronicles the events of her final day, her memory reaching back into the recesses of mythical time, recollecting cosmogonies, eschatologies, and metamorphoses that mingle with the details of her violent end. As the two heroes drive through the night, drinking cold American beer and listening to the soothing tunes of the country music station, the dramatis personae of the process of decomposition encroach upon them from the darkness beyond the headlights: the turkey vultures that soar above them, baited by decaying corpses, are at once the successors of the sacred buzzard whose talons first massaged the earth into being and the double of the screaming chicken emblazoned on the hood of the Firebird, which is itself at once the illustrious automobile of teenage dreams, vehicle of transmigrating souls, and ancient phoenix, millennial sigil of the sun, of biochemical resurrections, and Heraclitean thunderbolt who steers all things.

In I’m Fine, But You Appear to Be Sinking the strange and the mundane collide. These are stories of strange experiences set in familiar places, and of familiar experiences set in strange places. Many of the pieces in I’m Fine take place close to home, in suburban neighborhoods, or rural communities. The settings are conventional, yet something unexpected, or even magical, is occurring. In one piece, a couple speculates about random objects that appear without reason in their backyard. In another, neighbors try to figure out if a local meth dealer is keeping a live tiger captive on his property. In other pieces, it’s the setting that’s fantastical, but the characters’ reactions that remain ordinary, like in the titular story where a journalist lost at sea and hunted by a mythical ocean creature admits to struggling with loneliness and isolation in much the same way he does even when he’s safe at home. Although they are not directly linked by any specific character, the pieces in this collection are bound through reoccurring imagery and a shared theme of protagonists in emotional peril. There are unexpected appearances and disappearances, movement of inanimate objects, the search for something lost, the finding of something unusual. There are prophesies, dreams, unidentifiable creatures, and environmental catastrophes on a scale both large and small. There are action figures and octopuses, sullen teenagers and missing cats. At their core, these stories are imbued with mystery, oddity, humor, and empathy. They each stand on their own, but mean considerably more when read together.

KP is the brother of a mass shooter. JD is the shooter's number 1 fan. The pair drives through rural Idaho, the physical and psychological landmarks of the violence imposing themselves on the characters and the reader. The Spud is a puzzle: thinking/watching/living a movie rerun.

Set in fall 1988, Sunshine On An Open Tomb shuttles between two storylines: the creation of The CIA as a result of the Texas/Kingdom oil connection, and a love triangle involving the moon. Our narrator is the brooding runt of a political dynasty whose father is about to be appointed Prez. He is thoughtful, but has trouble expressing himself due to his many physical defects as a result of inbreeding. Desperate for content at the advent of the 24-hour news cycle, even our narrator is suddenly of interest to The Media. So after years of living freely among The Barbarians, The Family hides him away in one of its secret hideouts. Exhausted by the shape-shifting estate and his irresolvable love life, our narrator cloisters himself deep in the estate’s bunker and constructs a tomb around himself out of soup cans. Here he gets to work correcting the best-selling, so-called objective biography of The Family.

How far would you go to have real freedom? To have true autonomy of both mind and body? The narrator of Failure to Comply wants self-determination at all costs, and they want you to know what it did, in fact, cost them. Their story is just a little hard to convey, as they're not entirely sure where, or even when, they are. Set in a dystopian, post-apocalyptic future, this literary sci-fi novel presents a world where humans have been unshackled from disease and their basest desires thanks to the genetic engineering and societal supervision of RSCH—an inscrutable entity with unimaginable power (including the ability to literally shape reality). In RSCH's march toward perfecting the species, however, there are "deviants" (including LGBTQ+ people and people with disabilities) who are fighting for a different vision of humanity. But where can they find hope when horror abounds, projected into their own bodies and minds by RSCH?

In this striking novel-in-stories, a series of strange apocalypses have hit America. Entire neighborhoods drown in mud, glass rains from the sky, birds speak gibberish, and parents of young children disappear. Millions starve while others grow coats of mold. But a few are able to survive and find a light in the aftermath, illuminating what we've become. In ''the Disappeared,''a father is arrested for missing free throws, leaving his son to search alone for his lost mother. A boy swells to fill his parents' ransacked attic in ''the Ruined Child.'' Rendered in a variety of narrative forms, from a psychedelic fable to a skewed insurance claim questionnaire, Blake Butler's full-length fiction debut paints a gorgeously grotesque version of America, bringing to mind both Kelly Link and William H. Gass, yet imbued with Butler's own vision of the apocalyptic and bizarre.

Book six of bestselling author Joe Nobody's saga continues the adventures of Bishop and Terri as the communities of the Alliance strive to improve the quality of life for all. But the obstacles are many. War looms on the horizon as treachery threatens to destroy everything they've worked so hard to build. Bishop must survive the most challenging mission of his life, navigating a post-apocalyptic world that threatens danger at every step, testing his will beyond anything he's ever imagined.

In March of 1863, the days were ticking down on Brenton Christie's medical leave. If he had been lucky, he would have been lounging by the cracker barrel back in Delaware, Ohio impressing his neighbors with stories of the real war. But the foot soldier had not smelled Lady Luck's perfume in a long time, and she was not courting him now. Instead, General Ulysses Grant had shanghaied him as scout aboard the ironclad Cincinnati, and he was steaming up Deer Creek with Admiral David Porter's swamp navy to take Vicksburg by the back door. It should have been easy duty, but instead he encountered primeval forests, cannibalistic wildlife, and tenacious Confederates. The Army of the Tennessee did not take winters off, and Grant had already lit the fuse to his Vicksburg juggernaut. Ensuing events catch Christie in the crossfire riding with Benjamin Grierson and he discovers a second war behind the front linesone fought by warriors without rifles who are just as idealistic and ruthless, comrades in enemy colors, and enemies among his own. This is the second Civil War novel by Jeane Heimberger Candido, who has contributed to Blue & Gray Magazine, Civil War Historian, has appeared on PBS, and enjoys living in two world.