This definitive encyclopedia offers 1,534 entries on Tennessee by 514 authors. With thirty-two essays on topics from agriculture to World War II, this major reference work includes maps, photos, extensive cross-referencing, bibliographical information, and a detailed index.

At a time when the U.S. flag is both a source of both pride and controversy, this volume provides the first encyclopedic A-to-Z treatment of the U.S. flag in American history, culture, and law. This title is a comprehensive resource for understanding all aspects of the American flag and its relationship to the American people. The encyclopedia provides a thorough historical examination of key developments in the flag's design as well as laws and court decisions related to the flag and the First Amendment. In relation to the flag's history, it also discusses evolving public attitudes about its importance as a national symbol. The encyclopedia contains illuminating scholarly essays on presentations of the flag in American politics, the military, and popular culture including art, music, and journalism. Additionally, these essays address important rules of flag etiquette and modern controversies related to them, from flag-burning to refusing to stand during the playing of the U.S. National Anthem.

Seeking a taste of unspoiled wilderness, more than eight million people visit the Great Smoky Mountains National Park each year. Yet few probably realize what makes the park unusual: it was the result of efforts to reclaim wilderness rather than to protect undeveloped land. The Smokies have, in fact, been a human habitat for 8,000 years, and that contact has molded the landscape as surely as natural forces have. In this book, Daniel S. Pierce examines land use in the Smokies over the centuries, describing the pageant of peoples who have inhabited these mountains and then focusing on the twentieth-century movement to create a national park. Drawing on previously unexplored archival materials, Pierce presents the most balanced account available of the development of the park. He tells how park supporters set about raising money to buy the land--often from resistant timber companies--and describes the fierce infighting between wilderness advocates and tourism boosters over the shape the park would take. He also discloses the unfortunate human cost of the park's creation: the displacement of the area's inhabitants. Pierce is especially insightful regarding the often-neglected history of the park since 1945. He looks at the problems caused by roadbuilding, tree blight, and air pollution that becomes trapped in the mountains' natural haze. He also provides astute assessments of the Cades Cove restoration, the Fontana Lake road construction, and other recent developments involving the park. Full of outstanding photographs and boasting a breadth of coverage unmatched in other books of its kind, The Great Smokies will help visitors better appreciate the wilderness experience they have sought. Pierce's account makes us more aware of humanity's long interaction with the land while capturing the spirit of those idealistic environmentalists who realized their vision to protect it. The Author: Daniel S. Pierce teaches in the department of history and the humanities program at the University of North Carolina, Asheville, and is a contributor to The Tennessee Encyclopedia of History and Culture.

New Encyclopedia of Southern Culture: Volume 1: Religion

The indelible stamp of the New Deal can be seen across American in the public works projects that modernized the country even as they provided employment during the Great Depression. Tennessee, in particular, benefited from the surge in federal construction. The New Deal not only left the state with many public buildings and schools that are still in active use, but is conservation and reclamation efforts also changed the lives of Tennesseans for generations to come. In Tennessee's New Deal Landscape, Caroll Van West examines over 250 historic sites created from 1933 to 1942: courthouses, post offices, community buildings, schools, and museums, along with the Great Smoky Mountains National Park, the Cherokee National Forest, and the dams and reservoirs of the Tennessee Valley Authority. He describes the significant and impact of each project and provides maps to guide readers to the sites described. West discusses architectural styles that are often difficult to identity, and his lively narrative points out some of the paradoxes of New Deal projects-such as the proliferation of leisure parks during the nation's darkest hours. In highlighting these projects, he shows that Tennessee owes much not only to TVA but also to many other agencies and individuals who left their mark on the landscape through roads, levees, and reforested hillsides as well as buildings. An invaluable resource for travelers as well as scholars, this book reveals a legacy of historic treasures that are well worth preserving. The Author: Carroll Van West is projects manager for the Center of Historic Preservation at Middle Tennessee State University. The author of Tennessee's Historic Landscapes, he most recently edited the volumes Tennessee History: The Land, the People, and the Culture and the Tennessee Encyclopedia of History and Culture. He is also senior editor of the Tennessee Historic Quarterly.

An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.

"The authors introduce readers to famous personalities such as Andrew Jackson and Austin Peay, but they also tell stories of ordinary people and their lives to show how they are an integral part of the state's history. Sidebars throughout the book highlight events and people of particular interest, and reading lists at the end of chapters provide readers with avenues for further exploration."--BOOK JACKET.

Editors Wilson (history, Mississippi) and Ferris (anthropology, Detroit and Bakersfield. Literate, scholarly and pithy entries accompanied by well chosen photographs artfully placed. Far too good a book to be printed on acidic paper; our test contradicts the statement on the verso of the title page. The price is $49.95 until January 1990. Mississippi) have devoted 10 years to the realization of a unique concept. Involving many scholars and writers in many fields, this book ranges from grand historical themes to the whimsical; from the arts and high culture to folk and popular culture, organized around 245 thematic sections such as, history, religion, language, art and architecture, etc. Focuses on the eleven states of the former confederacy, but also encompases southern outposts in midwestern and middle-Atlantic border states, even the southern pockets of Chicago, Annotation copyrighted by Book News, Inc., Portland, OR

Pulitzer-prize winning author David Halberstam's eyewitness account provides a riveting narrative of how the United States created a major foreign policy disaster for itself in a faraway land it knew little about. In the introduction to this edition, historian Daniel J. Singal supplies crucial background information that was unavailable in the mid-1960s when the book was written. With its numerous firsthand recollections of life in the war zone, The Making of a Quagmire penetrates to the essence of what went wrong in Vietnam. Although its focus is the Kennedy era, its analysis of the blunders and misconceptions of American military and political leaders holds true for the entire war.

Folk art is one of the American South's most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South's complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South's rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.