When a bounty hunter is sent into the Colorado mountains to find a runaway widow, he encounters a disarming beauty in this historical Western romance. Colorado, 1875. When her society marriage proves to be a sham, Erin Wentworth learns never to put her trust in anyone. Now widowed and pregnant, she wants only to escape the bitter memories and cruel accusations. But even hidden away in her mountain refuge, fate intervenes to resurrect the past—and offer her a future . . . . Bounty hunter Quinn Yarborough knew he’d come face-to-face with a quarry unlike any other, for Erin Wentworth is a prize beyond any price. Tracking her down may have been just another job. But from the moment Quinn sees Erin, he aches to claim her as his very own . . . .

She'd met Eric Van Meer entirely by chance during an unforgettable vacation in Mexico, and with reckless abandon, she'd agreed to marry the mysterious blond stranger. Dani St. Clair, prim southern bookseller, had experienced a passion that exceeded even those in her cherished romantic novels—until a hijacked plane and a daring rescue by Eric revealed his true nature and dangerous work. He said he needed freedom, yet he'd married her. He said he hated women, yet he tenderly conquered her heart. Was it possible to meet a soldier of fortune on the battleground of passion and win the war of love?

Trust No One To her sorrow, Erin Wentworth had learned that lesson all too well when her society marriage had proved a sham. Now widowed and pregnant, she wanted only to escape the memories. But fate, in the form of Quinn Yarborough, had followed her to her mountain hideaway to resurrect the past and offer her a future. A Breed Apart Bounty hunter Quinn Yarborough knew he had come face–to–face with a quarry unlike any other, for runaway widow Erin Wentworth was a prize beyond any price. And his heart ached to claim her as his very own .

As part of Silhouette's 20th anniversary in 2000, Diana Palmer is featured in this special 3-in-1 collector's edition, which includes the very first book, "Soldiers of Fortune, " as well as the sequels, "The Tender Stranger" and "Enamored." These stories feature daring and passionate heroes who were once mercenaries in the Central American jungle.

Based on a true story, a stray dog befriends an orphan boy in a refugee camp on a Greek island. The fishermen on Lesvos call her Kanella because of her cinnamon color. She’s a scrawny, nervous stray — easily intimidated by the harbor cats and the other dogs that compete for handouts on the pier. One spring day a dinghy filled with weary, desperate strangers comes to shore. Other boats follow, laden with refugees who are homeless and hungry. Kanella knows what that is like, and she follows them as they are taken to a makeshift refugee camp. There she comes to trust a bearded man, an aid worker, and gradually settles into a contented routine. Kanella grows healthy and confident. She has a job now — to keep watch over the people in her camp. One day, a little boy arrives and does not leave like the others. He seems to have no family and, like Kanella, he is taken in by the workers. He sleeps on a cot in the food hut, and Kanella keeps him warm and calm. When two new adults come to the camp. Kanella is ready to defend the boy from them, until she is pulled away by the bearded man. They are the boy’s parents, and now he must go with them. Eventually, the camp is dismantled, and Kanella finds herself homeless again. Until one night, huddled in the cold, she awakens to see two bright lights shining in her eyes — the headlights of a car. The bearded man has come back for her, and soon Kanella is on a journey, too, to a new home of her own. Key Text Features maps illustrations author's note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described.

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

Wedded and bedded, Lucy is devastated when she's abandoned by her new husband the very next day. Though it was a marriage of convenience, their heated wedding night gave her hope that it would turn into something more. But she refuses to be the demure bride left behind on a country estate while the stranger she married goes gallivanting about London—even if she has to create a scandal of her own. Simon, the Earl of Devingham, would prefer his exquisite young bride remain at home where he left her. Instead, she follows him to London . . . seducing him with her fiery kisses, enchanting him with her scorching touches, and awakening in him an insatiable hunger. His duty to the Crown demands that he remain in town, but Lucy has entered a most perilous game—and she will not forfeit without Simon's total surrender.

NEW YORK TIMES EDITORS’ CHOICE • “A powerful, heartbreaking, necessary masterpiece.”—Cheryl Strayed, #1 New York Times bestselling author of Wild The moving story of what one woman learned from fostering a newborn—about injustice, about making mistakes, about how to better love and protect people beyond our immediate kin May you always feel at home. After their decision not to have a biological child, Sarah Sentilles and her husband, Eric, decide to adopt via the foster care system. Despite knowing that the system’s goal is the child’s reunification with the birth family, Sarah opens their home to a flurry of social workers who question them, evaluate them, and ultimately prepare them to welcome a child into their lives—even if it means most likely having to give the child back. After years of starts and stops, and endless navigation of the complexities and injustices of the foster care system, a phone call finally comes: a three-day-old baby girl named Coco, in immediate need of a foster family. Sarah and Eric bring this newborn stranger home. “You were never ours,” Sarah tells Coco, “yet we belong to each other.” A love letter to Coco and to the countless children like her, Stranger Care chronicles Sarah’s discovery of what it means to mother—in this case, not just a vulnerable infant but the birth mother who loves her, too. Ultimately, Coco’s story reminds us that we depend on family, and that family can take different forms. With prose that Nick Flynn has called “fearless, stirring, rhythmic,” Sentilles lays bare an intimate, powerful story with universal concerns: How can we care for and protect one another? How do we ensure a more hopeful future for life on this planet? And if we’re all related—tree, bird, star, person—how might we better live?