In this nuanced and moving new collection of poems, Brenda Coultas weaves a meditation on contemporary life and our place in it. Coultas, who is known for her investigative documentary approach, turns her attention to landfills and the odd histories embedded in the materials found there. The poems make their home among urban and rural detritus, waste, trinkets, and found objects. The title poem, for example, takes its cue from the random, often perfect, pigeon feathers found on city streets. In a seamless weave of poetic sentences, The Tatters explores how our human processes of examination are often bound up with destruction. These poems enable us to be present with the sorrow and horror of our destructive nature, and to honor the natural world while acknowledging that this world no longer exists in any pure form, calling to us instead from cracks in the sidewalk, trash heaps, and old objects. Check for the online reader's companion at tatters.site.wesleyan.edu.

Over 100 outstanding tatting designs from long-out-of-print thread company leaflets, ranging from tiny coasters to a handsome checkerboard luncheon set. Instructions and photographs of each completed design. 84 halftones.

A silly book about living homelessly & on drugs & afterwards one day, subsequently recovering. Watch this space!

It is October 1928. London is the capital of an empire that covers a quarter of the globe and contains a quarter of the human race. The population busies itself with its concerns of politics and government, finance and production, work and recreation. But how fragile things are. What ignorance there is. For there are those who are engaged in quite different pursuits. Those who would see an inhuman power come to Earth that would make such activity seem merely a last dance before dying.

From USA Today bestselling author J.L. Berg comes a poignant story about young love that will stick with you long after the last page. Head down. Don’t look up. Never make eye contact. Those were the words I lived by growing up, the words that protected me in a house where men frequented, but did not stay. But, even with all the rules and warnings, I couldn’t keep them all away. I couldn’t keep him away. Hoping to leave behind the shattered life of my past, I find myself in a small town, with an aunt I’ve never met and at a school I loathe. But soon I learn, not everything in this world is as black and white as I’ve determined. Sometimes those we are so quick to judge need a second or third time to make a first impression. And often, there are friendships and even love—real love, waiting just around the corner, if we are brave enough to take that first step. Am I brave? Or will I hide behind these tattered gloves of mine forever?

When Liz Drake's best friend vanishes, nothing can stop her nightmares. Driven by the certainty he needs her help, she crosses a continent to search for him. She finds Blake comatose in a Vancouver hospital, victim of a mysterious accident that claimed his lover's life - in her dreams he drowns. Blake's new circle of artists and mystics draws her in, but all of them are lying or keeping dangerous secrets. Soon nightmare creatures stalk the waking city, and Liz can't fight a dream from the daylight world: to rescue Blake she must brave the darkest depths of the Dreamlands. Even the attempt could kill her, or leave her mind trapped or broken. And if she succeeds, she must face the monstrous Yellow King, whose slave Blake is on the verge of becoming forever.

Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.

Once, her star was on the ascendant. Now Freya Carpenter is being destroyed by her vengeful ex–husband, and only PR genius Nash Taylor–Grant can give the beautiful actress her life back To Nash, she should be just another job. But keeping the vulnerable, innocent Freya at a distance is not as easy as he thinks. And when he whisks her away to his secret refuge in the idyllic South of France to protect her from her ex and from the paparazzi storm, Nash finds himself breaking his number–one rule never, ever, get intimately involved with a client.

Be brave. Just for sixty seconds. Twenty breaths. It took every ounce of my courage to return to the small town I fled all those years ago. But I should’ve known he’d hate me. How could he not when my father’s blood still runs through my veins? Yet here I am, desperate for a chance to make things right. Even if it means facing the family my father almost destroyed and the boy with the dark eyes—now grown—who still haunts my dreams. I never expected just how explosive things would turn between us. He’s the last person I should want. Yet, somehow, I keep drawing closer—so close I know I’ll end up burned. But Hayes is a good man, a noble one. Someone who channeled his pain into a career spent protecting those around him. So, when the threats begin, he steps in to keep me safe. And we discover that maybe neither of us knew the other at all. As the sparks between us ignite into something deeper, someone watches. And they’ll do anything to tear it all apart…