Shy, hapless High School Sophomore Ryan Miyashi seems to be caught in the orbit of a true force of nature‹his new boyfriend, Tanner Cruz. It seems that wherever Tanner goes, tumult and good-natured chaos follow and Ryan is pulled along for the ride, yet Tanner always seems to come up smelling like a rose. Despite the trouble that the pair get into, Ryan is starting to realize that maybe he�s just a little better off with a bit more spontaneity in his life‹even if it does involve the occasional night in jail or getting thrown out of bars. There is something unusual about the hunky, charismatic jock, but until Ryan can figure it out, he simply calls it the Tanner Effect. What�s the worst that could happen?

The Tanner Lectures on Human Values is the annual publication of lectures given at various universities around the world. Established to reflect upon the scholarly and scientific learning relating to human values, the lectureships are international and intercultural, and transcend ethnic, national, religious, and ideological distinctions.

A prestigious series of lectures that are international and intercultural, and transcend ethnic, national, religious, and ideological distinctions.

An overview of the optical effects in solids, this book addresses the physics of materials and their response to electromagnatic radiation--back cover.

Over the last forty years, renewed interest in the career of Henry Ossawa Tanner (1859–1937) has vaulted him into expanding scholarly discourse on American art. Consequently, he has emerged as the most studied and recognized representative of African American art during the nineteenth century. In fact, Tanner, in the spirit of political correctness and racial inclusiveness, has gained a prominent place in recent textbooks on mainstream American art and his painting, The Banjo Lesson (1893), has become an iconic symbol of black creativity. In addition, Tanner achieved national recognition when the Philadelphia Museum of Art in 1991 and the Pennsylvania Academy of the Fine Arts in 2012 celebrated him with major retrospectives. The latter exhibition brought in a record number of viewers. While Tanner lived a relatively simple life where his faith and family dictated many of the choices he made daily, his emergence as a prominent black artist in the late nineteenth century often thrust him openly into coping with the social complexities inherent with America’s great racial divide. In order to fully appreciate how he negotiated prevailing prejudices to find success, this book places him in the context of a uniquely talented black man experiencing the demands and rewards of nineteenth-century high art and culture. By careful examination on multiple levels previously not detailed, this book adds greatly to existing Tanner scholarship and provides readers with a more complete, richly deserved portrait of this preeminent American master.