Despite existing for thousands of years, the field of ethics remains strongly influenced by several largely unquestioned assumptions and cognitive biases that can dramatically affect our priorities. The Tango of Ethics: Intuition, Rationality and the Prevention of Suffering proposes a deep, rigorous reassessment of how we think about ethics. Eschewing the traditional language of morality, it places a central emphasis on phenomenological experience and the unique urgency of suffering wherever it occurs, challenges our existence bias and examines the consequences of a metaphysically accurate understanding of personal identity. A key paradigm in The Tango of Ethics is the conflict and interplay between two fundamentally different ways of seeing and being in the world — that of the intuitive human being who wants to lead a meaningful life and thrive, and that of the detached, rational agent who wants to prevent unbearable suffering from occurring. Leighton aims to reconcile these two stances or motivations within a more holistic framework he labels 'xNU+' that places them at distinct ethical levels. This approach avoids some of the flaws of classical utilitarianism, including the notion that extreme suffering can be formally balanced out by enough bliss, while maintaining a focus on impact. He also identifies some of the limits of rationality and our dependence on intuitions to make ethical decisions. The book explores the implications of this way of thinking for real-world ethical dilemmas and how we might incorporate it into governance. With societal collapse, increasing totalitarianism and artificial general intelligence all very real threats in the coming years, Leighton argues that it is as important as ever to promote these ethics and their implementation while there is still an opportunity for some convergence around what matters.

Six hundred years after Copernicus presented his revolutionary and heretical heliocentric theory, a sunset can still look unexpectedly new. What if the fate of our world depended on a similar shift in perspective? Synthesizing recent thinking from science, philosophy, psychology and economics with the author's own reflections on freedom, identity and morality, The Battle for Compassion offers a fresh, sweeping perspective on the human condition and a deep contemplation of the basis for our priorities at this critical moment in our history. The threats to our existence and the persistence of intense suffering are closely intertwined issues with similar underlying causes. Addressing them honestly requires us to reflect detachedly on who we are, probe the boundaries of ethical thinking, and ask some really big questions. What matters? What are the basic forces driving our species' trajectory, and where are they leading us? And what would it realistically take for us to preserve a future worth living in? These questions recur as we go through life and experience bliss and pain, the passing of time, the kindness and cruelty of our fellow humans, the monotony of routine and the shock of unanticipated change. This book ponders these pivotal questions and attempts to offer some answers.

The complex relationship between nationalism and masculinity has been explored both historically and sociologically with one consistent conclusion: male concepts of courage and virility are at the core of nationalism. In this ground-breaking book, the author questions this assumption and advances the debate through an empirical analysis of masculinity in the revealing contexts of same-sex (football and polo) and cross-sex (tango) relations. Because of its rich history, Argentina provides the ideal setting in which to study the intersection of masculine and national constructs: hybridization, creolization and a culture of performance have all informed both gender and national identities. Further, the author argues that, counter to claims made by globalization theorists, the importance of performance to Argentinian men and women has a long history and has powerfully shaped the national psyche. But this book takes the analysis far beyond national boundaries to address general arguments in anthropology which are not culture-specific, and the discussion poses important comparative questions and addresses central theoretical issues, from the interplay of morality and ritual, to a comparison between the popular and the aristocratic, to the importance of ‘othering' in national constructions - particularly those relating to sport. This book represents a major contribution, not only to anthropology, but to the study of gender, nationalism and culture in its broadest sense.

The heartwarming true story of two penguins who create a nontraditional family. At the penguin house at the Central Park Zoo, two penguins named Roy and Silo were a little bit different from the others. But their desire for a family was the same. And with the help of a kindly zookeeper, Roy and Silo got the chance to welcome a baby penguin of their very own.

Imagine a human society, perhaps in pre-history, in which people were generally of a psychological kind with us, had the use of natural language to communicate with one another, but did not have any properly moral concepts in which to exhort one another to meet certain standards and to lodge related claims and complaints. According to The Birth of Ethics, the members of that society would have faced a set of pressures, and made a series of adjustments in response, sufficient to put them within reach of ethical concepts. Without any planning, they would have more or less inevitably evolved a way of using such concepts to articulate desirable patterns of behavior and to hold themselves and one another responsible to those standards. Sooner or later, they would have entered ethical space. While this central claim is developed as a thesis in conjectural history or genealogy, the aim of the exercise is philosophical. Assuming that it explains the emergence of concepts and practices that are more or less equivalent to ours, the story offers us an account of the nature and role of morality. It directs us to the function that ethics plays in human life and alerts us to the character in virtue of which it can serve that function. The emerging view of morality has implications for the standard range of questions in meta-ethics and moral psychology, and enables us to understand why there are divisions in normative ethics like that between consequentialist and Kantian approaches.

This interdisciplinary volume connects the philosophy of history to moral philosophy with a unique focus on time. Taking in a range of intellectual traditions, cultural, and geographical contexts, the volume provides a rich tapestry of approaches to time, morality, culture, and history. By extending the philosophical discussion on the ethical importance of temporality, the editors disentangle some of the disciplinary tensions between analytical and hermeneutic philosophy of history, cultural theory, meta-ethical theory, and normative ethics. The ethical and existential character of temporality reveals itself within a collection that resists the methodological underpinnings of any one philosophical school. The book's distinctive cross-cultural approach ensures a wide range of perspectives with contributions on life and death in Japanese philosophy, ethics and time in Maori philosophy, non-traditional temporalities and philosophical anthropology, as well as global approaches to ethics. These new directions of study highlight the importance of the ethical in the temporal, inviting further points of departure in this burgeoning field.

Making money and maintaining business ethics in international trade can be a challenge. Especially in countries where corrupt officials, bribes, payoffs, baksheesh and the mordida are commonplace. Cultural questions intensify the challenge. "Am I being asked for a bribe or facilitation payment?" This book identifies the key ethical issues and gives the reader practical tools to use in everyday situations.

Reconceptualising Almodóvar's films as theoretical and political resources, this innovative book examines a neglected aspect of his cinema: its engagement with the traumatic past, with subjective and collective memory, and with the ethical and political meanings that result from this engagement.

AI promises to transform our world, supercharging productivity and driving new innovations. Taming the Machine uncovers how you can responsibly harness the power of AI with confidence. AI has the potential to become a personal assistant, a creative partner, an editor and a research tool all at once. But it also represents a threat to your livelihood, data and privacy. Taming the Machine offers the practical insights and knowledge you need to work with AI with an ethical and responsible approach. In this book, celebrated AI expert and ethicist Nell Watson offers practical insights on how you can ethically innovate with AI. It delves into the ethical issues of unbridled AI, highlighting the challenges that it will bring to society and business unless we fortify cybersecurity, safeguard our data, and understand the dangerous potential of artificial intelligence. Step into the future and supercharge your performance safely by Taming the Machine.

What is ‘the good’ of the film experience? And how does the budding field of ‘film as philosophy’ answer this question? Charting new routes for film ethics, Martin P. Rossouw develops a critical account of the transformational ethics at work within the ‘film as philosophy’ debate. Whenever philosophers claim that films can do philosophy, they also persistently put forward edifying practical effects – potential transformations of thought and experience – as the benefit of viewing such films. Through rigorous appraisals of key arguments, and with reference to the cinema of Terrence Malick, Rossouw pieces together the idea of an inner makeover through cinema – a cinemakeover – which casts a distinct vision of film spectatorship as a practice of self-transformation. "Recasting much of the existing debate, Martin Rossouw’s [...] emphasis on film’s power for enacting ethical transformation, rather than theoretical insight or discovery, gives a much-needed shot in the arm to a topic whose development has stalled in recent years. [...] This highly original book offers a unique and provocative contribution to the scholarship. Rossouw is a persistent questioner, often demonstrating sharp philosophical instincts." -Shawn Loht, Philosophy in Review, Vol. 43 no. 1 (February 2023). "At once a comprehensive record and a ceaseless meta-critique, Rossouw’s Transformational Ethics of Film is a thorough and bittersweet investigation into the aspiration and limits of this strand of film-philosophy scholarship [...]. [...] Rossouw’s detailed commitment to this critical exercise both provides a bountiful resource for film ethics scholarship, bringing organized clarity to an otherwise scattered but nonetheless commanding school of thought, and presents a potentially radical prospect for the position of meta-hermeneutics in the world of art theory." -Daniel E. Smith, New Review of Film and Television Studies, Vol. 22 no. 2 (July 2024).