"In 1999 a collection of small wooden boxes was discovered in a flea market in Tangier. Inside these boxes were 500 glass stereoscopic negatives and handwritten notes from a French officer, who took over 250 photographs between 1916 and 1918. This book highlights previously unseen images taken across the Western Front capturing all aspects of war; from the banal and odd moments to the cruel and brutal ones. It is a vision of one officer.

"The story of the English occupation of Tangier in the reign of Charles II is to be found among hundreds of contemporary documents and letters, most of which have never been published. By far the most important source of information is the large collection of official correspondence preserved at the Public Record Office, under the heading "Colonial Office, 279", which contains many letters and reports written by the English Governors of Tangier between 1662-1684. The present work is based principally on these manuscript letters, from which a number of extracts are printed. Of many other valuable authorities, the most interesting, perhaps is a journal written at Tangier by John Luke ... this journal, which gives many details concerning social life, is, so far as I can ascertain, generally known"--Preface (p. vii).

ONE OF THE NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “A darkly incantatory tragicomedy of love and betrayal ... Beautifully paced, emotionally wise.” —The Boston Globe In the dark waiting room of the ferry terminal in the sketchy Spanish port of Algeciras, two aging Irishmen—Maurice Hearne and Charlie Redmond, longtime partners in the lucrative and dangerous enterprise of smuggling drugs—sit at night, none too patiently. The pair are trying to locate Maurice’s estranged daughter, Dilly, whom they’ve heard is either arriving on a boat coming from Tangier or departing on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals, and serial exiles. Rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today, Night Boat to Tangier is a superbly melancholic melody of a novel, full of beautiful phrases and terrible men.

Appendix 42 in the report of the minister of agriculture for 1874 consists of a Report of proceedings connected with Canadian archives in Europe, by H.A.J.B. Verreau.

Broken trust. Broken promises. Shame, confusion, and guilt. Unimaginable violence. Then the War came, and the cycle started anew. This is the story of Kurt, a Bavarian infantryman serving somewhere on the Western Front during the First World War. He is like many of his comrades and not a few of his enemies: he fights a war within a war, a singular combat against what he knows of love, hate, sex, addiction, and abuse. A combat against monsters both real and otherwise. Combat in the First World War was a dehumanizing experience. Gone was glory and individual heroics. Gone too were the fluttering flags and colorful uniforms. Gone was color altogether. In this alien world death came from afar, the enemy hidden from view. New and terrifying technologies elevated killing to previously unheard-of industrial levels and rendered battlefields into lifeless moonscapes. Yet while surrounded by this maelstrom Kurt faces an enemy that is still very much human - himself. Which combat will prove more deadly? In war, when men are wounded, they are called casualties. But what are men called when they are wounded before their fight begins?