A surprise best-seller in Britain, this outrageous, weirdly funny first novel will appeal to fans of Paddy Clark Ha Ha Ha. Not since Holden Caulfield in The Catcher in the Rye has literature seen a young man with as much contempt for hypocrisy and phoniness as Patrick Scully, the narrator of this brilliantly observed tale of a nineteen-year-old's frustrations and dreams. Stuck in a dead- job in Dublin, while his friends pursue useless degrees at the university, Patrick escapes for a week to his hometown of Killeeny, a few hours' bus ride from Dublin. There he hooks up with his childhood chum, Balls O'Reilly, and his on-again, off-again girlfriend, Francesca, who, as we learn in chapters from her diary, is more interested in Balls than she'd want anyone, especially Patrick, to know. What follows is a rollicking week of carousing, drinking, and depravity, all seen through Patrick's searing and unforgiving eyes. Laced with hilarious small-town insight, this gripping first novel builds to a shocking climax as Patrick's insight into the duplicity of his so-called friends becomes more than he can bear.

Moving to this small town might just be a huge mistake. City girl Emma Johnson moves to Kurrajong Crossing determined to escape her troubled past and forge a bright future filled with new friendships, experiences, and even a pet cow. When the town starts a bet to see which of the many eligible bachelors around town will take her out first, she plays along. They’ll figure out soon enough that she isn’t interested in romance or relationships. Not now, not ever. Country vet and cattleman Gabe Jameson knows the gossip surrounding pretty newcomer Emma will taper off eventually. In the meantime, he’s willing to lend a hand and help with emergency repairs to her rickety old house. It’s not as if it’s a date, or that he wants it to turn into something more. Pretty women are trouble, and Emma is stunning. Besides, he’s sworn off love forever. It seems they might have something in common after all… First published as Breathless

During the Great Depression Roxie Mitchell has been warned to avoid Luke Bauer, an ex-con. Yet she hires him, daring to offer him a second chance even as gossip mushrooms in the small Missouri town to which they each have recently returned. Luke is an underdog and a man she finds hard to resist. Roxie is Luke’s only friend, but both their friends and foes will test them. A Daughters of the Great Depression novel by Fran Baker; originally published by Five Star

'The Talk of the Town' explores everyday communication in a 16th-century small town and the role it played in the circulation of information across and within early modern communities, using the notebooks of the St Gall linen trader Johannes Rütiner to gain unusual insights into an oral world, and show how conversation could shape society.

This study argues that in eighteenth-century Britain, the public sphere was a figure of speech created by juxtaposed images of more limited, local, and particular arenas of discussion. In letters, newspapers, and books, eighteenth-century British writers described the public qualities of three different spaces: court, coffeehouse, and meeting. Writers referred to the proliferation of these social spaces, describing multiple coffeehouses, drawing rooms, and meetings, among which the customary language of each was circulated in repeated conversations and printed newspapers.These multiple references created a set of interrelated, competing, and mutually defining metaphors and figurations: figurative public spheres. Identifying the relations between these metaphors requires work in an archive that crosses the boundaries between court, coffeehouse, and Parliament, and between manuscript and print. By following figures from one medium to another, and by examining the contexts in which they were used, it is possible to see a social imaginary emerging from the juxtapositions between them. Ann C. Dean is Associate Professor of English at the University of Southern Maine.

SWEET HOPE WEDDINGS Welcome to Sweet Hope, Georgia—where weddings come to those who least expect them! MEET THE BRIDE-TO-BE Belle Sherman decided to live life to the fullest, and moved to Sweet Hope to do just that! But this recently jilted bride had almost given up on finding—and keeping—Mr. Right. AND HER RELUCTANT GROOM? Widower Boone O'Malley had trouble aplenty raising his rebellious daughter. He didn't have time to keep rescuing the new gal in town. But once he held the lovely Belle in his arms, could he ever bring himself to let her go? Bells are ringing for some SWEET HOPE WEDDINGS.

In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.