America’s first great organized-crime lord was a lady—a nice Jewish mother named Mrs. Mandelbaum. “A tour de force . . . With a pickpocket’s finesse, Margalit Fox lures us into the criminal underworld of Gilded Age New York.”—Liza Mundy, author of The Sisterhood In 1850, an impoverished twenty-five-year-old named Fredericka Mandelbaum came to New York in steerage and worked as a peddler on the streets of Lower Manhattan. By the 1870s she was a fixture of high society and an admired philanthropist. How was she able to ascend from tenement poverty to vast wealth? In the intervening years, “Marm” Mandelbaum had become the country’s most notorious “fence”—a receiver of stolen goods—and a criminal mastermind. By the mid-1880s as much as $10 million worth of purloined luxury goods (nearly $300 million today) had passed through her Lower East Side shop. Called “the nucleus and center of the whole organization of crime,” she planned robberies of cash, gold and diamonds throughout the country. But Mrs. Mandelbaum wasn’t just a successful crook: She was a business visionary—one of the first entrepreneurs in America to systemize the scattershot enterprise of property crime. Handpicking a cadre of the finest bank robbers, housebreakers and shoplifters, she handled logistics and organized supply chains—turning theft into a viable, scalable business. The Talented Mrs. Mandelbaum paints a vivid portrait of Gilded Age New York—a city teeming with nefarious rogues, capitalist power brokers and Tammany Hall bigwigs, all straddling the line between underworld enterprise and “legitimate” commerce. Combining deep historical research with the narrative flair for which she is celebrated, Margalit Fox tells the unforgettable true story of a once-famous heroine whose life exemplifies America’s cherished rags-to-riches narrative while simultaneously upending it entirely.

America’s first great organized-crime lord was a lady—a nice Jewish mother named Mrs. Mandelbaum. “A tour de force . . . With a pickpocket’s finesse, Margalit Fox lures us into the criminal underworld of Gilded Age New York.”—Liza Mundy, author of The Sisterhood In 1850, an impoverished twenty-five-year-old named Fredericka Mandelbaum came to New York in steerage and worked as a peddler on the streets of Lower Manhattan. By the 1870s she was a fixture of high society and an admired philanthropist. How was she able to ascend from tenement poverty to vast wealth? In the intervening years, “Marm” Mandelbaum had become the country’s most notorious “fence”—a receiver of stolen goods—and a criminal mastermind. By the mid-1880s as much as $10 million worth of purloined luxury goods (nearly $300 million today) had passed through her Lower East Side shop. Called “the nucleus and center of the whole organization of crime,” she planned robberies of cash, gold and diamonds throughout the country. But Mrs. Mandelbaum wasn’t just a successful crook: She was a business visionary—one of the first entrepreneurs in America to systemize the scattershot enterprise of property crime. Handpicking a cadre of the finest bank robbers, housebreakers and shoplifters, she handled logistics and organized supply chains—turning theft into a viable, scalable business. The Talented Mrs. Mandelbaum paints a vivid portrait of Gilded Age New York—a city teeming with nefarious rogues, capitalist power brokers and Tammany Hall bigwigs, all straddling the line between underworld enterprise and “legitimate” commerce. Combining deep historical research with the narrative flair for which she is celebrated, Margalit Fox tells the unforgettable true story of a once-famous heroine whose life exemplifies America’s cherished rags-to-riches narrative while simultaneously upending it entirely.

Catch Me If You Can meets Patricia Highsmith in this “stylish” (New York Times Book Review) page-turner of greed and obsession, survival and self-invention that is a piercing character study of one unforgettable female con artist. At the end of the 1990s, with the art market finally recovered from its disastrous collapse, Miss Rebecca Farwell has made a killing at Christie’s in New York City, selling a portion of her extraordinary art collection for a rumored 900 percent profit. Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make. But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?

Documents life in a remote Bedouin village in Israel whose residents communicate through a unique method of sign language used by both hearing and non-hearing citizens, in an account that offers insight into the relationship between language and the human mind. Reprint. 20,000 first printing.

Queen of Thieves is the gritty, fast-paced story of Fredericka “Marm” Mandelbaum, a poor Jewish woman who rose to the top of her profession in organized crime during the Gilded Age in New York City. During her more than twenty-five-year reign as the country’s top receiver of stolen goods, she accumulated great wealth and power inconceivable for women engaged in business, legitimate or otherwise. The New York Times called Mandelbaum “the nucleus and center of the whole organization of crime in New York City.” Having emigrated from Germany in 1850, she began her climb to the top of the crime world as a peddler on the rough-and-tumble, crowded streets of the city. By 1880, she had amassed a fortune estimated at more than $1 million. Mandelbaum was known for running an orderly criminal enterprise. She enlisted the services of an extensive network of criminals of every ilk and bribed police officials, politicians, and judges. If someone wanted to move stolen goods, needed protection from the law, or sought money to finance a caper, Marm was the person to see. In 1884, Mandelbaum escaped from the clutches of Pinkerton detectives, who were casing her house, and fled to Canada. Mandelbaum lived out the rest of her life in luxury on a small farm with her family and ill-got fortune. Hundreds of people turned out for her funeral. Dozens of people later reported to police that they had their pockets picked at the service.