Psycho beach party: Cast gender - mixed; number - 5 males, 6 females (total 11); size - medium; length - 10 scenes. Parody of the 1960s beach party movies. Surfing teenagers go crazy in Malibu.

Four riotous plays in one volume from a winner of an Outer Critics Circle Award: “A comic playwright of the first rank.”—New York Daily News Renowned for his wicked camp humor and biting social satire, playwright and drag legend Charles Busch has delighted audiences both on and off Broadway. This book contains four of his works, among them Vampire Lesbians of Sodom, one of the longest-running plays in Off-Broadway history, of which the New York Times said “the female roles [Busch] creates are hilarious vamps, but also high comic characters...the audience laughs at the first line and goes right on laughing at every line to the end.” Also included is the Tony-nominated Broadway hit The Tale of the Allergist’s Wife—a comedy about a self-absorbed Upper West Side woman whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music, until her world is transformed by a visit from a childhood friend; The Lady in Question, a tribute to 1940s Hollywood that is both funny and suspenseful; and Psycho Beach Party, a cross between Gidget and Spellbound.

Comedy / Characters: 4m, 2f / Unit set A faded screenwriter in the 1940's woos her troubled ex-writer son into collaborating on a screen play. The gangster/sci fi B-movie in their imagination unfolds before us, involving a chic crime czarina, a beautiful but icy lady scientist and her failed and understandly bitter human cloning experiment. A third story is the Russian fairy tale the screenwriter told her son as a child about a painfully shy princess who forges a diabolical pact with a terrifying but surprisingly vulnerable old witch. The fairy tale inspires the movie which inspires the mother and son screenwriters to mend their fractured relationship. "Plays-within-plays require such intricate tailoring. So it's a pleasure to report that with The Third Story, the ever-captivating Charles Busch proves equally deft as both performer and seamstress." -Theatermania. "The main joy of The Third Story is that its foolery embodies something substantive...No wonder The Third Story feels like such an energizing event." -Village Voice.

From the comic genius behind Curb Your Enthusiasm—a play with “a perfect second-act twist, and a solid last-minute kicker” (Vulture). Fish in the Dark marked Seinfeld co-creator Larry David’s playwriting debut, his Broadway debut—and his first time acting on stage since eighth grade. David starred as Norman Drexel, a man in his fifties who is average in most respects, except for his hyperactive libido. As Norman, his more successful brother Arthur, their elderly mother, and a host of other characters try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface—with hilarious consequences.

"The Divine Sister is an outrageous comic homage to nearly every Hollywood film involving nuns. Evoking such films as 'The Song of Bernadette,' 'The Bells of St. Mary's,' 'The Singing Nun' and 'Agnes of God,' The Divine Sister tells the story of St. Veronica's indomitable Mother Superior who is determined to build a new school for her Pittsburgh convent. Along the way, she has to deal with a young postulant who is experiencing "visions," sexual hysteria among her nuns, a sensitive schoolboy in need of mentoring, a mysterious nun visiting from the Mother House in Berlin, and a former suitor intent on luring her away from her vows."--P. [4] of cove

A “lively biography” of the director who choreographed Fred Astaire, Debbie Reynolds and more: “a real backstager” on the making of Hollywood musicals (Wall Street Journal). From the trolley scene in Meet Me in St. Louis to Fred Astaire and Ginger Rogers's last dance on the silver screen to Judy Garland's tuxedo-clad performance of "Get Happy", Charles Walters staged the iconic musical sequences of Hollywood's golden age. The Academy Award-nominated director and choreographer showcased the talents of stars such as Gene Kelly, Doris Day, and Frank Sinatra—yet Walters's name often goes unrecognized today. In the first full-length biography of Walters, Brent Phillips chronicles the artist's career from his days as a Broadway performer to his successes at Metro-Goldwyn-Mayer. Phillips takes readers behind the scenes of beloved musicals including Easter Parade, Lili, and High Society. He also examines the director's uncredited work on films like Gigi, and discusses his contributions to musical theater and American popular culture. This revealing book also considers Walters's personal life and explores how he navigated the industry as an openly gay man. Drawing on unpublished oral histories, correspondence, and new interviews, this biography offers an entertaining and important new look at an exciting era in Hollywood history.

Twins Seth and Abby fly into New York to care for their ailing mother Anna. Determined that her children should remember her as something more than an unremarkable Long Island housewife, Anna reveals to them that she once had an affair. Initially shocked, Seth and Abby begin to question just how much of the story can be blamed on Anna's increasingly senile mind, and how much is true.

A psychologist tries to keep the health center he runs in rural Connecticut afloat, battling insurance companies and his own demons, while ministering to the distressed souls who find their way to his door.