Mankind's history has been determined by war. And throughout history, the way that wars are won and lost, and whether they are fought at all, has been determined more by weapons than any other single force. Before there was man, there were weapons. In his investigation of arms and culture, noted military historian Robert O'Connell goes all the way back to the first weapons: the claws, horns, and hooves of our evolutionary antecedents. Even then, a species' weaponry determined its future. So it has been for the human animal. From the ancient Assyrians' conquest of bronze, to the Toledo steel of the Spanish conquistadors, to the MIRV missiles of nuclear deterrence, the great weapons have set their own agendas. They continue to shape our culture and our lives today. THE SOUL OF THE SWORD gives world history from a club, gun, or aircraft carrier's perspective. Along the way, sidebars and drawings from premier military illustrator John Batchelor illuminate the weapons themselves. In this fascinating book O'Connell unearths the extraordinary weapons of our past, and explains our most basic weapons as never before. Our killing tools are much more than fearsome curiosities; they are the engines of history.

First published in English in 2007 under title: The history of terrorism: from antiquity to al Qaeda.

This book provides a wide-ranging and comprehensive coverage of warfare across times and cultures. Its main strengths are its ability to provide context for each period discussed, comparison between developments in Europe, Asia, and the colonized world, and critical and up-to-date bibliographies that allow the reader to pursue subjects in greater depth. - Jacket flap.

Five specialists examine the historical relationship of culture and conflict in various regional societies. The authors use Adda B. Bozeman's theories on conflict and culture as the basis for their analyses of the causes, nature, and conduct of war and conflict in the Soviet Union, the Middle East, Sinic Asia (China, Japan, and Vietnam), Latin America, and Africa. Drs. Blank, Lawrence Grinter, Karl P. Magyar, Lewis B. Ware, and Bynum E. Weathers conclude that non-Western cultures and societies do not reject war but look at violence and conflict as a normal and legitimate aspect of sociopolitical behavior.

Like Don Quixote, Sterne's Tristram Shandy, and Fielding's Tom Jones, Modern Chivalry is a tale of adventuring, episodic and exciting. Despite the author's European inspirations, it is a distinctively American book, not just because of its homespun, native characters and slapstick humor, but also because it is a narrative of journeying and questing. As it follows Captain Farrago and his sidekick on their travels, the book's premise becomes clear--that democracy as practiced in America is valuable and worthy, but that it is subject to malfunctions when tinkered with by unfit men. A pointed caricature of American life, Modern Chivalry will be of great value to all interested in American history and literature.

This is the history of an era dominated by militancy: both warlike and religious, if the two can be separated. The true interest in the centuries of the early Middle Ages lies with the gradual evolution of new forms of military efficiency, which ended in the establishment of a military caste (knights) as the chief power in war and the human mechanism of government. The existence of feudalism and its association with the Christian Church is one of the most important factors concerning the Middle Ages. In the medieval period, the individual mounted warrior seemingly held sway for an extended time

This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.

A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.