Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual. Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of “ontography”. Through the ongoing interlacing and bridging of “TV 1.0” (the image is being switched) and “TV 2.0” (the image is a switch), TV exponentially increases the production and circulation of images. It transforms the world and itself from an analogue state to a digital one and from central perspectivism to pluri-perspective. In terms of time, through switching and the switch, it develops and reworks new temporal orderings, such as instantaneity, synchronicity, flow, and seriality. TV makes its own history. In space, it creates a mediasphere as its habitat and hence new forms of being-in-the-world, of proximity and distance, and scale. Anthropologically, it works on what a subject and an object is, on what makes the human being, and ontographically, how it is possible that there is something at all instead of nothing: through switch-images.

Over 90 recipes to maximize automated solutions and policy-drive application profiles using Cisco ACI About This Book Confidently provision your virtual and physical infrastructure for application deployment Integrate Cisco ACI with hypervisors and other third party devices Packed with powerful recipes to automate your IT operations Who This Book Is For If you are a network administrator, system administrator, or engineer and are aware of the basics of Cisco ACI but want to start using it to automate your tasks, then this book is for you What You Will Learn Master the Cisco ACI architecture Discover the ACI fabric with easy-to-follow steps Set up quality of service within ACI Configure external networks with Cisco ACI Integrate with VMware and track VMware virtual machines Configure apply and verify access policies Extend or migrate a VMware virtual-machine LAN inside the ACI fabric Monitor ACI with third party tools and troubleshoot issues In Detail Cisco Application Centric Infrastructure (ACI) is a tough architecture that automates IT tasks and accelerates data-center application deployments. This book focuses on practical recipes to help you quickly build, manage, and customize hybrid environment for your organization using Cisco ACI. You will begin by understanding the Cisco ACI architecture and its major components. You will then configure Cisco ACI policies and tenants. Next you will connect to hypervisors and other third-party devices. Moving on, you will configure routing to external networks and within ACI tenants and also learn to secure ACI through RBAC. Furthermore, you will understand how to set up quality of service and network programming with REST, XML, Python and so on. Finally you will learn to monitor and troubleshoot ACI in the event of any issues that arise. By the end of the book, you will gain have mastered automating your IT tasks and accelerating the deployment of your applications. Style and approach A set of exciting recipes to automate your IT operations related to datacenters, the Cloud, and networking tasks

Visual servoing is a well-known approach to guide robots using visual information. Image processing, robotics, and control theory are combined in order to control the motion of a robot depending on the visual information extracted from the images captured by one or several cameras. With respect to vision issues, a number of issues are currently being addressed by ongoing research, such as the use of different types of image features (or different types of cameras such as RGBD cameras), image processing at high velocity, and convergence properties. As shown in this book, the use of new control schemes allows the system to behave more robustly, efficiently, or compliantly, with fewer delays. Related issues such as optimal and robust approaches, direct control, path tracking, or sensor fusion are also addressed. Additionally, we can currently find visual servoing systems being applied in a number of different domains. This book considers various aspects of visual servoing systems, such as the design of new strategies for their application to parallel robots, mobile manipulators, teleoperation, and the application of this type of control system in new areas.

This guide describes how to implement modern GUI (Graphic'ser Interface) methodologies within the LabVIEW application. The book provides interface design strategies and basic graphic design principles, and includes over 100 step-by-step LabVIEW GUI Code examples.

The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together. Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags. Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith, as well as the peculiar genre of cynical humor from Eastern Europe. As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.