In her compendious study, [of the folktale of the runaway wife] Leavy argues that the contradictory claims of nature and culture are embodied in the legendary figure of the swan maiden, a woman torn between the human and bestial worlds. --The New York Times Book Review This is a study of the meaning of gender as framed by the swan maiden tale, a story found in the folklore of virtually every culture. The swan maiden is a supernatural woman forced to marry, keep house, and bear children for a mortal man who holds the key to her imprisonment. When she manages to regain this key, she escapes to the otherworld, never to return. These tales have most often been interpreted as depicting exogamous marriages, describing the girl from another tribe trapped in a world where she will always be the outsider. Barbara Fass Leavy believes that, in the societies in which the tale and its variants endured, woman was the other--the outsider trapped in a society that could never be her own. Leavy shows how the tale, though rarely explicitly recognized, is frequently replayed in modern literature. Beautifully written, this book reveals the myriad ways in which the folktales of a society reflect its cultural values, and particularly how folktales are allegories of gender relations. It will interest anyone involved in literary, gender, and cultural studies.

In Sam London’s third adventure with the Department of Mythical Wildlife, the boy who saw the gryphon will face his greatest fear. Following the heartbreaking conclusion of his second case, Sam has spent his days searching for the swan maiden. Driven by his belief the maiden is still alive, he sets out with Dr. Vance Vantana and Tashi on a forbidden quest to reunite his family. But the journey is long and treacherous and will lead them through the lair of the Mongolian Death Worm—a terrifying creature that has broken the Gryphon’s Law and is attacking anyone who dares to cross its path. And if this wasn’t enough, an old enemy from Vance’s past returns to exact a revenge that will doom all of humankind. With the future of his family and the fate of the world at stake, Sam must make an impossible choice that will change the course of his life and those he loves forever. Can Sam right a wrong or will Gaia, itself, decide to fight back?

Moira grew to womanhood in the realm of Myr, wise in the arts of women.. and utterly innocent of the ways of men. All of that changes tonight. Moira wondered, trembling. She passes through the circle of stones into the world of men. There, she meets Wulfsun, every mesmerizing inch a man, hard muscled and tawny maned. No Viking was more feared, until he captures a maiden as beautiful as moonlit shadows, and is enslaved for all time. He would have her willing or not at all, though his blood coursed hot with wanting. And though Moira wore a golden collar of thralldom, her desire for the mighty warrior was the greater bondage.

After his wife's untimely death, a powerful sorcerer dedicates his life to seeking revenge against all womankind. He turns his captives into beautiful swans--who briefly regain human form by the fleeting light of the moon. Only Odette, noblest of the enchanted flock, has the courage to confront her captor. But can she gain the allies she needs to free herself and the other swan-maidens from their magical slavery?A monumental tale of loyalty and betrayal, of magic good and evil, of love both carnal and pure, and of the duality of human nature, The Black Swan is a rich tapestry which is sure to become an all-time masterpiece of fantasy.

An RWA Best Historical Fantasy Romance—second in the enchanting medieval trilogy from the author of Swan Bride. As the setting sun haloed her flame-colored hair, beautiful Eithne glowed with netherworld witchery, her gentle nature clouded by the black magic of the Druid father who held her mother imprisoned. Having vowed never to speak, she could not cry a warning to the handsome knight who, by entering the gates of Rath Morna, had sealed his fate. With his raven-black hair braided like that of a king, Bron mac Llyr has traveled the land searching for the famed Swan Sister who is blessed with the powers to heal his battle wounds. Instead he finds a place of dark enchantment, a trap of lies and illusions, and an exotic, ethereal woman so lovely he burns to possess her. Bron vows to unveil the sorrowful secret that burdens Eithne’s heart. Now she must chance exchanging her father’s evil reign for the greater hazards of desire and so discover that a man can give as well as take, could free as well as possess his beloved Swan Witch.

From the Golden Book archives comes a Hans Christian Andersen fairy tale, gloriously illustrated by Gordon Laite in the late 1960s but never published until now! Gordon Laite’s breathtaking artwork for a Little Golden Book edition of the Andersen fairy tale was found recently in the Golden Books archive. Planned for a 1970 release but never published, this Little Golden Book is finally making its debut for today’s fairy tale fans! And it couldn’t be a lovelier retelling of the story of a determined princess whose loyalty saves her brothers from being turned into swans by an evil queen.

A king's daughter undertakes a difficult task to rescue her six brothers from the enchantment imposed on them by their wicked stepmother.

From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women-some carried by wings, others by clouds, rainbows, floating scarves, and flying horses-reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. She considers supernatural women like the Valkyries of Norse legend, who transport men to immortality; winged deities like the Greek goddesses Iris and Nike; figures of terror like the Furies, witches, and succubi; airborne Christian mystics; and wayward, dangerous women like Lilith and Morgan le Fay. Looking beyond the supernatural, Young examines the modern mythology surrounding twentieth-century female aviators like Amelia Earhart and Hanna Reitsch. Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories. This is vividly depicted, for example, in the twelfth-century Niebelungenlied, in which the proud warrior-queen Brünnhilde loses her great physical strength when she is tricked into surrendering her virginity. Even in the twentieth-century the same idea is reflected in the exploits of the comic book and film character Wonder Woman who, Young suggests, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, art, and pop culture, Women Who Fly offers a fresh look at the ways in which women have both influenced and been understood by society and religious traditions throughout the ages and around the world.

Dress plays a crucial role in fairy tales, signaling the status, wealth, or vanity of particular characters, and symbolizing their transformation. While fairy tales often provide little information beyond what is necessary to a plot, clothing and accessories are often vividly described, enhancing the sense of wonder integral to the genre. Cinderella's glass slipper is perhaps the most famous example, but it is one of many enchanted or emblematic pieces of dress that populate these tales. This is the first book to examine the history, significance, and imagery of classic fairy tales through the lens of high fashion. A comprehensive introduction to the topic of fairy tales and dress is followed by a series of short essays on thirteen stories: Cinderella, Little Red Riding Hood, The Fairies, Sleeping Beauty, Beauty and the Beast, Snow White, Rapunzel, Furrypelts, The Little Mermaid, The Snow Queen, The Swan Maidens, Alice in Wonderland, and The Wizard of Oz. Generously illustrated, these stories are creatively and imaginatively linked to examples of clothing by Comme des Garçons, Dolce and Gabbana, Charles James, and Alexander McQueen, among many others.