A re-examination of the historical development of urban identity and community along the Swahili Coast.

The Swahili World presents the fascinating story of a major world civilization, exploring the archaeology, history, linguistics, and anthropology of the Indian Ocean coast of Africa. It covers a 1,500-year sweep of history, from the first settlement of the coast to the complex urban tradition found there today. Swahili towns contain monumental palaces, tombs, and mosques, set among more humble houses; they were home to fishers, farmers, traders, and specialists of many kinds. The towns have been Muslim since perhaps the eighth century CE, participating in international networks connecting people around the Indian Ocean rim and beyond. Successive colonial regimes have helped shape modern Swahili society, which has incorporated such influences into the region’s long-standing cosmopolitan tradition. This is the first volume to explore the Swahili in chronological perspective. Each chapter offers a unique wealth of detail on an aspect of the region’s past, written by the leading scholars on the subject. The result is a book that allows both specialist and non-specialist readers to explore the diversity of the Swahili tradition, how Swahili society has changed over time, as well as how our understandings of the region have shifted since Swahili studies first began. Scholars of the African continent will find the most nuanced and detailed consideration of Swahili culture, language and history ever produced. For readers unfamiliar with the region or the people involved, the chapters here provide an ideal introduction to a new and wonderful geography, at the interface of Africa and the Indian Ocean world, and among a people whose culture remains one of Africa’s most distinctive achievements.

Selected by Choice Magazine as an Outstanding Academic Title In Port Cities and Intruders, historian Michael Pearson explores the role of port cities and their orientation, relations between the coast and the interior, the place of the coast in the world economy, and the impact of the Portuguese in the early modern period.

This work, which draws on substantial interviews, is a study of economic history from below. It focuses on the cultural and social history of Indians in Durban, exploring such topics as: why did the Indian peasantry rise and decline like the African peasantry, but with a different chronology?; what was the economic logic of the Indian family and to what extent do new interests in the politics and economics of gender help us to understand that logic?; why did Indian workers become intensely militant and why did this military subside?; and, above all, what can this history tell us about the changing nature of South African capitalism in the 20th century? This concern underlies the whole book.

"As an introduction to how the history of an African society can be reconstructed from largely nonliterate sources, and to the Swahili in particular, . . . a model work."—International Journal of African Historical Studies

The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant arena of global cultural convergence, these essays offer compelling new perspectives on the situated yet mobile and deeply networked social lives of Swahili objects. Moving between the broader structural relations of political economic change to more intimate narratives through which such change is experienced, the essays throw light on the ways in which the material fabric of the arts structure Swahili people's sense of self and community in an ever-changing world of oceanic and terrestrial movement.

The history of the Swahili coast is laced with political intrigue, scandal, international commerce, war, invasion and terrorism. Stretching from Somalia in the north, through Kenya and Tanzania, to Mozambique in the south and to the great offshore islands of the coast, it is home to the Swahili people, a unique blend of Arab, African and Persian, whose story stretches back more than two thousand years and which forms the backdrop to one of Africa's oldest and greatest civilizations. Drawing on archaeology, the civic chronicles of the Swahili towns and accounts of the coast written by explorers, traders and colonialists from as far afield as Italy, China and Britain, this illustrated book tells the story of the Swahili coast. Moving from the slave markets and clove plantations of Zanzibar, to the stone towns of the Lamu Archipelago, to the fight for control of Mombasa and its great bastion, Fort Jesus, it tells the stories of Zanzibar sultans, Swahili traders, Portuguese conquerors and Christian missionaries.

This new monograph serves as an authoritative introduction to an unusual people of eastern Africa known as Swahili. Middleton, who has known these people for a half a century, describes their highly stratified, merchant society and civilization, documenting their importance both for anthropologists and for others interested in Africa. Swahili continue today their centuries-old role as merchants in long-distance international trade, a role that has led them to form a society very distinct from any other in Africa. Middletons brief, personal treatment discusses Swahili recorded history as an integral part of their rich tradition and civilization. He clears up past confusions and mistaken assumptions without trying to define a single Swahili identity. His lucid approach unravels contradictions about Swahili being merchants and yet fishermen, who live in both cities as well as small villages, and who reckon various kinds of kinship and marriage. Swahili are often considered by non-Swahili as being both Africans and Arabs, but Middleton shows that they remain African despite having long adopted Islam and many aspects of Arab and Asian cultures.

The Swahili civilization was a fascinating and complex system_a group of advanced cultures with large economic networks, international maritime trade, and urban sophistication. This book documents the growth of Swahili civilization on the eastern coast of Africa, from 100 B.C. to the time of European colonialism in the sixteenth century. Using archaeological, anthropological, and historical information, Chapurukha M. Kusimba describes the origins of this unique and powerful culture, including its Islamic components, architecture, language, and trading systems. Incorporating the results of his own surveys and excavations, Kusimba provides us with a remarkable African-derived study of the rise and collapse of societies on the Swahili Coast.

This is done from the perspective of an 'anthropology of philosophy', a project which is spelled out in the opening chapter."--BOOK JACKET.