THE SURFING YEAR BOOK OFFERS the complete package of news, features, results, opinions, and photography, providing an insider's view of everything that matters in each of the world's surfing regions-Africa, Europe, Southeast Asia and Japan, South and Central America, United States, United Kingdom, and Australia. An extended Surfing Year Book awareness campaign is underway at Surfersvillage.com, the world's biggest surfing news Web site, with more than twenty-two million visitor sessions a year. Surfersvillage will also utilize its large family of publishing partners around the world to advertise the book's arrival in all surfing markets. With each regional section offering text in English and language of origin, the book will have broad appeal in all world surfing markets. Photo essays from the best surf photographers around the world; profiles of all the leading surfers of 2008. Ocean environmental issues, weather, and swell reports. The only global directory of surfing products and services. International sponsors include: O'Neill, Quiksilver, Vans Europe, Oakley Europe, Solitude, Billabong, Hurley, Rip Curl, and Body Glove. Online marketing and promotions. Print and web advertising campaign. Co-op available. For years, Surfersvillage has led the world in providing the most comprehensive online information about the sport, culture, and industry of surfing, from the biggest swell events and contests to the tiniest club meets on the back beaches of the most remote coasts.

This in-depth, photo-packed look at the history and culture of surfers is “meticulously researched, smartly written . . . required reading” (Outside Magazine). Matt Warshaw knows more about surfing than any other person on the planet. After five years of research and writing, Warshaw, a former professional surfer and editor of Surfing magazine, has crafted an unprecedented, definitive history of the sport and the culture it has spawned. With more than 250 rare photographs, The History of Surfing reveals and defines this sport with a voice that is authoritative, funny, and wholly original. The obsessive nature of Warshaw’s endeavor is matched only by the obsessive nature of surfers, who are brought to life in this book in many tales of daring, innovation, athletic achievement, and the offbeat personalities who have made surfing history happen. “The world’s most comprehensive chronicler of the surfing scene.” —Andy Martin, The Independent

This guide showcases the world of extreme surfing, describing the unique culture associated with this daredevil's sport, providing insights into what makes the top riders tick, explaining the science of big waves, and more. "The Pipeline" in O'ahu, Hawaii. "Maverick's Point" in northern California. "Ours" near Sydney, Australia. All over the world, extreme surfers risk severe injury or even death from riptides, shark attacks, and collisions with the seabed itself, just to experience the ultimate high from tackling—and triumphing over—one of the most powerful forces on earth. Surfing: The Ultimate Guide explains the culture of extreme surfing—including the often violent "locals only" mentality—and analyzes the dangers involved in riding the world's biggest and most ferocious waves. The author examines the history of extreme surfing, including past and contemporary heroes; the science of giant waves; the technical criteria for riding them; and the future of big-wave riding.

Surfing has fascinated filmmakers since Thomas Edison shot footage of Waikiki beachboys in 1906. Before the 1950s surf craze, surfing showed up in travelogues or as exotic background for studio features. The arrival of Gidget (1959) on the big screen swept the sport into popular culture, but surfer-filmmakers were already featuring the day's best surfers in self-narrated two-reelers. Hollywood and independent filmmakers have produced about three dozen surf films in the last half-century, including the frothy Beach Party movies, Point Break (1991) and Chasing Mavericks (2012). From Bud Browne's earliest efforts to The Endless Summer (1966), Riding Giants (2004) and today's brilliant videos, over 1,000 surfing movies have celebrated the stoke. This first full-length study of surf movies gives critical attention to hundreds of the most important films.

In this wry and exhilarating coming-of-age story, a prizewinning poet poignantly looks back at his adolescent surfing years. As a disenchanted, unemployed English professor, Thad Ziolkowski decides one day to sneak away from his temp job in Manhattan and catch a wave off a dingy Queens shoreline. In the meager cold waves, he contemplates how he could have possibly become a semidepressed, chain-smoking, aimless man when, for a few shining years of his boyhood, he was invincible. His lapsed love affair with the ocean begins amid the late-sixties counterculture in coastal Florida. After his parents’ divorce, nine-year-old Thad escapes from his difficult family—notably a new brooding and explosive stepfather—by heading for the thrilling, uncharted waters of the local beach. In the embrace of the surf, he is able to stay offshore for years, until his life is upended once again, this time by a double tragedy that deposits him at a crossroads between a life in the waves and a life on land. Lyrical and disarmingly funny, On a Wave is a glorious portrait of youth that reminds readers of Tobias Wolff’s This Boy’s Life and Frank Conroy’s Stop-Time. “A sharp, self-conscious portrait of the artist as a young grommet.” —The New Yorker

With 1,500 alphabetical entries and 300 illustrations, this resource is a comprehensive review of the people, places, events, equipment, vernacular, and lively history of this fascinating sport.

This handbook is an invaluable source of information for both novice and expert. For the beginner, it provides an overview of all aspects of the different paddle sports, whilst the expert can use it as an update to the current theory and practice.

Did you ever wonder what it was like to be a surfer in the 1960s? Would you like to experience a magical ride through a decade when surfing grew from an idyllic past-time to a world-wide phenomenon? Experience what it was like to ride the waves of California and Hawaii at a time when surfing reinvented itself on an almost daily basis. Take a journey through time with Paraffin Chronicles and find out how movies, magazines, competition and innovation changed forever the ancient rite of surfing. Paraffin Chronicles is a first-hand account of one the most exciting and dynamic decades in surfing history. Told by noted surfer "Herbie" Torrens, the story chronicles the dramatic changes in surfing and surfing culture between 1960 and 1970. Growing up in Newport Beach, California, Torrens shares his experience of battling through the ranks of surfdom, from scrawny wanna-be gremmie to the cover of Surfer Magazine. Along the way we meet many of the legends of the day, and experience the dawning of an age. From the introduction of wetsuits to the pure expression of short-board surfing, Paraffin Chronicles gives us a water-level glimpse of a surfer's journey through life. You can contact the author at [email protected]

Surfing today evokes many things: thundering waves, warm beaches, bikinis and lifeguards, and carefree pleasure. But is the story of surfing really as simple as popular culture suggests? In this first international political history of the sport, Scott Laderman shows that while wave riding is indeed capable of stimulating tremendous pleasure, its globalization went hand in hand with the blood and repression of the long twentieth century. Emerging as an imperial instrument in post-annexation Hawaii, spawning a form of tourism that conquered the littoral Third World, tracing the struggle against South African apartheid, and employed as a diplomatic weapon in America's Cold War arsenal, the saga of modern surfing is only partially captured by Gidget, the Beach Boys, and the film Blue Crush. From nineteenth-century American empire-building in the Pacific to the low-wage labor of the surf industry today, Laderman argues that surfing in fact closely mirrored American foreign relations. Yet despite its less-than-golden past, the sport continues to captivate people worldwide. Whether in El Salvador or Indonesia or points between, the modern history of this cherished pastime is hardly an uncomplicated story of beachside bliss. Sometimes messy, occasionally contentious, but never dull, surfing offers us a whole new way of viewing our globalized world.

The evolution of surfing—from the first forms of wave-riding in Oceania, Africa, and the Americas to the inauguration of surfing as a competitive sport at the 2020 Tokyo Olympics—traverses the age of empire, the rise of globalization, and the onset of the digital age, taking on new meanings at each juncture. As corporations have sought to promote surfing as a lifestyle and leisure enterprise, the sport has also narrated its own epic myths that place North America at the center of surf culture and relegate Hawai‘i and other indigenous surfing cultures to the margins. The Critical Surf Studies Reader brings together eighteen interdisciplinary essays that explore surfing's history and development as a practice embedded in complex and sometimes oppositional social, political, economic, and cultural relations. Refocusing the history and culture of surfing, this volume pays particular attention to reclaiming the roles that women, indigenous peoples, and people of color have played in surfing. Contributors. Douglas Booth, Peter Brosius, Robin Canniford, Krista Comer, Kevin Dawson, Clifton Evers, Chris Gibson, Dina Gilio-Whitaker, Dexter Zavalza Hough-Snee, Scott Laderman, Kristin Lawler, lisahunter, Colleen McGloin, Patrick Moser, Tara Ruttenberg, Cori Schumacher, Alexander Sotelo Eastman, Glen Thompson, Isaiah Helekunihi Walker, Andrew Warren, Belinda Wheaton