Excerpt from The Sun Dance of the Blackfoot Indians The publication of this study of the sun dance has been long delayed in the hope that circumstances would permit a more intensive study of the ceremony among the Canadian divisions. But the time for making such a study has really passed, Since those natives who had the knowledge essential to an accurate exposition of the sun dance are now dead. It seems advisable, therefore, to publish the data as they stand. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

DigiCat Publishing presents to you this special edition of "The Sun Dance of the Blackfoot Indians" by Clark Wissler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Excerpt from The Sun Dance of the Crow Indians That the central idea in the performance was indeed the desire for revenge, is proved by the fact that the ceremony closed with the super natural revelation sought. In an exceptional instance referred to by many informants even the vision proved unnecessary: one of the enemy had been caught and killed in camp on the first night of the ceremony proper, and this immediately put a stop to the proceedings. The native interpretation of this case is that the whistler was unusually fortunate in thus having the period of his suffering terminated at the very start. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In 1990, Gerald Conaty was hired as senior curator of ethnology at the Glenbow Museum, with the particular mandate of improving the museum’s relationship with Aboriginal communities. That same year, the Glenbow had taken its first tentative steps toward repatriation by returning sacred objects to First Nations’ peoples. These efforts drew harsh criticism from members of the provincial government. Was it not the museum’s primary legal, ethical, and fiduciary responsibility to ensure the physical preservation of its collections? Would the return of a sacred bundle to ceremonial use not alter and diminish its historical worth and its value to the larger society? Undaunted by such criticism, Conaty oversaw the return of more than fifty medicine bundles to Blackfoot and Cree communities between the years of 1990 and 2000, at which time the First Nations Sacred Ceremonial Objects Repatriation Act (FNSCORA)—still the only repatriation legislation in Canada—was passed. “Repatriation,” he wrote, “is a vital component in the creation of an equitable, diverse, and respectful society.” We Are Coming Home is the story of the highly complex process of repatriation as described by those intimately involved in the work, notably the Piikani, Siksika, and Kainai elders who provided essential oversight and guidance. We also hear from the Glenbow Museum’s president and CEO at the time and from an archaeologist then employed at the Provincial Museum of Alberta who provides an insider’s view of the drafting of FNSCORA. These accounts are framed by Conaty’s reflections on the impact of museums on First Nations, on the history and culture of the Niitsitapi, or Blackfoot, and on the path forward. With Conaty’s passing in August of 2013, this book is also a tribute to his enduring relationships with the Blackfoot, to his rich and exemplary career, and to his commitment to innovation and mindful museum practice.

Clark Wissler's 'The Social Life of the Blackfoot Indians' presents a detailed ethnographic study of the Blackfoot Indians, with a focus on their social organization and band system. Through extensive research and collaboration with local experts, Wissler delves into the complex relationships between different bands and the function of the band circle in political and ceremonial contexts. By examining the names and characteristics of Blackfoot bands, as well as comparing them to neighboring tribes, Wissler sheds light on the origins and development of this unique tribal government system. This fascinating work challenges conventional notions of social organization and exogamy, providing valuable insights into the lives and customs of the Blackfoot people.

In 1886 Walter McClintock went to northwestern Montana as a member of a U.S. Forest Service expedition. He was adopted as a son by Chief Mad Dog, the high priest of the Sun Dance, and spent the next four years living on the Blackfoot Reservation. The Old North Trail, originally published in 1910, is a record of his experiences among the Blackfeet.

A young Native American woman creates a hauntingly beautiful tribute to an age-old way of life in this fascinating portrait of the women of the Blackfoot Indians. A captivating tapestry of personal and tribal history, legends and myths, and the wisdom passed down through generations of women, this extraordinary book is also a priceless record of the traditional skills and ways of an ancient culture that is vanishing all too fast. Including many rare photographs, The Ways of My Grandmothers is an authentic contribution to our knowledge and understanding of Native American lore -- and a classic that will speak to women everywhere.