Perfect for fans of Morgan Matson and Ruta Sepetys, this sweet, summery romance set in Nantucket follows seventeen-year-old Abby Schoenberg as she uncovers a secret about her grandmother's life during WWII. Seventeen-year-old Abby Schoenberg isn't exactly looking forward to the summer before her senior year. She's just broken up with her first boyfriend and her friends are all off in different, exciting directions for the next three months. Abby needs a plan—an adventure of her own. Enter: the letters. They show up one rainy day along with the rest of Abby's recently deceased grandmother's possessions. And these aren't any old letters; they're love letters. Love letters from a mystery man named Edward. Love letters from a mansion on Nantucket. Abby doesn't know much about her grandmother's past. She knows she was born in Germany and moved to the US when she was five, fleeing the Holocaust. But the details are either hazy or nonexistent, and these letters depict a life that is a bit different than the quiet one Abby knows about. So Abby heads to Nantucket for the summer to learn more about her grandmother and the secrets she kept. But when she meets Edward's handsome grandson, who wants to stop her from investigating, things get complicated. As Abby and Noah grow closer, the mysteries in their families deepen, and they discover that they both have to accept the burdens of their pasts if they want the kinds of futures they've always imagined. Cover may vary.

When Vanessa finds a rusty coffee can filled with old letters hidden away in a summer beach cottage, she learns of a haunting and secret affair dating back to the 1950s. Determined to find the woman whose life parallels her own in many ways, Vanessa searches for the woman and her lover, uncovering past and present secrets that finally reveal a shocking truth. Over the course of the summer, Vanessa's own life is transformed by the possibilities of love and new beginnings, even as she confronts the lingering pain of her own past. The Summer Letters is a celebration of the enduring promise of hope and the unbreakable bonds of love.

Edited by Yevgeny Pasternak, Yelena Pasternak, and Konstantin M. Azadovsky The summer of 1926 was a time of trouble and uncertainty for each of the three poets whose correspondence is collected in this moving volume. Marina Tsvetayeva was living in exile in France and struggling to get by. Boris Pasternak was in Moscow, trying to come to terms with the new Bolshevik regime. Rainer Maria Rilke, in Switzerland, was dying. Though hardly known to each other, they began to correspond, exchanging a series of searching letters in which every aspect of life and work is discussed with extraordinary intensity and passion. Letters: Summer 1926 takes the reader into the hearts and minds of three of the twentieth century's greatest poets at a moment of maximum emotional and creative pressure.

With her older sister planning a wedding and her younger sister preparing to launch a career on the stage, Lulu can't help but feel like the failure of the Atwater family. Lulu loves her sisters dearly and wants nothing but the best for them, but she finds herself stuck in a rut. When her mother sends her to look for some old family recipes in the attic, she stumbles across a collection of letters written by her great-great-grandmother Josephine March. Jo writes in detail about every aspect of her life: her older sister Meg's new home and family; her younger sister Amy's many admirers; the family's shared grief over losing Beth; and her own feelings towards a handsome young German. As Lulu delves deeper into the lives of the March sisters, she finds solace and guidance, but can her great-great-grandmother help Lulu find a place in a world so different from the one Jo knew?--From publisher description.

If you could talk to your younger self, what would you tell her? If you could equip her for the challenges she would face today, with the Church plagued by scandal and the culture on the verge of collapse, what would you say? In Letters to Myself from the End of the World, Emily Stimpson Chapman answers those questions, weaving Catholic theology, biblical wisdom, and her own life experience into forty-five “letters” to her twenty-five-year-old self. Both personal and practical, Chapman’s letters reflect upon sin and grace, the Church’s sacraments and saints, scandals and injustice, social media and prayer, suffering, adoption, motherhood, and much more. Written in real time, during the summer and fall of 2020, while pandemics and riots filled the news and as Chapman and her husband prepared to adopt a second child, Letters to Myself from the End of the World is a faithful guide for pursuing holiness and spiritual maturity in a world broken by sin. It’s also a testimony to the power of grace to heal our hearts, renew our minds, and transform our lives.

Summer has begun, the beach is calling . . . . . . but Francesca Schnell is going nowhere. Four years ago, Francesca’s little brother, Simon, drowned when she should have been watching. Now she is about to turn sixteen, but guilt keeps her stuck in the past. Meanwhile, her best friend is moving on—with the boy Francesca secretly wants—and her father may be having an affair. Then Francesca begins babysitting Frankie Sky, a four-year-old who bears an almost eerie resemblance to Simon. She even wonders if Frankie could be Simon’s reincarnation. Their surprising friendship helps Francesca think she might begin to forgive herself, grow up, and even fall in love, whether or not she solves the riddle of Frankie Sky. “Resonates with real feeling.” —The New York Times Book Review “Haunting, heart-lifting, and impossible to put down.” —A. S. King, author of Please Ignore Vera Dietz “A beautiful story of heartbreak and hope.” —Daisy Whitney, author of The Mockingbirds

Inspired by a little-known chapter of World War II history, a young Protestant girl and her Jewish neighbour are caught up in the terrible wave of hate sweeping the globe on the eve of war in this powerful love story that’s perfect for fans of The Guernsey Literary and Potato Peel Pie Society. If you’re reading this letter, that means I’m dead. I had obviously hoped to see you again, to explain in person, but fate had other plans. 1933 At eighteen years old, Molly Ryan dreams of becoming a journalist, but instead she spends her days working any job she can to help her family through the Depression crippling her city. The one bright spot in her life is watching baseball with her best friend, Hannah Dreyfus, and sneaking glances at Hannah’s handsome older brother, Max. But as the summer unfolds, more and more of Hitler’s hateful ideas cross the sea and “Swastika Clubs” and “No Jews Allowed” signs spring up around Toronto, a city already simmering with mass unemployment, protests, and unrest. When tensions between the Irish and Jewish communities erupt in a riot one smouldering day in August, Molly and Max are caught in the middle, with devastating consequences for both their families. 1939 Six years later, the Depression has eased and Molly is a reporter at her local paper. But a new war is on the horizon, putting everyone she cares about most in peril. As letters trickle in from overseas, Molly is forced to confront what happened all those years ago, but is it too late to make things right? From the desperate streets of Toronto to the embattled shores of Hong Kong, Letters Across the Sea is a poignant novel about the enduring power of love to cross dangerous divides even in the darkest of times—from the #1 bestselling author of The Forgotten Home Child.

“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.

Mom and Dad, You've got to get us out of here! When you get this letter, COME IMMEDIATELY! -- Charlie The brother-sister pairs who arrive for the summer at Camp Happy Harmony are almost too busy fighting with each other to notice how strange the camp really is. Not only are the campers forced to wear bizarre uniforms, eat gross food, and do chores all day, but the members of the family that runs the camp fight constantly--with each other. Are the campers in danger? Or--in spite of sibling wars--do they need to stick together to solve the mystery humming under the surface of Camp Happy Harmony?

A virtual memoir in letters by the beloved creator of the Moomins Tove Jansson’s works, even her famed Moomin books, fairly teem with letters of one kind or another, from messages bobbing in bottles to whole epistolary novels. Fortunately for her countless readers, her life was no different, unfolding as it did in the letters to family, friends, and lovers that make up this volume, a veritable autobiography over the course of six decades—and the only one Jansson ever wrote. And just as letters carry a weight of significance in Jansson’s writing, those she wrote throughout her life reflect the gravity of her circumstances, the depth of her thoughts and feelings, and the critical moments of humor, sadness, and grace that mark an artist’s days. These letters, penned with characteristic insight and wit, provide an almost seamless commentary on Jansson’s life within Helsinki’s bohemian circles and on her island home. Shifting between hope and despair, yearning and happiness, they describe her immersion in art studies and her ascension to fame with the Moomins. They speak frankly of friendship and love, loneliness and solidarity, and also of politics, art, literature, and society. They summon a particular place and time reflected through a mind finely attuned to her culture, her world, and her own nature—all clearly put into biographical and historical context by the volume’s editors, both longtime friends of Tove Jansson—and, in the end, draw a complex, intimate self-portrait of one of the world’s most beloved authors.