A billionaire Holocaust survivor hires a writer to uncover the truth of Salvador Allende’s death, and they must confront their own dark histories to find a path forward—for themselves and for our ravaged planet. An expansive, engrossing mystery for fans of Gabriel García Márquez, Margaret Atwood, and Bill McKibben, from the acclaimed author of Death and the Maiden. Ariel needed money, and Joseph Hortha had it. Bound by gratitude toward the late Chilean president and a persistent need to know whether murder or suicide ended his life during the 1973 coup, the two men embark on an investigation that will take them from Washington DC and New York, to Santiago and Valparaíso, and finally to London. They encounter an unforgettable cast of characters: a wedding photographer who can predict a couple’s future; a policeman in pursuit of the serial killer targeting refugees; a revolutionary caught trying to assassinate a dictator; and, above all, the complex women who support them along the way, for their own obscure reasons. Before Ariel and Joseph can resolve a quest full of dangers and enigmas, they must help each other come to terms with guilt and trauma from personal catastrophes hidden deep in the past. What begins as an intriguing literary caper unfolds into a propulsive, philosophical saga about love, family, machismo, fascism, and exile that asks what we owe the world, one another, and ourselves. By boldly mixing fiction and reality, imagination and history, The Suicide Museum explores the limits of the novelistic genre, expanding it in an unsuspected and exceptional way.

Literary Nonfiction. LGBTQIA Studies. Edited by Clare Kelly. one part ketamine spiral, one part confessional travelogue from the edge of gender, TGSM is a hallucinatory transmission on sex, identity, the internet, and the flickering wish not to exist in a given body at a given point in time. TGSM raises questions with which we have begun to negotiate broadly as a culture: what is actually happening to someone when they transition? how should we understand or describe such processes? what is the role of drugs, of hallucination, of imagination, in transition? is being a trans person in this moment in history--when the identity is ever more carefully traced [and tracked] by larger cultural forces--more liberated than before? drawing its source material from chance encounters--wordless interactions in basements or bathrooms or hotel rooms--to archives of 20th century critical theory, sleepover secrets exchanged between old friends, rhetorical barbs deployed in the classrooms of elite universities, arguments on the phone with your parents across timezones, the nonverbal codes of high and low fashion, and scribbled notes on the backs of receipts for medicines you don't know how they work, TGSM is a morbid yet strangely hopeful meditation on the possibilities and meanings of gender variation in our time.

The darkest, most twisted novel yet from the author of Timoleon Vieta Come Home. In a room above a bizarre German museum, and far from the prying eyes of strangers, lives in Old Man. Caretaker by day, by night he enjoys the sound of silence, broken only by the occasional crunch of a spider between his teeth. Little Hands Clapping brings the Old Man together with the respectable Doctor Ernst Frohlicher, his dog Hans and a cast of grotesque and hilarious townsfolk who find themselves involved in a crime so outrageous it will shock the world. From its sinister opening to its explosive denouement, Little Hands Clapping blends lavishly entertaining storytelling with Rhodes's macabre imagination, entrancing originality and magical touch.

Eleven sketches, "exhibits" in the Colored Museum, offer a humorous and irreverent look at slavery, Black cuisine, soldiers, family life, performers, and parties.

A disintegrating romantic anatomy in five acts.

“Moving.” —Booklist (starred review) At Hatters Museum of the Wide Wide World, where the animals never age but time takes its toll, one woman must find the courage to overcome the greatest loss of her life. Four years after her husband Richard’s death, Cate Morris is let go from her teaching job and unable to pay rent on the London flat she shares with her son, Leo. With nowhere else to turn, they pack up and venture to Richard’s ancestral Victorian museum in the small town of Crouch-on-Sea. Despite growing pains and a grouchy caretaker, Cate begins to fall in love with the quirky taxidermy exhibits and sprawling grounds, and she makes it her mission to revive them. But threats from both inside and outside the museum derail her plans and send her spiraling into self-doubt. As Cate becomes more invested in Hatters, she must finally confront the reality of Richard’s death—and the role she played in it—in order to reimagine her future. Perfect for fans of Katherine Center and Evvie Drake Starts Over.

A suicide scandal in Shanghai reveals the social fault lines of democratic visions in China's troubled Republic in the early 1920s. On September 8, 1922, the body of Xi Shangzhen was found hanging in the Shanghai newspaper office where she worked. Although her death occurred outside of Chinese jurisdiction, her US-educated employer, Tang Jiezhi, was kidnapped by Chinese authorities and put on trial. In the unfolding scandal, novelists, filmmakers, suffragists, reformers, and even a founding member of the Chinese Communist Party seized upon the case as emblematic of deep social problems. Xi's family claimed that Tang had pressured her to be his concubine; his conviction instead for financial fraud only stirred further controversy. The creation of a republic ten years earlier had inspired a vision of popular sovereignty and citizenship premised upon gender equality and legal reform. After the quick suppression of the first Chinese parliament, commercial circles took up the banner of democracy in their pursuit of wealth. But, Bryna Goodman shows, the suicide of an educated "new woman" exposed the emptiness of republican democracy after a flash of speculative finance gripped the city. In the shadow of economic crisis, Tang's trial also exposed the frailty of legal mechanisms in a political landscape fragmented by warlords and enclaves of foreign colonial rule. The Suicide of Miss Xi opens a window onto how urban Chinese in the early twentieth century navigated China's early passage through democratic populism, in an ill-fated moment of possibility between empire and party dictatorship. Xi Shangzhen became a symbol of the failures of the Chinese Republic as well as the broken promises of citizen's rights, gender equality, and financial prosperity betokened by liberal democracy and capitalism.

In 'The Man Who Fought Roland LaStarza' a woman's world is upended when she learns the brutal truth about a family friend's death - and what her father is capable of. Meanwhile, a businessman desperate to find his missing two year old grandson in 'Suicide Watch' must determine whether the horrifying tale his junky son tells him about his whereabouts is a confession or a sick tease. In the title story, 'The Museum of Dr Moses' an estranged daughter returns to find her mother remarried to the sinister Dr Moses, the local pathologist now retired…or has he? In these and other stories Oates explores with chilling insight the ties that bind - or worse. Another bloodcurdling masterpiece from one of the greatest short story writers of our time.

A young woman journeys deep into the untamed jungle, wrestling with love and loss, trauma and healing, faith and redemption, in this sweeping debut from "the gutsiest woman adventurer of our day" (Book Magazine) Marika Vecera, an accomplished war reporter, has dedicated her life to helping the world's oppressed and forgotten. When not on one of her dangerous assignments, she lives in Boston, exploring a new relationship with Seb, a psychologist who offers her glimpses of a better world. Returning from a harrowing assignment in the Congo where she was kidnapped by rebel soldiers, Marika learns that a man she has always admired from afar, Pulitzer-winning war correspondent Robert Lewis, has committed suicide. Stunned, she abandons her magazine work to write Lewis's biography, settling down with Seb as their intimacy grows. But when Marika finds a curious letter from a missionary claiming to have seen Lewis in the remote jungle of Papua New Guinea, she has to wonder, What if Lewis isn't dead? Marika soon leaves Seb to embark on her ultimate journey in one of the world's most exotic and unknown lands. Through her eyes we experience the harsh realities of jungle travel, embrace the mythology of native tribes, and receive the special wisdom of Tobo, a witch doctor and sage, as we follow her extraordinary quest to learn the truth about Lewis—and about herself, along the way.

Like many people in America and around the world, Talal Asad experienced the events of September 11, 2001, largely through the media and the emotional response of others. For many non-Muslims, "the suicide bomber" quickly became the icon of "an Islamic culture of death" a conceptual leap that struck Asad as problematic. Is there a "religiously-motivated terrorism?" If so, how does it differ from other cruelties? What makes its motivation "religious"? Where does it stand in relation to other forms of collective violence? Drawing on his extensive scholarship in the study of secular and religious traditions as well as his understanding of social, political, and anthropological theory and research, Asad questions Western assumptions regarding death and killing. He scrutinizes the idea of a "clash of civilizations," the claim that "Islamic jihadism" is the essence of modern terror, and the arguments put forward by liberals to justify war in our time. He critically engages with a range of explanations of suicide terrorism, exploring many writers' preoccupation with the motives of perpetrators. In conclusion, Asad examines our emotional response to suicide (including suicide terrorism) and the horror it invokes. On Suicide Bombing is an original and provocative analysis critiquing the work of intellectuals from both the left and the right. Though fighting evil is an old concept, it has found new and disturbing expressions in our contemporary "war on terror." For Asad, it is critical that we remain aware of the forces shaping the discourse surrounding this mode of violence, and by questioning our assumptions about morally good and morally evil ways of killing, he illuminates the fragile contradictions that are a part of our modern subjectivity.