A charming and sentimental trip back to a world of homespun characters, fertile fishing ponds, innocent love, and, at the center of it all, Cooperstown, New York's much-loved house of ill repute, the Sugarhouse.Excerpts from four novels by Donald O'Donovan accompany THE SUGARHOUSE, including ORGASMO, NIGHT TRAIN, CONFESSIONS OF A BEDBUG HAULER and TARANTULA WOMAN.

Fast, furious, unforgettable and set against the backdrop of a crumbling civilization, NIGHT TRAIN follows arch-outsider Jerzy Mulvaney in an audacious account of what it means to be homeless on the streets of Los Angeles.

Located across the U.S.-Mexican border in Ciudad Juarez, Mariscal Street (otherwise known as the Boulevard of Broken Dreams) harbors Donald O'Donovan's quintessential character, Jerzy Mulvaney, as he unsuccessfully courts the Tarantula Woman—a prostitute named Ysela with a tattoo of a tarantula on her left shoulder blade. She is just one of many women in one man's unapologetic and aimless existence in Mexico where each day brings another round of whorehouses, drunken stupors, odd jobs, eruptions of violence and encounters with equally directionless individuals.Not since Charles Bukowski's Factotum has a transgressive autobiographical novel touched upon with such rawness the everyday realities of a modern-day American desperado. Yet somewhere in the midst of all the strident nihilism, O'Donovan's alter ego, Jerzy Mulvaney, manages to stumble upon an ambition of sorts: to become a real Mexican. “I wanted to destroy whatever remained of my identity, my American identity; to melt down into a primal being, because the greatest thing is to be unknown, anonymous, and truly free.†Rather than a work of fiction, Tarantula Woman is a refreshingly honest document that subtly addresses such essential subjects as life, love, death and the challenge of simply being.

From the New York Times bestselling author of the Chesapeake Diaries series comes an “irresistible” (Publishers Weekly) novel in her Hudson Sisters series, which follows a trio of reluctant sisters who set out to fulfill their father’s dying wish and discover themselves in the process. California girl Allie Hudson Monroe can’t wait for the day when the renovations on the Sugarhouse Theater are complete so she can finally collect the inheritance from her father and move on with her life. After all, her life and her fourteen-year-old daughter are in Los Angeles. Allie’s divorce left her teetering on the edge of bankruptcy, so to keep up on payments for her house and her daughter’s private school tuition, Allie packed up and flew out east. But fate has a curveball or two to toss in her direction. She hadn’t anticipated how her life would change after reuniting with her estranged sister, Des, or meeting her previously unknown half-sister, Cara. And she’d certainly never expected to find small-town living charming. But the biggest surprise was that her long-forgotten artistry would save the day when the theater’s renovation fund dried up. With opening day upon the sisters, Allie’s free to go. But for the first time in her life, she feels like the woman she was always meant to be. Will she return to the West Coast and resume her previous life, or will the love of “this amazing, endearing family of women” (Robyn Carr, #1 New York Times bestselling author) be enough to draw her back to the place where the Hudson roots grow so deep?

This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.

A hilarious debut novel about a perfectly imperfect love story that will delight fans of Evvie Drake Starts Over. Even the smartest people can be stupid at love. When Stacey Lane writes a feminist take on Frankenstein, she never imagines it will catch the eye of unbelievably sexy Hollywood star Tommy DeMarco. Tommy’s passion for her book—and for her, a recently widowed poet, mom, and certified mess—threatens to turn her life upside down, or maybe right-side up. From their first poolside meeting the two are set on a collision course as they go about making the book into a movie, making each other crazy, and making love, if only in secret. Fueled by desire, love, grief, expertly poured cocktails, and crackling dialogue, Monsters: A Love Story is a witty portrait of a relationship gone off the rails and two people who are made for each other—even if they’re not so sure they see it that way. **A Summer Beach Read Pick for Harper’s Bazaar, the Associated Press, Purewow, and Refinery29** “This fast-paced novel will have readers immersed in the heady feeling of an alcohol-fueled affair with one of the sexiest men alive.” — “An addictive page-turner, ripe with seduction and charm, that drops insights into this messy, crazy, wonderful thing called love.” —Washington Independent Review of Books “Entertainingly dyspeptic.” —Vogue “A perfectly imperfect love story.”—Bookpage

Award-winning and New York Times bestselling author Laura Lippman’s Tess Monaghan—first introduced in the classic Baltimore Blues—becomes involved in a complicated investigation that will force her to question her loyalties. For Tess Monaghan, the unsolved murder of a young federal prosecutor is nothing more than a theoretical problem, one of several cases to be deconstructed in her new gig as a consultant to the local newspaper. But it becomes all too tangible when her boyfriend, Crow, brings home a young street kid who’s a juvenile con artist and who doesn’t even realize he holds an important key to the sensational homicide. Tess agrees to protect the boy’s identity no matter what, especially when one of his friends is killed in what appears to be a case of mistaken identity. But as she soon discovers, her ethical decision to protect him has dire consequences. And with federal agents determined to learn the boy’s name at any cost, Tess finds out just how far even official authorities will go to get what they want. It isn’t long before Tess finds herself facing felony charges. To make matters worse, Crow has gone into hiding with his young protégé. So Tess can’t deliver the kid to investigators even if she wants to. Now her only recourse is to get to the heart of the sordid and deadly affair while they're all still free...and still breathing.

"Marvelous . . . A vital book about how to make political art that offers lasting solace in times of great trouble, and wisdom to audiences in the years that follow."- Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR A STONEWALL BOOK AWARDS HONOR BOOK The oral history of Angels in America, as told by the artists who created it and the audiences forever changed by it--a moving account of the AIDS era, essential queer history, and an exuberant backstage tale. When Tony Kushner's Angels in America hit Broadway in 1993, it won the Pulitzer Prize, swept the Tonys, launched a score of major careers, and changed the way gay lives were represented in popular culture. Mike Nichols's 2003 HBO adaptation starring Meryl Streep, Al Pacino, and Mary-Louise Parker was itself a tour de force, winning Golden Globes and eleven Emmys, and introducing the play to an even wider public. This generation-defining classic continues to shock, move, and inspire viewers worldwide. Now, on the 25th anniversary of that Broadway premiere, Isaac Butler and Dan Kois offer the definitive account of Angels in America in the most fitting way possible: through oral history, the vibrant conversation and debate of actors (including Streep, Parker, Nathan Lane, and Jeffrey Wright), directors, producers, crew, and Kushner himself. Their intimate storytelling reveals the on- and offstage turmoil of the play's birth--a hard-won miracle beset by artistic roadblocks, technical disasters, and disputes both legal and creative. And historians and critics help to situate the play in the arc of American culture, from the staunch activism of the AIDS crisis through civil rights triumphs to our current era, whose politics are a dark echo of the Reagan '80s. Expanded from a popular Slate cover story and built from nearly 250 interviews, The World Only Spins Forward is both a rollicking theater saga and an uplifting testament to one of the great works of American art of the past century, from its gritty San Francisco premiere to its starry, much-anticipated Broadway revival in 2018.

"Essays examine the widespread presence and myths of Asia in American culture in the late 18th and early 20th centuries, exploring the persistence and pervasiveness of America's fascination with the East"--OCLC