"This, Ismail Kadare's most recent novel, is a fictional inquiry into the still-unexplained death of Mehmet Shehu, the man who for decades was the designated Number Two political figure in Communist dictator Enver Hoxha's ironfisted and increasingly paranoid regime." "On the night of December 13, 1981, the so-called Successor was shot dead, sometime between midnight and early morning. Did he commit suicide or was he murdered? This is the burning question. There are a number of potential murderers: the architect in charge of renovating the Successor's new quarters, who knew of the secret underground passage to his home; a rising political figure, Adrian Hasobeu, who if the current successor were to disappear would surely be named Number Two; the dictator himself - known to his countrymen as the Guide - now ailing and almost blind, unable to countenance even the idea of being replaced; and, incredibly, the Successor's wife." "The Successor combines a tantalizing mystery with a historical novel (Who killed Mehmet Shehu?), a psychological examination (How do you live in a world where nothing is sure?), and an analysis of a dictatorship so repressive that its followers treat it as a religious faith, where love, and indeed all personal relations, are subject to the whims and demands of the state."--BOOK JACKET.

The behind-the-scenes story of the rise and reign of the world's strangest and most elusive tyrant, Kim Jong Un, by the journalist with the best connections and insights into the bizarrely dangerous world of North Korea. Since his birth in 1984, Kim Jong Un has been swaddled in myth and propaganda, from the plainly silly -- he could supposedly drive a car at the age of three -- to the grimly bloody stories of family members who perished at his command. Anna Fifield reconstructs Kim's past and present with exclusive access to sources near him and brings her unique understanding to explain the dynastic mission of the Kim family in North Korea. The archaic notion of despotic family rule matches the almost medieval hardship the country has suffered under the Kims. Few people thought that a young, untested, unhealthy, Swiss-educated basketball fanatic could hold together a country that should have fallen apart years ago. But Kim Jong Un has not just survived, he has thrived, abetted by the approval of Donald Trump and diplomacy's weirdest bromance. Skeptical yet insightful, Fifield creates a captivating portrait of the oddest and most secretive political regime in the world -- one that is isolated yet internationally relevant, bankrupt yet in possession of nuclear weapons -- and its ruler, the self-proclaimed Beloved and Respected Leader, Kim Jong Un.

A powerful political novel based on the sudden, mysterious death of the man who had been handpicked to succeed the hated Albanian dictator Enver Hoxha.Did he commit suicide or was he murdered? That is the burning question. The man who died by his own hand, or another+s, was Mehmet Shehu, the presumed heir to the ailing dictator, Enver Hoxha. So sure was the world that he was next in line, he was known as The Successor. And then, shortly before he was to assume power, he was found dead.THE SUCCESSOR is simultaneously a mystery novel, an historical novel-based on actual events and buttressed by the author+s private conversations with the son of the real-life Mehmet Shehu-and a psychological novel (How do you live when nothing is sure?). Vintage Kadare, THE SUCCESSOR seamlessly blends dream and reality, legendary past, and contemporary history. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Make-or-break decisions involving millions of dollars are all in a day’s work for Christian Gillette, chairman of Everest Capital, New York’s most renowned private equity firm. He’s taken on the toughest, most powerful, and often most dangerous adversaries and prevailed–all the while honing his skill for being cool under fire, literally. But now Gillette will be put to the ultimate test. He’s offered the chance to seal a deal unlike any other, one that goes beyond boardrooms, balance sheets, and even Everest itself–one that will leave its mark on history. Gillette is no stranger to Jesse Wood, the first African American president of the United States, having been Wood’s chosen running mate in his historic bid for the White House. Though still slightly upset over being dropped from the ticket at the eleventh hour, Gillette’s not about to ignore the chief executive’s summons to a top-secret meeting at Camp David. There, Wood drops a bombshell: The president of Cuba is dead. Cuba’s communist regime has kept the dictator’s demise hush while it races to fill the power vacuum. And the United States is poised to support a cabal of Cuban professionals plotting a coup. The President wants Gillette to meet with the conspirators and size up the chances for a successful capitalist revolution. But by no means can his mission be traced back to the White House. If anything goes wrong, Gillette is on his own. And if certain people have their way, something will go wrong. For the conspiracy to liberate Cuba isn’t the only one afoot. Enemies in high places, who will go to any lengths to wreak revenge on Gillette and to unseat President Wood, have set in motion a campaign of deception, sabotage, and murder whose shockwaves will resonate from the streets of Havana to the Oval Office. But for Gillette, who has just named his alluring and ambitious protégé, Allison Wallace, as his successor at Everest, the greatest peril may lie much closer to home. The Successor is blue-chip Stephen Frey, marshaling his flawless instincts for edgy, provocative, breathtaking suspense with a master’s touch.

A rich and powerful family, struck by tragedy, gathers in a lawyer's office to hear the announcements of their late father's will. Of the five candidates in the room, it seems perfectly obvious who will inherit the company and be named the sole successor of a substantial fortune. But instead of cheques, the potential heirs are each given envelopes. Instead of the keys to an empire, they are handed cryptic clues pertaining to a bizarre and twisted treasure hunt, designed by their father to test them. This trial of brotherhood and sisterhood will likely end in bloodshed. Travis Madden, a mathematical prodigy, did not expect to find himself caught up in a rat-race, but his expertise in codes and number patterns makes him the unlikely key to finding a dead man's lost fortune. Driven by the need to protect a young heiress from her murderous family, Travis must follow the clues and solve the puzzles before this dangerous game of greed and power consumes them all. There can only be one successor.

The Successor is a play. Due to its elements in the main sequence of events, which is the death of the king and the queen with Smith ascending the throne. The play opens with Smith who is the kings servant. He appears on stage and begins to address the audience of his life experience. In a jiffy, Michael and Bechtel, the kings sons, come on stage to hear his last words. This is seen in page 2. BECHTEL: Did I hear you call yourself a hero? In this context, Michael and Bechtel are only interested in living a voluptuary life at the pub, only for them to come back from the inn looking drunk, staggering as they both make a caricature of their parents. Smith being a fraudster, he deceives the king, claiming to be a clairvoyant. Conversely, when the king reveals his dream to him, he visits William the fortune-teller to seek for an interpretation of his masters dreams. After a lengthy conversation between the fortune-teller, Smith gets back to the palace and convinces the king that he has finally arrived at the interpretation of the dream. He then narrates as in pg. 29 and 30. SMITH: [Calmly, relaxed.] Space represents the throne, the drinking of the poisonous acid represents the strength of the palace, and your growing like a giant indicates that the kingdom will increase in wealth. The amethyst you consumed denotes the alluring powers of the crown you possess, while the white teeth signify that everybody in the palace shall live long and be prosperous.

Siege Warfare and Military Organization in the Successor States is the first study to comprehensively treat an aspect of Byzantine, Western, early Islamic, Slavic and Steppe military history within the framework of common descent from Roman military organization to 800 AD. This not only encompassed the army proper, but also a greater complex of client management, private military retinues, labor obligations and civilian conscription in urban defense that were systematically developed by the Romans around 400, and survived to be adopted and adapted by all successors. The result was a common post-Roman military culture suitable for more restrained economic circumstances but still able to maintain, defend and attack city walls with skills rivalling those of their Roman forebears.

This textbook examines the external relations of the fifteen new states which emerged from the ashes of the Soviet Union in 1991. Mark Webber examines the consequences of the Soviet collapse and the emergence of a new system of international relations embracing Russia and the other former Soviet republics. The author explores both relations between the new states themselves and between these states and the wider world. He pinpoints the daunting challenges facing the new states: the invention of foreign policy orientations; the management of the Red Army’s material legacy, including nuclear weapons; the resolution of regional conflicts; and the need for economic revival. Two key themes emerge: the reassertion of national identities, and the special position of Russia, which has assumed to some extent the rights and the obligations of the Soviet Union on the world stage whilst having to tackle the chaos of local wars and internal economic collapse.