Recognized in his day as a man of letters equaling Rousseau and Voltaire in France and rivaling Samuel Johnson, David Hume passed from favor in the Victorian age--his work, it seemed, did not pursue Truth but rather indulged in popularization. Although Hume is once more considered as one of the greatest British philosophers, scholars now tend to focus on his thought rather than his writing. To round out our understanding of Hume, M. A. Box in this book charts the interrelated development of Hume's literary ambitions, theories of style, and compositional practice from his Treatise in 1739 through the Enquiries. In so doing, Box makes the case for Hume's career-long concern with the presentational modes of reaching an audience for his philosophical writings. Hume reacted to the popular failure of his masterpiece, A Treatise of Human Nature, Box suggests, by self-consciously exploring strategies in his subsequent works for agreeably bringing his readership to participate in the act of philosophizing. Combining a sensitive grasp of the ways Restoration period and eighteenth-century writers conceived the relations between rhetoric and philosophy with sound readings of particular texts, Box shows how Hume's literary concerns went beyond matters of style to involve persona, structure, and doctrine. While this book helps explain long-standing ambiguities surrounding Hume, especially by pointing out the tension between his created persona and his own voice, it also serves as an excellent introduction to his philosophy. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In his seminal Philosophy of David Hume (1941), Norman Kemp Smith called for a study of Hume &"in all his manifold activities: as philosopher, as political theorist, as economist, as historian, and as man of letters,&" indicating that &"Hume's philosophy, as the attitude of mind that found for itself these various forms of expression, will then have been presented, adequately and in due perspective, for the first time.&" Claudia Schmidt seeks to address this long-standing need in Hume scholarship. Against the charges that Hume holds no consistent philosophical position, offers no constructive account of rationality, and sees no positive relation between philosophy and other areas of inquiry, Schmidt argues for the overall coherence of Hume's thought as a study of &"reason in history.&" She develops this interpretation by tracing Hume's constructive account of human cognition and its historical dimension as a unifying theme across the full range of his writings. Hume, she shows, provides a positive account of the ways in which our concepts, beliefs, emotions, and standards of judgment in different areas of inquiry are shaped by experience, both in the personal history of the individual and in the life of a community. This book is valuable at many levels: for students, as an introduction to Hume's writings and issues in their interpretation; for Hume specialists, as a unified and intriguing interpretation of his thought; for philosophers generally, as a synthesis of recent developments in Hume scholarship; and for scholars in other disciplines, as a guide to Hume's contributions to their own fields.

The author argues that analysis of the arguments of the Hume's Treatise throws light on Hume’s later economic, political and historical work.

This volume provides a new and nuanced appreciation of David Hume as a historian. Gone for good are the days when one can offhandedly assert, as R. G. Collingwood once did, that Hume “deserted philosophical studies in favour of historical” ones. History and philosophy are commensurate in Hume’s thought and works from the beginning to the end. Only by recognizing this can we begin to make sense of Hume’s canon as a whole and see clearly his many contributions to fields we now recognize as the distinct disciplines of history, philosophy, political science, economics, literature, religious studies, and much else besides. Casting their individual beams of light on various nooks and crannies of Hume’s historical thought and writing, the book’s contributors illuminate the whole in a way that would not be possible from the perspective of a single-authored study. Aside from the editor, the contributors are David Allan, M. A. Box, Timothy M. Costelloe, Roger L. Emerson, Jennifer Herdt, Philip Hicks, Douglas Long, Claudia M. Schmidt, Michael Silverthorne, Jeffrey M. Suderman, Mark R. M. Towsey, and F. L. van Holthoon.

Provides introductions to classic works of philosophy. This book guides the reader to an understanding of the text as a whole, exploring the reception and influence of this philosophical work.

This book presents a comprehensive interpretation of Hume's 'serious reflection' on religion from the perspective afforded by his philosophical project and its Enlightened ends. I relate his account of the origin, development, and significant effects of religious beliefs to his own historical works, and conversely take the former as the leading thread into the disclosure of a Humean philosophy of history. I also critically analyze his views about the eminently irrational and feigned character of most religious faith and its inevitable negative effect on morality. Finally, I examine Hume's attack on the validity of the conclusions of rational theology. Reasonable support is provided for the claim that the belief in God, as an intelligent author of the universe, is a natural and reasonable belief. This work may interest both scholars and general readers who are intrigued or troubled by religion and the issues 'of the utmost importance' which it raises.

In his writings, David Hume set out to bridge the gap between the learned world of the academy and the marketplace of polite society. This collection, drawing largely on his Essays Moral, Political, and Literary (1776 edition), which was even more popular than his famous Treatise of Human Nature, comprehensively shows how far he succeeded. From `Of Essay Writing' to `Of the Rise and Progress of the Arts and Sciences' Hume embraces a staggering range of social, cultural, political, demographic, and historical concerns. With the scope typical of the Scottish Enlightenment, he charts the state of civil society, manners, morals, and taste, and the development of political economy in the mid-eighteenth century. These essays represent not only those areas where Hume's arguments are revealingly typical of his day, but also where he is strikingly innovative in a period already famous for its great thinkers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

David Hume, one of the most influential philosophers to have written in the English language, is widely known as a skeptic and an empiricist. He is famous for raising questions about the existence of things for which there is insufficient empirical evidence, such as souls, the self, miracles, and, perhaps most importantly, God. Despite this reputation, however, Hume's works contain frequent references to a deity, and one searches in vain to find a positive assertion of atheism. This book proposes a different reading of Hume on God, in which Hume is seen as proposing a 'genuine theism'. Yoder investigates Hume's use of irony and his relationship with the Deists of his era and offers a thorough re-examination of Hume's writings on religion. Yoder concludes that, despite Hume's criticisms of the church, religiously-based ethics and the belief in miracles, he stops well short of a rejection of the existence of God. Always a creative thinker, Hume carves out a unique conception of the divine being.

David Hume, philosopher, historian, economist, librarian, and essayist, was one of the great figures of the European Enlightenment. Unlike some of his famous contemporaries, however, he was not dogmatically committed to idealised conceptions of reason, liberty, and progress. Instead, Hume was a sceptic whose arguments questioned the reach and authority of human rationality, and who put the rivalrous passions of commercial life at the centre of his theory of human nature. He believed that the modern world was in many ways superior to the ancient world, but was acutely conscious of the threats to peace and progress posed by bigotry, factionalism, and imperialism. Today Hume's works continue to speak to us powerfully in an age of instability and uncertainty. This Very Short Introduction presents a balanced account of Hume's thought, giving equal attention to his work on human nature, morality, politics, and religion. Weaving together biography, the historical context, and a thoughtful exposition of Hume's arguments, James A. Harris offers a compelling picture of a thinker who had no disciples and formed no school, but whom no one in his own time was able to ignore, and who has since become central to modern philosophy's understanding of itself. Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Hume's Aesthetic Theory examines the neglected area of the development of aesthetics in empiricist thinking, exploring the link between the empiricist background of aesthetics in the eighteenth century and the work of David Hume. This is a major contribution to our understanding of Hume's general philosophy and provides fresh insights into the history of aesthetics.