This book charts new directions in Egyptian social history, providing the first systematic account of adaptation and protest among crafts and service workers in Egypt in the nineteenth and early twentieth centuries. Using a wealth of new sources, John T. Chalcraft challenges conventional notions of craft stagnation and decline by recovering the largely unknown histories of crafts workers' restructuring in the face of world economic integration, and their petitions, demonstrations, and strike-action at a time of state-building and colonial rule. Chalcraft demonstrates the economic importance of petty producers and service providers, and tells the story of widespread collective assertion couched in new discourses of citizenship and nationalism. He also gives a new interpretation of the end of the guilds in Egypt and addresses larger debates about unevenness under capitalism.

This impressive collection offers the first systematic global and comparative history of textile workers over the course of 350 years. This period covers the major changes in wool and cotton production, and the global picture from pre-industrial times through to the twentieth century. After an introduction, the first part of the book is divided into twenty national studies on textile production over the period 1650-2000. To make them useful tools for international comparisons, each national overview is based on a consistent framework that defines the topics and issues to be treated in each chapter. The countries described have been selected to included the major historic producers of woollen and cotton fabrics, and the diversity of global experience, and include not only European nations, but also Argentina, Brazil, China, Egypt, India, Japan, Mexico, Turkey, Uruguay and the USA. The second part of the book consists of ten comparative papers on topics including globalization and trade, organization of production, space, identity, workplace, institutions, production relations, gender, ethnicity and the textile firm. These are based on the national overviews and additional literature, and will help apply current interdisciplinary and cultural concerns to a subject traditionally viewed largely through a social and economic history lens. Whilst offering a unique reference source for anyone interested in the history of a particular country's textile industry, the true strength of this project lies in its capacity of international comparison. By providing global comparative studies of key textile industries and workers, both geographically and thematically, this book provides a comprehensive and contemporary analysis of a major element of the world's economy. This allows historians to challenge many of the received ideas about globalization, for instance, highlighting how global competition for lower production costs is by no means a uniquely modern issue, and has b

The first history of indigenous photography in the Middle East The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem—photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha—as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.

In this groundbreaking book, Ilham Khuri-Makdisi establishes the existence of a special radical trajectory spanning four continents and linking Beirut, Cairo, and Alexandria between 1860 and 1914. She shows that socialist and anarchist ideas were regularly discussed, disseminated, and reworked among intellectuals, workers, dramatists, Egyptians, Ottoman Syrians, ethnic Italians, Greeks, and many others in these cities. In situating the Middle East within the context of world history, Khuri-Makdisi challenges nationalist and elite narratives of Mediterranean and Middle Eastern history as well as Eurocentric ideas about global radical movements. The book demonstrates that these radical trajectories played a fundamental role in shaping societies throughout the world and offers a powerful rethinking of Ottoman intellectual and social history.

There is a saying in Arabic, me and my brother against my cousin, and me and my cousin against the outsider. Iran's Influence is the first comprehensive analysis of the role that Iran plays both in Middle Eastern and global politics. Expert Iranian author Elaheh Rostami Povey provides a much-needed account of one of the Middle East's most controversial and misunderstood countries. Based on several years of original research carried out in Iran and across the Middle East, this insightful guide presents not only a fascinating introduction to the country, but also essential new ideas to help the reader understand the Middle East.

A History of the Modern Middle East offers a comprehensive assessment of the region, stretching from the fourteenth century and the founding of the Ottoman and Safavid empires through to the present-day protests and upheavals. The textbook focuses on Turkey, Iran, and the Arab countries of the Middle East, as well as areas often left out of Middle East history—such as the Balkans and the changing roles that Western forces have played in the region for centuries—to discuss the larger contexts and influences on the region's cultural and political development. Enriched by the perspectives of workers and professionals; urban merchants and provincial notables; slaves, students, women, and peasants, as well as political leaders, the book maps the complex social interrelationships and provides a pivotal understanding of the shifting shapes of governance and trajectories of social change in the Middle East. Extensively illustrated with drawings, photographs, and maps, this text skillfully integrates a diverse range of actors and influences to construct a narrative that is at once sophisticated and lucid. A History of the Modern Middle East highlights the region's complexity and variation, countering easy assumptions about the Middle East, those who governed, and those they governed—the rulers, rebels, and rogues who shaped a region.

This book is about power. The power wielded over others – by absolute monarchs, tyrannical totalitarian regimes and military occupiers – and the power of the people who resist and deny their rulers' claims to that authority by whatever means. The extraordinary events in the Middle East in 2011 offered a vivid example of how non-violent demonstration can topple seemingly invincible rulers. This book considers the ways in which the people have united to unseat their oppressors and fight against the status quo and probes the relationship between power and forms of resistance. It also examines how common experiences of violence and repression create new collective identities. This brilliant, yet unsettling book affords a panoramic view of the twentieth and twenty-first century Middle East through occupation, oppression and political resistance.

The articles in this collection provide an alternative view of Middle Eastern history by focusing on the oppressed and the excluded, offering a challenge to the usual elite narratives. The collection is unique in its historical depth - ranging from the medieval period to the present - and its geographical reach, including Iran, the Ottoman Empire/Turkey, the Balkans, the Arab Middle East and North Africa. The first to focus on the oppressed and the excluded, and their differing strategies of survival, of negotiation, and of protest and resistance, the book covers: both major social classes and sectors the working class the peasantry the urban poor women marginal groups such as gypsies and slaves Based on perspectives drawn from the work of the great European social historians, and particularly inspired by Antonio Gramsci, the collection seeks to restore a sense of historical agency to subaltern classes in the region, and to uncover ‘the politics of the people’.

In October 1902, the reservoir of the first Aswan Dam filled, and Egypt's relationship with the Nile River forever changed. Flooding villages of historical northern Nubia and filling the irrigation canals that flowed from the river, the perennial Nile not only reshaped agriculture and the environment, but also Egypt's colonial economy and forms of subjectivity. Jennifer L. Derr follows the engineers, capitalists, political authorities, and laborers who built a new Nile River through the nineteenth and early twentieth centuries. The river helped to shape the future of technocratic knowledge, and the bodies of those who inhabited rural communities were transformed through the environmental intimacies of their daily lives. At the root of this investigation lies the notion that the Nile is not a singular entity, but a realm of practice and a set of temporally, spatially, and materially specific relations that structured experiences of colonial economy. From the microscopic to the regional, the local to the imperial, The Lived Nile recounts the history and centrality of the environment to questions of politics, knowledge, and the lived experience of the human body itself.

In the heyday of Empire just before the First World War, Lord Cromer was second only to Lord Curzon in fame and public esteem. In the days when Cairo and Calcutta represented the twin poles of British power in Asia and Africa, Cromer's commanding presence seemed to radiate the essential spiritof imperial rule. In this first modern biography Roger Owen charts the life of the man revered by the British and hated by today's Egyptians, the real ruler of Egypt for nearly a quarter of a century.A member of the famous City banking family of Baring Brothers, Cromer in his youth seemed to be distinguished mainly by lack of academic ability and a taste for the fashionable pursuits of his day. His first military posting, to Corfu, was welcomed by him on account of the excellent shooting to behad in the region. Roger Owen shows how, almost imperceptibly, his commitment to public service grew, due in part at least to his relationship with Ethel Errington who, after long delay, became his first wife. From the island outposts of the old British Empire, to India, the jewel in its crown, and finally to the new Empire in Africa, Cromer represented the might of Britain's Empire. Few imperial administrators had either his range of experience or his long practice of ruling different non-Europeanpeoples, at a time when the whole notion of Empire itself entered more and more into the metropolitan political debate. Roger Owen makes extensive use of Cromer's official correspondence, family papers, memoirs, and the personal letters of his friends and colleagues to explore all aspects of Cromer's life in imperial government. He examines his innovative role in international finance and his energetic re-engagementwith Britain's troubled political life following his formal retirement in 1907. Finally, he assesses the sometimes bitter legacy of imperial rule left by Cromer.