The presence of youngsters on the streets of Caracas embodies social contradictions at the national level, and this book discusses how these contradictions are played out in an oil-producing nation afflicted with hyperinflation generalized corruption, the deterioration of public services, increasing poverty, and violence. Vivid life stories told by street children themselves portray their relations with family and friends, as well as with people they encounter: police officers, journalists, social workers, and passersby at their local hangouts. The book also describes and analyzes the justice system and institutions for minors, illustrating the constant failures to respond to, contain, or lessen youth violence.

Dramatic changes in life can happen at any time. She has lost her mother to cancer, and she's drifting along, alone, in a small town with little excitement in her life. Then she meets Eddie Weston, and everything changes-first for the better and then for the worst. Living with Eddie in a large city, her life takes an upward shift. But through an act of fate, hateful words, and an unforgivable act of betrayal, she finds herself alone again-only this time with no place to stay, no place to call home. She is nameless, and now lives with the downtrodden on the streets of Edmonton. Fortunately, she meets Mr. Taylor, a leader of sorts in the homeless community. She learns to get along with an odd cast of street people, from Hannah, a Goth teen who stomps around in beaten-up Dr. Martens, to Betty, an exotic, gypsy type, a caring person with a dark side. My Home Street Home is a powerful, eye-opening tale about how quickly a life can be forever altered, and the struggle to survive on the street.

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

Winner of the PEN Center USA Literary Award for Creative Nonfiction • From the celebrated bestselling author of The House on Mango Street: "This memoir has the transcendent sweep of a full life.” —Houston Chronicle From Chicago to Mexico, the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, a place where she could truly take root, has eluded her. In this jigsaw autobiography, made up of essays and images spanning three decades—and including never-before-published work—Cisneros has come home at last. Written with her trademark lyricism, in these signature pieces the acclaimed author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature shares her transformative memories and reveals her artistic and intellectual influences. Poignant, honest, and deeply moving, A House of My Own is an exuberant celebration of a life lived to the fullest, from one of our most beloved writers.

As a fourteen-year-old Jewish boy who had rarely ventured outside his small, remote village, Moyshe Rekhtman may seem an unlikely escape artist. But his iron will and quick wit allowed him to survive when all seemed lost. Staging escapes from death camps and avoiding Nazi pursuit through the frozen Ukrainian countryside-all while facing the loss of his family, famine, constant threat of capture, torture, and execution - would be a monumental task for the strongest of men. Despite his mild manners, emaciated body, and poor vision, he evaded the death squads in Nazi-occupied Ukraine for four years. Moyshe's Holocaust memoir is a remarkable example of human fortitude during a time when many welcomed an end to their suffering.

Maps can show you where you are anywhere in the world! A beloved bestseller that helps children discover their place on the planet, now refreshed with new art from Qin Leng. Where are you? Where is your room? Where is your home? Where is your town? This playful introduction to maps shows children how easy it is to find where they live and how they fit in to the larger world. Filled with fun and adorable new illustrations by Qin Leng, this repackage of Me on the Map will show readers how easy it is to find the places they know and love with help from a map.

The Long Walk Home – will most likely be the last book I write – I am eighty-three years old – this book is important to me – it goes over to a degree what has been said in my previous books – The End Was A Beginning – the first – the second The Silent Voice – in much more detail – it is threaded with the never- ending presence of loneliness – but more significantly it brings forth the Four Absolutes – Honesty – Purity – Unselfishness – Love – which were given to me in 1986 – I have talked about these principles in my previous books – I made clear that if these principles were incorporated in society at hand – the world would change in an instant – this I believe is the power of these four words – the society that exists at present – the persistence of – selfishness – self-centeredness – permeated with dishonesty – beyond reproach – the distortion of purity – the use of the word – love – as a panacea – to cover the vile of discontent that exists in the world as is lived in – every crime – every murder – every twisted thought – every lie – every selfish act – every thought of hate - would be reduced to the pleasantries of memory – I cannot – predict where society will rest seventy years from now – 2016 – I do know that in 1927 the world population was two billion – 1960 three billion – 2011 seven billion – projection 2083 ten billion – will make up our society – if the culture is not changed – the present will be a reality for the future – this may be a morbid statement – it is a true statement – for sure – society is doing nothing to change the silhouette as is known – the simple life is but a dream of realities – taken from the books well-read – by masters – of the past – what is our destiny –

Displacement, relocation, dissociation: each of these terms elicits images of mass migration, homelessness, statelessness, or outsiderness of many kinds, too numerous to name. This book aims to create opportunities for scholars, practitioners, and silenced voices to share theories and stories of progressive and transgressive music pedagogies that challenge the ways music educators and learners think about and practice their arts relative to displacement. Displacement is defined as encompassing all those who have been forced away from their locations by political, social, economic, climate, and resource change, injustice, and insecurity. This includes: - refugees and internally displaced persons; - forced migrants; - indigenous communities who have been forced off their traditional lands; - people who have fled homes because of their gender identity and sexual orientation; - imprisoned individuals; - persons who seek refuge for reasons of domestic and social violence; - homeless persons and others who live in transient spaces; - the disabled, who are relocated involuntarily; and - the culturally dispossessed, whose languages and heritage have been taken away from them. In the context of the first ever book on displacement and music education, the authors connect displacement to what music might become to those peoples who find themselves between spaces, parted from the familiar and the familial. Through, in, and because of a variety of musical participations, they contend that displaced peoples might find comfort, inclusion, and welcome of some kinds either in making new music or remembering and reconfiguring past musical experiences. Contributors are: #4459, Efi Averof Michailidou, Kat Bawden, Rachel Beckles Willson, Marie Bejstam, Rhoda Bernard, Michele Cantoni, Mary L. Cohen, Wayland “X” Coleman, Samantha Dieckmann, Irene (Peace) Ebhohon, Con Fullam, Erin Guinup, Micah Hendler, Hala Jaber, Shaylene Johnson, Arsène Kapikian, Tou SaiKo Lee, Sarah Mandie, David Nnadi, Marcia Ostashewski, Ulrike Präger, Q, Kate Richards Geller, Charlotte Rider, Matt Sakakeeny, Tim Seelig, Katherine Seybert, Brian Sullivan, Mathilde Vittu, Derrick Washington, Henriette Weber, Mai Yang Xiong, Keng Chris Yang, and Nelli Yurina.

List of members in 15th-26th.

After taking part in a science experiment that should have only lasted hours, Alex wakes to a world very different from the one he left behind. Everyone he's ever known is gone, and what's left of America lies in ruin, but those are the least of his worries. Relentlessly pursued by powerful forces wielding advanced technology, and forced to contend with the dangerous inhabitants of this new land, Alex must do everything he can to survive. At least he won't be facing these challenges alone, but his new friends be enough to protect him from what the future holds?