A provocative scholar delivers the first book on the new science of storytelling: the latest thinking on why we tell stories and what stories reveal about human nature.

Storytelling, a tradition that built human civilization, may soon destroy it Humans are storytelling animals. Stories are what make our societies possible. Countless books celebrate their virtues. But Jonathan Gottschall, an expert on the science of stories, argues that there is a dark side to storytelling we can no longer ignore. Storytelling, the very tradition that built human civilization, may be the thing that destroys it. In The Story Paradox, Gottschall explores how a broad consortium of psychologists, communications specialists, neuroscientists, and literary quants are using the scientific method to study how stories affect our brains. The results challenge the idea that storytelling is an obvious force for good in human life. Yes, storytelling can bind groups together, but it is also the main force dragging people apart. And it’s the best method we’ve ever devised for manipulating each other by circumventing rational thought. Behind all civilization’s greatest ills—environmental destruction, runaway demagogues, warfare—you will always find the same master factor: a mind-disordering story. Gottschall argues that societies succeed or fail depending on how they manage these tensions. And it has only become harder, as new technologies that amplify the effects of disinformation campaigns, conspiracy theories, and fake news make separating fact from fiction nearly impossible. With clarity and conviction, Gottschall reveals why our biggest asset has become our greatest threat, and what, if anything, can be done. It is a call to stop asking, “How we can change the world through stories?” and start asking, “How can we save the world from stories?”

What separates us from animals? What connects us? Award-winning cartoonists Peter and Maria Hoey probe these mysteries across six surreal and interconnected stories. After tremendous acclaim for their series Coin-Op Comics, two brilliant creators present their first graphic novel: a menagerie of wild tales. Pushing the boundaries of their dazzling and unique narrative style, Animal Stories weaves together six short stories exploring the mysterious relationships between humans and other animals. A girl who keeps pigeons starts receiving messages from a new bird in her flock. A ship’s crew rescues a dog, only to find far stranger things in the sea around them. A reincarnated cat with criminal intentions, a parrot who leads a revolution, and a squirrel who tempts a woman in a beautiful garden glade. Drawing inspiration from Aesop’s Fables, film noir, and the Old Testament, Peter and Maria Hoey apply their singular and sophisticated visual storytelling to create a new set of modern animal tales for modern times.

“A charming tribute to the quirkiness of collective nouns … puns and wordplay abound.” — Foreword, starred review A sloth of bears, a smack of jellyfish, a nuisance of cats — these are some of the surprising and idiosyncratic names we have for groups of animals. Inspired by the evocative possibilities of collective nouns, also called “terms of venery,” author Kyle Lukoff and illustrator Natalie Nelson have created a picture book full of clever wordplay and delightful illustrations. Each spread features a nugget of a story using a particular term, which is accompanied by a collage illustration that serves as the visual punch line. But where did these unusual names come from? Many of them can be traced back to a book on hunting, hawking and heraldry, printed in 1486 — the Book of St. Albans, which has been reproduced many times since. A Storytelling of Ravens provides a unique opportunity to explore and rejoice in the oddities of the English language. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.7 Use information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem). CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.K.7 With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).

The Papago Indians of the American Southwest say butterflies were created to gladden the hearts of children and chase away thoughts of aging and death. How the Butterflies Came to Be is one of twenty-four Native American tales included in Native American Animal Stories. The stories, coming from Mohawk, Hopi, Yaqui, Haida and other cultures, demonstrate the power of animals in Native American traditions.Parents, teachers and children will delight in lovingly told stories about "our relations, the animals." The stories come to life through magical illustrations by Mohawk artists John Kahionhes Fadden and David Fadden."The stories in this book present some of the basic perspectives that Native North American parents, aunts and uncles use to teach the young. They are phrased in terms that modern youngsters can understand and appreciate ... They enable us to understand that while birds and animals appear to be similar in thought processes to humans, that is simply the way we represent them in our stories. But other creatures do have thought processes, emotions, personal relationships...We must carefully ccord these other creatures the respect that they deserve and the right to live

The summary of The Storytelling Animal – How Stories Make Us Human presented here include a short review of the book at the start followed by quick overview of main points and a list of important take-aways at the end of the summary. The Summary of In the 2012 film "The Storytelling Animal," an examination of humanity's dependency on stories is presented. It elucidates not only the significance that stories bring to our lives, but also the complexities that accompany that significance, which is a surprising finding given their evolutionary value. The Storytelling Animal summary includes the key points and important takeaways from the book The Storytelling Animal by Jonathan Gottschall. Disclaimer: 1. This summary is meant to preview and not to substitute the original book. 2. We recommend, for in-depth study purchase the excellent original book. 3. In this summary key points are rewritten and recreated and no part/text is directly taken or copied from original book. 4. If original author/publisher wants us to remove this summary, please contact us at [email protected].

Please note: This is a companion version & not the original book. Sample Book Insights: #1 Pay attention when you read a book. The power of story is so embedded in our lives that we are completely desensitized to its weird and witchy power. To experience its fascination, you must concentrate and resist the suction of alternate worlds. But you can do this! It’s not too late to save yourself. Well, it’s never too late to try, anyway. It’s never too late to learn to read. -> The power of story is so embedded in our lives that we are completely desensitized to its weird and witchy power. #2 When you read a book, your mind is working hard to create images that surpass the author’s descriptions. #3 Reading and story are two of the most powerful tools you can use to immerse yourself in a new language. #4 We spend more time watching television than we do reading books, and we spend a lot of time reading online.

Myths, stories, and folklore are part of the fabric and life of all organizations, enabling us to understand, identify, and communicate the character of the organization - its ambitions, conflicts, and peculiarities. Drawing on extensive fieldwork of storytelling in five organizations, this book argues that stories open valuable windows into the emotional and symbolic lives of organizations. By collecting stoires in different organizations, by listening and comparing different accounts, by investigating how narratives are constructed around specific events, by examining which events in an organization's history generate stories and which ones fail to do so, researchers can gain access to deeper organizational realities, closely linked to their members' experiences. In this way, stories enable researchers to study organizational politics, culture, and change in uniquely illuminating ways, revealing how wider organizational issues are viewed, commented upon, and worked upon by their members. The book's first part develops the theory of storytelling by building on various approaches, including narrative, folkloric, ethnographic, symbolic, social constructionist, and psychoanalytic, while the second offers a set of four studies which make use of stories in exploring particular aspects of organizational life.

Focusing on the figure of the storyteller, this study breaks new ground in the approach to reading contemporary literature by identifying a growing interest in storytelling. For the last thirty years contemporary fiction has been influenced by theoretical discourses, textuality and writing. Only since the rise of postcolonialism have academic critics been more overtly interested in stories, where high theory frameworks are less applicable. However, as we move through various contemporary contexts engaging with postcolonial identities and hybridity, to narratives of disability and evolutionary accounts of group and individual survival, a common feature of all is the centrality of story, which posits both the idea of survival and the passing on of traditions. The Return of the Storyteller in Contemporary Fiction closely examines this preoccupation with story and storytelling through a close reading of six contemporary international novelists that are either about actual 'storytellers' or engage with the figure of the storyteller, revealing how death of the author has given birth to the storyteller.

From a theological viewpoint, this book explores the junction between the philosophical existential idea of the authentic self and its cultural appropriation. The text builds on the theology of John Macquarrie and the narrative formation of identity to construct a theological definition of authentic selfhood. It then contrasts this definition with the common idea that authenticity, in the moral sense, can be used to justify any action. The author argues that this is not genuine authenticity. Instead, they consider that authenticity rests upon loyalty to something greater than oneself, and for Christians this is the character of the God in whose image they are created and are being formed. This book is illuminating reading for students and scholars of theological anthropology, pastroral theology, ethics and moral philosophy.