"An enigmatic fable in the tradition of 'The Thousand and One Nights.' " —Anderson Tepper, New York Times Book Review Hassan, a storyteller, has gathered listeners in Marrakesh’s fabled Jemaa el Fna to perform his annual re-creation of the night on which two foreigners mysteriously disappeared from the square. But as his audience offers contradicting testimonies, and details transform or dissolve in the haze of memory, the couple takes on an air as enigmatic as their fate, leaving us to wonder whether Hassan is getting closer to the truth or, more disturbingly, is himself part of the mystery.

Marrakech is the heart and lifeblood of Morocco's ancient storytelling tradition. For nearly a thousand years, storytellers have gathered in the Jemaa el Fna, the legendary square of the city, to recount ancient folktales and fables to rapt audiences. But this unique chain of oral tradition that has passed seamlessly from generation to generation is teetering on the brink of extinction. The competing distractions of television, movies and the internet have drawn the crowds away from the storytellers and few have the desire to learn the stories and continue their legacy. Richard Hamilton has witnessed at first hand the death throes of this rich and captivating tradition and, in the labyrinth of the Marrakech medina, has tracked down the last few remaining storytellers, recording stories that are replete with the mysteries and beauty of the Maghreb.

The first in an ambitious cycle of novels set in the Islamic world, "The Storyteller of Marrakesh" is an elegant exploration of the nature of reality and our shifting perceptions of truth.

In a time of drought in the Kingdom of Morocco, a storyteller and a boy weave a tale to thwart a Djinn and his sandstorm from destroying their city.

A poetic vision of power, colonialism, and gender in North Africa, The Sand Child has been justifiably celebrated around the world as a daring and significant work of international fiction.

This unique anthology of crime fiction features 15 original stories of “scandals, smugglers, and other sordid tales” by award-winning Moroccan authors (CrimeReads). At first glance, Marrakech may seem like an odd setting for noir fiction. Contemporary Moroccans call it The Joyful City—a place where locals are happy to joke about gossip and quick to forget stories of crime. But in Marrakech Noir, some of Morocco’s finest authors address old wrong that have been kept hidden behind the city’s ancient gates, and spin contemporary tales of poverty, grift, and violence in this global tourist destination. Marrakech Noir features brand-new stories by Fouad Laroui, Allal Bourqia, Abdelkader Benali, Mohamed Zouhair, Mohamed Achaari, Hanane Derkaoui, Fatiha Morchid, Mahi Binebine, Mohamed Nedali, Halima Zine El Abidine, My Seddik Rabbaj, Yassin Adnan, Karima Nadir, Taha Adnan, and Lahcen Bakour.

This heartbreaking and haunting novel takes a timeless tragedy and hurls it into present-day Afghanistan, when a woman asks for the return of her brother's body in the midst of a war. Following a desperate night-long battle, a group of beleaguered soldiers in an isolated base in Kandahar are faced with a lone woman demanding the return of her brother’s body. Is she a spy, a black widow, a lunatic, or is she what she claims to be: a grieving young sister intent on burying her brother according to local rites? Single-minded in her mission, she refuses to move from her spot on the field in full view of every soldier in the stark outpost. Her presence quickly proves dangerous as the camp’s tense, claustrophobic atmosphere comes to a boil when the men begin arguing about what to do next. Taking its cues from the Antigone myth, Roy-Bhattacharya brilliantly recreates the chaos, intensity, and immediacy of battle, and conveys the inevitable repercussions felt by the soldiers, their families, and by one sister. The result is a gripping tour through the reality of this very contemporary conflict, and our most powerful expression to date of the nature and futility of war.

Traces the journalist author's investigation into the murder of a night watchman by a member of Morocco's new security task force, a mystery set against a backdrop of Western liberation efforts and Eastern jihad activities that are dividing Casablanca's Islamic metropolis.

In this sweeping, allusive novel, the celebrated poet, dervish, and oral storytellerTawhida Tanya Evanson comes to terms with what it means to stand on one's own two feet inan uncertain world. The acclaimed Antiguan-Canadian artist traces a global journeyfrom Vancouver to the United States, Caribbean, Paris, and Morocco as arelationship with her lover and travel partner disintegrates and she finds herself ona path toward personal discovery and spiritual fulfillment that leads her deep intothe North African landscape.

Before dinner tonight, you will see hundreds of emails, ads, tweets, and posts. Yet by tomorrow morning, so much of these will be forgotten. Except, that is, for the stories. The ability to find, shape, and share your own most essential stories-told one to one and one to many-is one of your greatest assets as a leader. The key is an understanding of the retellable story. While we all know how important communication and stories are, and know a good story when we hear one, we don't always know how to tell them. Retellable is a book about how you can find and tell yours. This book is an exploration into the center of what stories are, why they work, and how you can make them work for you. Written by story coach and storyteller Jay Golden, who has trained business leaders around the world on this topic at companies such as Facebook, Google, and LinkedIn. Retellable combines practical insights, actionable steps, anecdotes, and an easy-to-remember framework that will help you transform your audiences, your organization business, and your career, one story at a time.