The Story-Takers charts new territory in public pedagogy through an exploration of the multiple forms of communal protests against the mafia in Sicily. Writing at the rich juncture of cultural, feminist, and psychoanalytic theories, Paula M. Salvio draws on visual and textual representations including shrines to those murdered by the mafia, photographs, and literary and cinematic narratives, to explore how trauma and mourning inspire solidarity and a quest for justice among educators, activists, artists, and journalists living and working in Italy. Salvio reveals how the anti-mafia movement is being brought out from behind the curtains, with educators leading the charge. She critically analyses six cases of communal acts of anti-mafia solidarity and argues that transitional justice requires radical approaches to pedagogy that are best informed by journalists, educators, and activists working to remember, not only victims of trauma, but those who resist trauma and violence.

The Leave-Takers is a twenty-first-century American love story and a tale of internal migration to the Great Plains.

The Story-Takers charts new territory in public pedagogy through an exploration of the multiple forms of communal protests against the mafia in Sicily. Writing at the rich juncture of cultural, feminist, and psychoanalytic theories, Paula M. Salvio draws on visual and textual representations including shrines to those murdered by the mafia, photographs, and literary and cinematic narratives, to explore how trauma and mourning inspire solidarity and a quest for justice among educators, activists, artists, and journalists living and working in Italy. Salvio reveals how the anti-mafia movement is being brought out from behind the curtains, with educators leading the charge. She critically analyses six cases of communal acts of anti-mafia solidarity and argues that transitional justice requires radical approaches to pedagogy that are best informed by journalists, educators, and activists working to remember, not only victims of trauma, but those who resist trauma and violence.

From the author of The Hunger—hailed by Stephen King as “deeply, deeply disturbing, hard to put down”—comes a hauntingly atmospheric tale filled with alchemy, lust, and betrayal. True love can last an eternity…but immortality comes at a price. On the midnight shift at a hospital in rural Maine, Dr. Luke Findley is expecting another quiet evening of frostbite and the occasional domestic dispute. But the minute Lanore McIlvrae—Lanny—enters his ER, she changes his life forever. A mysterious woman with plenty of dark secrets, Lanny is unlike anyone Luke has ever met. He is inexplicably drawn to her…despite the fact that she is a murder suspect with a police escort. As she begins to tell her story, Luke finds himself utterly captivated. Her impassioned account begins at the turn of the 19th century in the same small town of St. Andrew, Maine, back when it was a Puritan settlement. Consumed as a child by her love for the founder’s son, Jonathan, Lanny will do anything to be with him. But the price she pays is steep—an immortal bond that chains her to a terrible fate for all eternity. And now, two centuries later, the key to her healing and her salvation lies with Dr. Luke Findley. Part historical novel, part supernatural page-turner, The Taker is a “mesmerizing” (Booklist, starred review) story about the power of unrequited love not only to elevate and sustain, but also to blind and ultimately destroy.

Where do the disappeared go? The girls and women who vanish, seldom to resurface. Allen Kimbo, a freelance reporter, believes there is a network of men who guard their “taken” and keep the silence that surrounds such deeds. An email lures him to Eastern Europe, to a meeting of the Takers and Keepers. His girlfriend, Emily, pleads with him not to go. In Belgrade more is revealed than he had thought possible. Back at home, Emily is missing.

Is Wall Street bad for Main Street America? "A well-told exploration of why our current economy is leaving too many behind." —The New York Times In looking at the forces that shaped the 2016 presidential election, one thing is clear: much of the population believes that our economic system is rigged to enrich the privileged elites at the expense of hard-working Americans. This is a belief held equally on both sides of political spectrum, and it seems only to be gaining momentum. A key reason, says Financial Times columnist Rana Foroohar, is the fact that Wall Street is no longer supporting Main Street businesses that create the jobs for the middle and working class. She draws on in-depth reporting and interviews at the highest rungs of business and government to show how the “financialization of America”—the phenomenon by which finance and its way of thinking have come to dominate every corner of business—is threatening the American Dream. Now updated with new material explaining how our corrupted financial sys­tem propelled Donald Trump to power, Makers and Takers explores the confluence of forces that has led American businesses to favor balance-sheet engineering over the actual kind, greed over growth, and short-term profits over putting people to work. From the cozy relationship between Wall Street and Washington, to a tax code designed to benefit wealthy individuals and corporations, to forty years of bad policy decisions, she shows why so many Americans have lost trust in the sys­tem, and why it matters urgently to us all. Through colorful stories of both “Takers,” those stifling job creation while lining their own pockets, and “Makers,” businesses serving the real economy, Foroohar shows how we can reverse these trends for a better path forward.

A groundbreaking look at why our interactions with others hold the key to success, from the bestselling author of Think Again and Originals For generations, we have focused on the individual drivers of success: passion, hard work, talent, and luck. But in today’s dramatically reconfigured world, success is increasingly dependent on how we interact with others. In Give and Take, Adam Grant, an award-winning researcher and Wharton’s highest-rated professor, examines the surprising forces that shape why some people rise to the top of the success ladder while others sink to the bottom. Praised by social scientists, business theorists, and corporate leaders, Give and Take opens up an approach to work, interactions, and productivity that is nothing short of revolutionary.

An electrifying thriller featuring Eve Rossi, head of a secret division of the FBI—one made up of ex-convicts with extraordinary talents, oversized egos, and contempt for the rules NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL AND SUSPENSE MAGAZINE In the hushed quiet of early morning Manhattan, in front of the towering bronze doors of Saint Patrick’s Cathedral, a young woman holds a sign that reads: HELP ME. For one FBI agent, a madman’s terrified hostages, and an entire city, a long and harrowing day is about to unfold. The hostage taker’s identity is unknown. But he knows who FBI agent Eve Rossi is—and everything about her past. Along with her presence, he demands five witnesses: ordinary people with some hidden connection. Defying her superiors, Eve begins a deadly dance with an adversary whose intentions are surely sinister, whose endgame is anything but certain, and whose cunning keeps him one step ahead at every turn. As Eve manages a taut hostage situation, she relies on the combined skills of her team—a secret unit inspired by France’s most notorious criminal and made up of ex-convicts with extraordinary talents, oversized egos, and contempt for the rules. Eve is up against a rapidly ticking clock. But the dangerous man calling the shots has a timetable of his own—and a searing question for his targets: What are you guilty of? As shocking revelations surface, so does another crisis nobody could anticipate—one not even Eve and her team may be able to stop. Praise for Hostage Taker “A high-voltage game of parry and thrust.”—New York Daily News “The perfect blend: an urban thriller as modern as tomorrow’s New York Times, driven by a two-hundred-year-old idea, with a main character to die for. I hope we see plenty more of Eve Rossi and her team.”—Lee Child, #1 New York Times bestselling author of Personal “The concept is great. . . . The twists are good, and the emotion level climbs higher and higher. . . . Pintoff has serious potential to go into waters already charted by the likes of Lisa Gardner, Tami Hoag, and Allison Brennan.”—Sarah Weinman, The Crime Lady “Amazing . . . [Hostage Taker] will keep you awake nights. . . . The book boasts a dynamic heroine. . . . You will never look at the beauties of the complicated structure that is St. Patrick’s Cathedral in New York quite the same again.”—Liz Smith, New York Social Diary “A high-velocity roller coaster of a thriller!”—Jeffery Deaver, New York Times bestselling author of The Skin Collector “A brilliant thriller from a gifted writer . . . Pintoff is one of the best crime writers at work today.”—Michael Koryta, New York Times bestselling author of Those Who Wish Me Dead “A gripping conclusion . . . tense and thoughtful . . . a sharp new crime series.”—Nights and Weekends “Pintoff skillfully ratchets up the tension and throws more than one curveball into this twisty, exciting read.”—Booklist (starred review) “Strong writing, a well-paced plot, and intriguing characters make this one of the best thrillers of the year. Fans of Lisa Gardner will find much to like here.”—Library Journal (starred review)

In A Nation of Takers: America’s Entitlement Epidemic, one of our country’s foremost demographers, Nicholas Eberstadt, details the exponential growth in entitlement spending over the past fifty years. As he notes, in 1960, entitlement payments accounted for well under a third of the federal government’s total outlays. Today, entitlement spending accounts for a full two-thirds of the federal budget. Drawing on an impressive array of data and employing a range of easy- to- read, four color charts, Eberstadt shows the unchecked spiral of spending on a range of entitlements, everything from medicare to disability payments. But Eberstadt does not just chart the astonishing growth of entitlement spending, he also details the enormous economic and cultural costs of this epidemic. He powerfully argues that while this spending certainly drains our federal coffers, it also has a very real,long-lasting, negative impact on the character of our citizens. Also included in the book is a response from one of our leading political theorists, William Galston. In his incisive response, he questions Eberstadt’s conclusions about the corrosive effect of entitlements on character and offers his own analysis of the impact of American entitlement growth.