A comprehensive and richly illustrated survey of one of the most significant and intriguing quilters of the 21st century, featuring 109 color plates of Wells's narrative quilts with intimate commentaries by Wells herself

Masterpiece quilts and Master quilters--both are honored in The Quilters Hall of Fame. The book profiles more than forty of the quilting world's most influential people--from early twentieth-century quilt designer Ruby McKim to quilt curator Jonathan Holstein to contemporary art quilter Nancy Crow. Lavishly illustrated with one hundred glorious color photographs of their quilts, plus historical photographs, ads, and pattern booklets, The Quilters Hall of Fame is essential for every quilter's bookshelf.

Winner of the 2022 James F. Sulzby Book Award from the Alabama Historical Association Alabama Quilts: Wilderness through World War II, 1682–1950 is a look at the quilts of the state from before Alabama was part of the Mississippi Territory through the Second World War—a period of 268 years. The quilts are examined for their cultural context—that is, within the community and time in which they were made, the lives of the makers, and the events for which they were made. Starting as far back as 1682, with a fragment that research indicates could possibly be the oldest quilt in America, the volume covers quilting in Alabama up through 1950. There are seven sections in the book to represent each time period of quilting in Alabama, and each section discusses the particular factors that influenced the appearance of the quilts, such as migration and population patterns, socioeconomic conditions, political climate, lifestyle paradigms, and historic events. Interwoven in this narrative are the stories of individuals associated with certain quilts, as recorded on quilt documentation forms. The book also includes over 265 beautiful photographs of the quilts and their intricate details. To make this book possible, authors Mary Elizabeth Johnson Huff and Carole Ann King worked with libraries, historic homes, museums, and quilt guilds around the state of Alabama, spending days on formal quilt documentation, while also holding lectures across the state and informal “quilt sharings.” The efforts of the authors involved so many community people—from historians, preservationists, librarians, textile historians, local historians, museum curators, and genealogists to quilt guild members, quilt shop owners, and quilt owners—making Alabama Quilts not only a celebration of the quilting culture within the state but also the many enthusiasts who have played a role in creating and sustaining this important art.

Essays by 30 authors attempt to reclaim and to create heightened awareness about individuals, contributions, and struggles that have made African American women's survival and progress possible.

The Cultural Power of Personal Objects seeks to understand the value and efficacy of objects, places, and times that take on cultural power and reverence to such a degree that they are treated (whether metaphorically or actually) as "persons," or as objects with "personality"—they are living objects. Featuring both historical and theoretical sections, the volume details examples of this practice, including the wampum of certain Native American tribes, the tsukumogami of Japan, the sacred keris knives of Java, the personality of seagoing ships, the ritual objects of Hinduism and Ancient Egypt, and more. The theoretical contributions aim to provide context for the existence and experience of personal objects, drawing from a variety of disciplines. Offering a variety of new philosophical perspectives on the theme, while grounding the discussion in a historical context, The Cultural Power of Personal Objects broadens and reinvigorates our understanding of cultural meaning and experience.

A celebration of African American life and culture brings together four hundred years of folklore, traditional tales, recipes, proverbs, legends, folk songs, and folk art.

Beloved fabric and quilt pattern designer Edyta Sitar for Laundry Basket Quilts has designed 12 gorgeous quilt blocks that take you through the seasons of the year. 5 appliqué quilt block project settings provide the foundation for creating a one, two or four block appliqué project as well as a 12 block-12 month full-size calendar quilt. Each appliqué quilt block features one or more of Edyta Sitar’s beautifully crafted “silhouettes” for raw-edge machine appliqué. Background quilting enhances the beauty and detail of each appliqué quilt block. Step-by-step how-to and instructions for Edyta’s raw-edge appliqué technique Full-size appliqué templates Concise and clear how-to for background quilting Edyta’s favorite quilt binding technique Full-size placement diagrams for each of the 12 blocks Five block settings: wall art, a table runner, a bed topper, a wallhanging and a full-size quilt

Born in Atlanta, Lucy May Stanton enjoyed a successful career as a professional artist until her death in 1931 at the age of fifty-five. She created works in oil, pastel, and watercolor, but was best known as a painter of miniatures during the revival of the art form that took place in the United States after 1890. This catalogue is a product of the first major exhibition of the artist's work since 1932, held at the Georgia Museum of Art from May through July 2002. Over fifty works are illustrated in the catalogue, including miniature portraits on ivory, drawings, and oil paintings from public and private collections.

Curricular Conversations is about play as a medium for teaching and learning that asks teachers and students to participate through adapting, changing, building and creating meaning.