Gender, ethnicity, and nation in China, as seen through an ethnography of the changing cultural production of the Miao, a minority population.

In Tourism and Prosperity in Miao Land, Xianghong Feng focuses on the intersection of tourism, power, and inequality in the southern interior of China. In this region, capital-intensive and elite-directed tourism has reshaped the social and cultural patterns of the ethnic Miao and other local residents. Using ethnographic fieldwork conducted over the course of a decade, Feng examines the cultural reconstructions of space, ethnicity, gender, and morality within changing power structures. This book is recommended for scholars of anthropology, sociology, economics, political science, Asian studies, and tourism studies. For more information, check out A Conversation with Xianghong Feng.

Butterfly Mother is a collection of epic songs from the rich oral tradition of the Miao (Hmong) people of southwest China. These poetic narratives, traditionally performed by two groups of singers, relate the creation of a world in which everything is alive, and listeners find that besides mountains, rivers, trees, and creatures, inanimate objects are also 'born' and have spirits. In his engaging introduction, Mark Bender places these mythic narratives in their social and historical context, describing the workings and traditions of Miao society. Brimming with cultural lore, Butterfly Mother is a virtual encyclopedia of time-honored myths, legends, and folk customs of the Miao people.

In Chinese legend, the princess Miaoshan defied her father by refusing to marry, and pursued her austere religious vocation to the death, but returned to life to be his saviour and the saviour of all mankind. The story is inseparable from the female bodhisattva Guanyin, whose cult dominated religious life at all levels in traditional China and is still powerful in rural China today. Miaoshan herself became a lasting symbol of the tension in women's lives between individual spiritual fulfilment and the imperatives of family duty. The previous edition of this book was the first full monograph on the subject. It deals with the story's background, early history, and more developed later versions, bringing much of this material to the attention of modern readers for the first time. It analyses the basic sources, many of them in Buddhist scripture, and the overall pattern of development. It finally offers a range of interpretations which discover here myths of religious celibacy, of filial piety, and of ritual salvation of the dead. The legend of Miaoshan spans the uncertain boundaries between Chinese popular literature, theatre, and religion, and this book directly addresses students of those fields. But it holds a larger significance for those interested in the position of women in traditional society, and students of comparative literature and folklore will find here a version of the 'King Lear' story. This new edition takes account of epigraphical evidence, discovered and accessed since the time of first publication, which enriches and refines the discussion. This and other additional evidence, introduced for the sake of a more complete picture, leave the argument and conclusions of the original study still essentially intact.

Where do we go when we die? Use this vibrantly illustrated story to guide your kids through the grieving process, with the help of a jellyfish that eternally regenerates and a young boy missing his grandfather. When a young boy's grandfather dies suddenly, he feels overwhelmed and confused. They will never see each other again. To his delight, they meet again in a dream, where his grandfather takes him to Transfer City, where our departed loved ones live on through our memories. In this modern, Eastern telling of the afterlife, death is not an ending, but a new start to life, just like the Immortal Jellyfish which is constantly maturing and then regressing, staying as present as our deceased loved ones do in our memories. From the Chinese illustrator, Sang Miao, whose Out Out Away from Here was praised as "superb" by the New York Times, this cloth bound picture book printed on FSC certified paper is as beautiful to hold as it is essential for little kids asking the big questions.

Spirituality & Practice "Best Books of 2021" Award Winner Bank Street College of Education "The Best Children’s Books of the Year" Moonbeams Children’s Book Awards "Best Illustrator" Silver Winner Two sisters discover the power of love and the true meaning of compassion in this princess-adventure story based on an ancient Chinese tale. Miao Shan isn't your typical princess. She likes to spend her time quietly meditating with the creatures of the forest or having adventures with dragons and tigers. Miao Shan's heart is so full of love that her dream is to spread happiness throughout the land and help people endlessly. But her father has other plans for her--he intends to have her married and remain in the palace. With the help of her little sister Ling, Miao Shan escapes and begins her journey to discover the true meaning of compassion. During their adventure, Ling and Miao Shan are eventually separated. Ling must overcome doubts, fears, and loneliness in order to realize what her sister had told her all along--that love is the greatest power in the world. After the sisters' reunion, Miao Shan realizes her true calling as Kuan Yin, the goddess of compassion. A princess-adventure story like none other, this ancient Chinese tale of the world's most beloved Buddhist hero is a story of sisterhood, strength, and following your own path.

The tale of a devout Buddhist girl who separates from her family and through suffering and death finally achieves divine status is a myth of religious celibacy, of filial piety, and of ritual salvation of the dead. It also presents a major symbol of the tension in women's lives between individual spiritual fulfillment and the imperatives of family duty. This is a new edition of the first full study of this important and influential Chinese legend.

WINNER OF THE 2018 LUCIEN STRYK ASIAN TRANSLATION PRIZE The English-language premiere of Qiu Miaojin's coming-of-age novel about queer teenagers in Taiwan, a cult classic in China and winner of the 1995 China Times Literature Award. An NYRB Classics Original Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan’s most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure. Afflicted by her fatalistic attraction to Shui Ling, an older woman, Lazi turns for support to a circle of friends that includes a rich kid turned criminal and his troubled, self-destructive gay lover, as well as a bored, mischievous overachiever and her alluring slacker artist girlfriend. Illustrating a process of liberation from the strictures of gender through radical self-inquiry, Notes of a Crocodile is a poignant masterpiece of social defiance by a singular voice in contemporary Chinese literature.