Based on a true story about Franz Kafka Inspired by a true story, Kafka and the Doll recounts a remarkable gesture of kindness from one of the world's most bewildering and iconic writers. In the fall of 1923, Franz Kafka encountered a distraught little girl on a walk in the park. She'd lost her doll and was inconsolable. Kafka told her the doll wasn't lost, but instead, traveling the world and having grand adventures! And to reassure her, Kafka began delivering letters from the doll to the girl for weeks. The legend of Kafka and the doll has captivated imaginations for decades as it reveals the playful and compassionate side of a man known for his dark and brooding tales. Kafka and the Doll is a testament to living life to the fullest and to the life-changing power of storytelling.

We all remember that one doll, the doll that went everywhere with us and we told all our secrets to. The Missing Doll is an inspirational children’s story that introduces Little Mona to the world. It is author K. N. Yelbew’s first story about a young girl, her favorite doll, and her anxiety when the doll gets lost. It’s a wonderful tale for bedtime or anytime. Beautifully illustrated by Kalpart, this is a story every young child will love.

“Du Maurier is in a class by herself.” —New York Times Perhaps best known for her immortal gothic masterwork Rebecca—the basis for the Academy Award-winning motion picture directed by Alfred Hitchcock—Daphne de Maurier began her illustrious writing career penning short stories. In The Doll, thirteen of du Maurier’s early shorter fictional works have been collected—each story written before the author’s twenty-third birthday and some in print for the first time since the 1930s. Compelling tales of human foibles and tragic romance, the stories in The Doll represent the emergence of a remarkable literary talent who later went on to create Jamaica Inn, The Birds, and other classic works. This breathtaking collection of short fiction belongs on the bookshelf of every Daphne du Maurier fan.

Abi loves her doll very much, but one day it goes missing. What will she do? Story Attribution: ‘The Lost Doll’ is translated by Alisha Berger. The © for this translation lies with Room to Read, 2015. Some rights reserved. Released under CC BY 4.0 license. (http://creativecommons. org/licenses/by/4.0/) Based on Original story: 'Umdoli Lolahlekile', by Moleboge Shibboleth Poho. © Room to Read, 2015. Some rights reserved. Released under CC BY 4.0 license. Other Credits: This story 'The Lost Doll' has been published on StoryWeaver by Room to Read.

The Little Girl and the Tiny Doll by Aingelda Ardizzone and illustrated by Edward Ardizzone has been delighting generations of children. There was once a tiny doll who belonged to a girl who did not care for dolls. One day when the little girl was shopping in the supermarket with her mother, she threw the tiny doll into a deep freeze. So the tiny doll had to stay there, cold and lonely, and frightened by people shuffling all the food round her. But someone came along who felt sorry for her, and thought of ways to make her happier, so the tiny doll began to smile again.

Have you ever touched another’s soul with the essence of your own and breathed them in, so they become a part of you? I have. Finally starting to live, feel, and fall in love, amongst all the chaos surrounding her, Detective Phillips lets her guard down. Th demons from her past come raging back with a vengeance, haunting her present. Nothing will ever be the same. She left herself open and he came back to take what he believed was his. Her. Now she’s right where she started…his captive. The only difference this time? All the rules have changed. She’s not the innocent child she once was. And he’s not the only threat she has to fear. This is a dark title with adult themes.

The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival

From bestselling authors Ker Dukey & K Webster comes the heart-stopping, internationally bestselling crime thriller Pretty Stolen Dolls. Have you ever had to make a decision that haunts you every single day for the rest of your life—the life you stole back? I have. When Jade and her little sister Macy meet a dollmaker named Benny at a local flea market, they have no idea their lives are about to change forever. Kidnapped and held prisoner by the psychotic serial killer, they spend years in captivity, lost to the world. Resolute in seeking freedom, Jade finally manages to escape the clutches of the brutal monster of a man and his sadistic torture. But it comes at a devastating price. Macy is left behind. Years later, and now a detective herself, Jade is determined to hunt down her kidnapper and finally free her sister. She soon learns, after a string of new murders with an eerie familiarity… She's not the only one on the hunt. Her past is about to catch up with her. And Benny is a lot closer than she thinks. This is a dark title with adult themes.