The Story of Princess Nobody is a tale from Fairy Land. A Charming story with equally charming illustrations which enhance the narrative of a much-loved classic that tells the story of Prince Comical and his search for the diminutive princess who doesn’t have a name. To backtrack, the king and queen were childless, and a hasty promise was made by the King of the Fairies when a dwarf offers to provide him and his queen with a much-desired child. The condition was for her hand in marriage when she was old-enough. True to his promise, a child was soon conceived…… As a young girl, the princess lived a charmed life with loving parents, a doting fairy-Godmother and the birds of the forest as her companions. The dwarf reappeared at the appointed time only for the king to realise what he had promised. Princess Nobody is whisked away and hidden deep in the forest in order to protect her. At first several royal suitors seek her out but without success. Finally, Prince Comical succeeds in his search for the diminutive princess overcoming a number of obstacles in his attempt to find her. He woos her and they fall in love and marry (look for the cute image of the prince and princess kissing across the top of a mushroom!) Realising the princess’ predicament has not altered, the prince and princess make a departure and disappear after the marriage and escape the dwarf, and the story has a “happy ever after” ending. Elves, fairies, dwarfs and other denizens of fairyland will prove irresistible to anyone enchanted by the fantasy world of sprites and other little people. Written by Andrew Lang in 1884, the master folklorist, after he saw the illustrations of Richard Doyle. This volume contains 61 BnW and colour illustrations by Doyle. We invite you to curl up with your young ones with this unique sliver of Bedtime Fairy culture not seen in print for many-a-year, and immerse yourself and your children in the tales and fables of yesteryear. 10% of the profit from the sale of this book will be donated to charities. ---------------------------- KEYWORDS: the story of princess nobody, fairy tales, folklore, myths, legends, children’s stories, bygone era, fairydom, fairy land, fairies, elves, pixies, pixy, pisky, piskies, classic stories, children’s bedtime stories, fables, Prince Comical, forest, king, queen, fairy-godmother, birds, friends, quest, seek, love, marry, kiss, niente, mushrooms, butterfly, butterflies

DIVCaptivating tale of a diminutive princess and the comical prince who saves the day and marries the royal beauty. A much-loved classic for fairy-tale lovers of all ages. /div

Andrew Lang's 'The Princess Nobody: A Tale of Fairyland' is a whimsical and enchanting story that transports readers to a magical realm where a princess's true identity remains a mystery. This fairy tale is imbued with rich imagery, clever wordplay, and moral lessons, making it a delightful read for children and adults alike. Lang's lyrical writing style and vivid descriptions of fantastical creatures and landscapes create a captivating literary experience that will resonate with fans of classic fairy tales. 'The Princess Nobody' is a valuable contribution to the literary canon of children's literature, showcasing Lang's talent for storytelling and imagination.

Victorian artist Richard Doyle (1824-1883) is famous for his charming illustrations of elves, fairies, and gnomes. For this coloring book, Marty Noble has skillfully adapted 29 of the English's artist's most delightful watercolors created for his book with Andrew Lang, The Princess Nobody: A Tale of Fairyland.

Provides articles covering children's literature from around the world as well as biographical and critical reviews of authors including Avi, C.S. Lewis, J.K. Rowling, and Anno Mitsumasa.

The last thirty years have witnessed one of the most fertile periods in the history of children's books: the flowering of imaginative illustration and writing, the Harry Potter phenomenon, the rise of young adult and crossover fiction, and books that tackle extraordinarily difficult subjects. The Oxford Companion to Children's Literature provides an indispensable and fascinating reference guide to the world of children's literature. Its 3,500 entries cover every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns. Originally published in 1983, the Companion has been comprehensively revised and updated by Daniel Hahn. Over 900 new entries bring the book right up to date. A whole generation of new authors and illustrators are showcased, with books like Dogger, The Hunger Games, and Twilight making their first appearance. There are articles on developments such as manga, fan fiction, and non-print publishing, and there is additional information on prizes and prizewinners. This accessible A to Z is the first place to look for information about the authors, illustrators, printers, publishers, educationalists, and others who have influenced the development of children's literature, as well as the stories and characters at their centre. Written both to entertain and to instruct, the highly acclaimed Oxford Companion to Children's Literature is a reference work that no one interested in the world of children's books should be without.

The Selected Works of Andrew Lang: Volume 1Anthropology: Fairy Tale, Folklore, the Origins of Religion, Psychical ResearchEdited by Andrew Teverson, Alexandra Warwick and Leigh WilsonThis is the first critical edition of the works of Andrew Lang (1844-1912), the Scottish writer whose enormous output spanned the whole range of late-nineteenth century intellectual culture. Neglected since his death, partly because of the diversity of his interests and the volume of his writing, his cultural centrality and the interdisciplinary nature of his work make him a vital figure for contemporary scholars.This volume covers Lang's wide and influential engagement with the central areas of late nineteenth-century anthropology. Lang made decisive interventions in debates around the meaning of folk tales and the origins of religion, as well as being an important figure in the investigation of spiritualist claims through psychical research. The work reproduced here includes journalism, essays, extracts from books and previously unpublished letters which together articulate and challenge some of the central ideas and discussions of the period, including evolution, the relation between modern and non-modern cultures, the nature of scientific claims to truth, and the consequences of materialism. The volume will provide new and illuminating ways of understanding and assessing the period for scholars across a range of disciplines, including those interested in the histories of the fairy story, of science, of the occult, of colonialism and of anthropology.Key Features: Unpublished archival materialCritical introductions to the major areas of his workFull explanatory notesAndrew Teverson is Professor of English Literature and Associate Dean for the Faculty of Arts and Social Sciences at Kingston University, London. His research centres on the use and meaning of fairy tales, and he has published both on the employment of them in contemporary writing and on the historical development of the form. He is the author of Fairy Tale (Routledge, 2013).Alexandra Warwick is Professor of English Studies and Head of the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research is on Victorian culture, in particular the fin de sicle. Leigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research focuses on modernism, on the place of supernatural and occult beliefs and practices in the late nineteenth and early twentieth centuries, and on the contemporary British novel. She is the author of Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (EUP, 2013).

Books are as much a part of the furnishing of a house as tables and chairs, and in the making of a home they belong, not with the luxuries but with the necessities. A bookless house is not a home; for a home affords food and shelter for the mind as well as for the body. It is as great an offence against a child to starve his mind as to starve his body, and there is as much danger of reducing his vitality and putting him at a disadvantage in his lifework in the one as in the other form of deprivation. There was a time when it was felt that shelter, clothing, food and physical oversight comprised the whole duty of a charitable institution to dependent children; to-day no community would permit such an institution to exist unless it provided school privileges. An acute sense of responsibility toward children is one of the prime characteristics of American society, shown in the vast expenditures for public education in all forms, in the increasing attention paid to light, ventilation, and safety in school buildings, in the opening of play grounds in large cities, in physical supervision of children in schools, and the agitation against the employment of children in factories, and in other and less obvious ways. Children are helpless to protect themselves and secure what they need for health of body and mind; they are exceedingly impressionable; and the future is always in their hands. The first and most imperative duty of parents is to give their children the best attainable preparation for life, no matter at what sacrifice to themselves. There are hosts of fathers and mothers who recognize this obligation but do not know how to discharge it; who are eager to give their children the most wholesome conditions, but do not know how to secure them; who are especially anxious that their children should start early and start right on that highway of education which is the open road to honorable success.

How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children's writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century's materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.

Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.