From its beginnings bringing Jamaican music to a broader stage, Island Records has brought a global audience to the works of Bob Marley, U2, Cat Stevens, Steve Winwood, John Martyn, and Nick Drake among many others. Mixing cultures and influences from reggae to pop, hip hop, and punk, Island has shaken up artistic tastes and introduced new categories to mainstream music. This book, produced in collaboration with the label, moves chronologically from Island's origins in founder Chris Blackwell's passionate mission to bring Jamaican reggae to the mainstream, to the label's rise in popularity in the late 1960s and its acquisition of Traffic, Elvis Costello, U2, Roxy Music, and other era-defining acts, and finally to the new millennium and Island's continuing presence in the music industry. Included are photographs and album art from such acts as Bob Marley, Peter Tosh, Steve Winwood, Brian Eno, Grace Jones, Tom Waits, Eric B & Rakim, Tricky, Keane, Amy Winehouse, and many others. Heavily illustrated with a comprehensive retrospective of album covers, artist portraits, and photo shoots from the Island archive, and accompanied by essays from the founder of the company Chris Blackwell as well as ten of contemporary music's most esteemed writers, including Chris Salewicz, Jon Savage, Joe Boyd, and Richard Williams, Keep on Running: The Story of Island Records is a celebration of one of the most influential record labels of the twentieth century.

In the vein of Sound Man and The Soundtrack of My Life, a lyrical memoir from the founder of one of the greatest music labels of all time, Island Records, about his astonishing life and career helping to bring reggae music to the world stage and working with Bob Marley, U2, Grace Jones, Cat Stevens, and many other icons. Since its founding in 1959, Island Records has been home to legendary artists representing wildly divergent musical styles, yet who share the same maverick, outsider spirit of its founder, Chris Blackwell. Time and again, Blackwell and his Island cohorts identified and nurtured musicians overlooked by other labels, including Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Traffic, Nick Drake, Tom Waits, Robert Palmer, Free, the B-52’s, John Martyn, and Jimmy Cliff. Like these artists, Blackwell never took the conventional route. After a privileged early childhood in Jamaica—crossing paths with Ian Fleming, Noël Coward, and Errol Flynn—he was expelled from the elite British school Harrow for rebellious behavior at age seventeen. Within five years, he had moved back to Jamaica, and founded Island. Intertwined with the story of Island is that of Bob Marley and the Wailers. After an impromptu meeting with the band in 1972, Blackwell produced the groundbreaking album Catch a Fire, formed a deep bond of mutual trust and friendship with Marley, and became known for helping to bring reggae music to the world stage. He also opened the first Jamaican boutique hotel, on the property of Ian Fleming’s former home, GoldenEye, where all the James Bond books were written. This engaging memoir from one of the great raconteurs of the late 20th century makes for a giddy ride through some of that era’s most cutting-edge, enduring music. As Bono says, Blackwell “is an adventurer, an entrepreneur, a buccaneer, a visionary, and a gentleman.”

"Trojan's mission was to bring Jamaican music to the world. Over the past half century it has done just that, releasing many of the defining albums of ska, rock steady, dub and reggae, from artists including The Upsetters, Jimmy Cliff, Desmond Dekker, The Maytals, Dennis Brown, John Holt, Lee 'Scratch' Perry, and Bob Marley & The Wailers, as well as the hughly popular Tighten Up compilations. This book includes interviews with many of the artists, as well as those behind the scenes, and features a wealth of rare and long-unseen images and memorabilia."--Back cover

Percy "Master P." Miller came out of one of the toughest slums in New Orleans to found No Limit Records in Richmond, California, on a shoestring budget in 1991. Master P sold his first releases out of the trunk of his car, but he always believed in himself. Thanks to his hard work, within a few years No Limit was one of the most successful hip-hop record labels in the country and Master P was a multi-millionaire. Master P couldn't maintain this level of success, however, and in 2003 the label went bankrupt. Master P began a new label and kept going. In recent years, he has attempted to change the focus of his music to make it more positive, and started Take a Stand Records for that purpose. Now calling himself P. Miller, the rapper/entrepreneur remains active in the music business and also works to help others.

A history of Jamaica's contribution to world culture--reggae--traces the history of the form from African rhythms to the slums of Kingston and the international recording industry.

Two iconic bands. An unforgettable life. One of the most dynamic groups of the ‘70s and ‘80s, Talking Heads, founded by drummer Chris Frantz, his girlfriend Tina Weymouth, and lead singer David Byrne, burst onto the music scene, playing at CBGBs, touring Europe with the Ramones, and creating hits like “Psycho Killer” and “Burning Down the House” that captured the post-baby boom generation’s intense, affectless style. In Remain in Love, Frantz writes about the beginnings of Talking Heads—their days as art students in Providence, moving to the sparse Chrystie Street loft Frantz, Weymouth, and Byrne shared where the music that defined an era was written. With never-before-seen photos and immersive vivid detail, Frantz describes life on tour, down to the meals eaten and the clothes worn—and reveals the mechanics of a long and complicated working relationship with a mercurial frontman. At the heart of Remain in Love is Frantz’s love for Weymouth: their once-in-a-lifetime connection as lovers, musicians, and bandmates, and how their creativity surged with the creation of their own band Tom Tom Club, bringing a fresh Afro-Caribbean beat to hits like “Genius of Love.” Studded with memorable places and names from the era—Grace Jones, Andy Warhol, Stephen Sprouse, Lou Reed, Brian Eno, and Debbie Harry among them—Remain in Love is a frank and open memoir of an emblematic life in music and in love.

An anecdotal history of the record industry on both sides of the Atlantic focuses on leading label founders, talent scouts and A&R men who understood the industry's dual music and business natures, drawing parallels between the industry setbacks of the 1920s and 30s and the recent CD crash.

“Reggae’s chief eyewitness, dropping testimony on reggae’s chief prophet with truth, blood, and fire.” —Marlon James, Man Booker Prize–winning author Renowned reggae historian Roger Steffens’s riveting oral history of Bob Marley’s life draws on four decades of intimate interviews with band members, family, lovers, and confidants—many speaking publicly for the first time. Hailed by the New York Times Book Review as a “crucial voice” in the documentation of Marley’s legacy, Steffens spent years traveling with the Wailers and taking iconic photographs. Through eyewitness accounts of vivid scenes—the future star auditioning for Coxson Dodd; the violent confrontation between the Wailers and producer Lee Perry; the attempted assassination (and conspiracy theories that followed); the artist’s tragic death from cancer—So Much Things to Say tells Marley’s story like never before. What emerges is a legendary figure “who feels a bit more human” (The New Yorker).

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.