The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..

A young girl sat straight-backed on the edge of her chair, chewing a yellow pencilƒ She wiped her table clean with her sleeve, and with reverence, took out five clean sheets of papers. With a smile of joy, she began to write. Visited by the charming Story-Catcher, she writes stories of all kinds ? a boy who finds the eye of a dragon; a girl who finds a letter from her great-grandfather whom she never knew; the Master of Dreams who helps create dreams every night; Coco who is half-deer-half-man; and Ruby who gets a glimpse of the other side of the mirror. Finally, the Story-Catcher himself comes to meet her, with his bundle full of ideas. This enchanting collection of stories is sure to be read again and again and be remembered as a cherished book of childhood tales.

Story is the heart of language. Story moves us to love and hate and can motivate us to change the whole course of our lives. Story can lift us beyond our individual borders to imagine the realities of other people, times, and places. Storytelling — both oral tradition and written word — is the foundation of being human. In this powerful book, Christina Baldwin, one of the visionaries who started the personal writing movement, explores the vital necessity of re-creating a sacred common ground for each other's stories. Each chapter in Storycatcher is carried by a fascinating narrative — about people, family, or community — intertwined with practical instruction about the nature of story, how it works, and how we can practice it in our lives. Whether exploring the personal stories revealed in our private journals, the stories of family legacy, the underlying stories that drive our organizations, or the stories that define our personal identity, Christina's book encourages us all to become storycatchers — and shows us how new stories lay the framework for a new world.

Unable to kill, a young Cheyenne is scorned by his tribe when he chooses to become a horse catcher rather than a warrior.

Set in Bangladesh and the United States, the eight stories in The Bird Catcher address gender expectations, familial love, and questions of identity and belonging. In "The Anomalous Wife," when Nirjhara decides she wants to walk into the ocean, her husband of thirty years is confused: she has the perfect life, he insists, the life of a dutiful housewife and mother who wants for nothing in her adopted country. The staff at the psychiatric facility can't even pronounce Nirjhara's name, let alone understand her mordant humor and her use of wide-ranging literary references (from Rabindranath Tagore to Sylvia Plath to The Ancient Mariner) to describe her despair. The other stories are equally resonant and thought-provoking. A college professor has to contend with a student who "laughed every time I struggled on a word that didn't want to come out of my forked tongue: one part third world, one part hyphenated American." A young woman enjoys a loving but complicated relationship with her mother-in-law, a Bangladeshi immigrant who is both ebullient and opinionated, charming and exasperating. In the title story, drawing on fairy tale motifs, string theory, Sufi philosphy, and other traditions, a bird and a recluse argue over the nature of time and the meaning of freedom. The Bird Catcher offers wide-ranging variations on the theme of diasporic identity, intriguing glimpses into suppressed, fragmented, and resilient lives, and a meditation on the power and limitations of language. As Nirjhara explains in "The Anomalous Wife," "Life is all about right word choices, right verbs, and right prepositions. If you walk by the ocean, you are a lover of life. If you walk into it out of your love for the ocean, you are kept here as a prisoner until you learn the correct use of prepositions."

Over the past three decades, Sarah Hinze's groundbreaking research on "prebirth experiences" has provided solid evidence that unborn children can warn, protect and enlighten us from another plane of existence. She has compiled hundreds of accounts that tell of heavenly encounters between parents and their soon-to-be-born children. How did a woman raised in the backwoods of Tennessee become a pioneer in this important work? As a young girl, Sarah learned to sense when angels were near. She eventually fell in love with Brent, who shared her belief in heaven. A year after their wedding, she held their first baby and realized that many of the angels she had felt nearby had been her own unborn children. Following a series of personal challenges, including losing a baby to miscarriage, Sarah began to recognize that God wanted her to write about unborn children these tiny guardian angels who watch over us before they are born. Was it possible that other mothers had gone through similar experiences? Sarah decided to distribute a flyer on the topic in her town. Within a few days, a mother contacted her and said, "I saw my unborn daughter and I want to tell you about it." Soon, Sarah was collecting memories from around the world and publishing several books about them, but rarely had she disclosed her own story. Now for the first time, Sarah shares the key experiences that shaped her life and set her on course to become The Memory Catcher one of the worlds' greatest advocates of the unborn.

A few months after doctors tell him he has only a year to live, a precocious fifteen-year-old from a small town in Virginia has an intense reaction to The catcher in the rye. Deriving inspiration from J.D. Salinger's narrative, Daniel Landon begins to question the intentions and authority of those around him in his own search for identity in the face of death. Tired of his cramped surroundings and parents' alternative approaches to his treatment, he follows the footsteps of Holden Caulfield to New York City in search of the same eternal truths, only to discover the importance of home.

Are stories ever simply stories? Suraya is a girl with a big imagination, who loves making up little stories. When a surprise visitor brings her a very special gift, she is thrilled. Her stories are about to get much more interesting! But Suraya soon realizes that her writing may be more powerful than she thinks. Is it just her imagination? Or are things really not what they seem?

From the author of the “wonderfully crafted” (San Francisco Book Review) Ghost on Black Mountain comes a haunting gothic novel set in the Depression-era South about two young women who form an unlikely alliance when the spirit of a dead woman takes up residence in their home. Shelly Parker never much liked Faith Dobbins, the uppity way that girl bossed her around. But they had more in common than she knew. Shelly tried to ignore the haints that warned her Faith’s tyrannical father, Pastor Dobbins, was a devil in disguise. But when Faith started acting strange, Shelly couldn’t avoid the past—not anymore. Critically acclaimed, award-winning author Ann Hite beckons readers back to the Depression-era South, from the saltwater marshes of Georgia’s coast to the whispering winds of North Carolina’s mystical Black Mountain, in a mesmerizing gothic tale about the dark family secrets that come back to haunt us.

As a historian and as a novelist Mari Sandoz (1896-1966) stands in the front rank of western writers: in the words of John K. Hutchens, "no one in our time wrote better than the late Mari Sandoz did, or with more authority and grace, about as many aspects of the old West." This first full-length biography is particularly concerned to show the relationship between Sandoz's life and experiences and her writing. Drawing heavily on materials in the Mari Sandoz Collection at the University of Nebraska-Lincoln--correspondence to and from Sandoz, her research notes, and manuscripts--and on interviews with dozens of Sandoz's friends and acquaintances, the author not only establishes the facts of Sandoz's life but confirms her standing as a writer and historian.