A warm, inventive, and multilayered novel about two families - one made up largely of scientists, and the other of artists and mystics - whose worlds collide in pursuit of a lost daughter Mette, a twenty-year old programmer of visual effects for video games, lives with her mother, Saskia, an aspiring playwright, in Brooklyn. Mette is a private and socially awkward young woman, who finds something consoling in repetitive mathematical calculations. But she has been recently rejected in love, and feels stuck in an endless loop, no longer certain of her place in the world. As Brian Hall's new novel opens, Mette has gone missing. Her disappearance forces Saskia to reunite with Mette's father, Mark, an emotionally distant astronomy professor in Ithaca, to embark on a journey together to find her. Mette's path will take her across America and then to a fateful visit with her charismatic grandfather, Thomas, who formerly ran the commune north of Ithaca where Saskia was raised, and who now lives as a hermit in a windmill on a remote Danish island. Playing out over nine decades and three generations, and stitching together a dazzling array of subjects—from cosmology and classical music to number theory and medieval mystery plays—The Stone Loves the World is a story of love, longing, and scientific wonder. It offers a moving reflection on the human search for truth, meaning, and connection in an often incomprehensible universe, and on the genuine surprises that the real world, and human society, can offer.

A warm, inventive, and multilayered novel about two families - one made up largely of scientists, and the other of artists and mystics - whose worlds collide in pursuit of a lost daughter Mette, a twenty-year old programmer of visual effects for video games, lives with her mother, Saskia, an aspiring playwright, in Brooklyn. Mette is a private and socially awkward young woman, who finds something consoling in repetitive mathematical calculations. But she has been recently rejected in love, and feels stuck in an endless loop, no longer certain of her place in the world. As Brian Hall's new novel opens, Mette has gone missing. Her disappearance forces Saskia to reunite with Mette's father, Mark, an emotionally distant astronomy professor in Ithaca, to embark on a journey together to find her. Mette's path will take her across America and then to a fateful visit with her charismatic grandfather, Thomas, who formerly ran the commune north of Ithaca where Saskia was raised, and who now lives as a hermit in a windmill on a remote Danish island. Playing out over nine decades and three generations, and stitching together a dazzling array of subjects—from cosmology and classical music to number theory and medieval mystery plays—The Stone Loves the World is a story of love, longing, and scientific wonder. It offers a moving reflection on the human search for truth, meaning, and connection in an often incomprehensible universe, and on the genuine surprises that the real world, and human society, can offer.

A Washington Post Best Fiction Book of 2022 From the son of acclaimed author James Agee, a haunting novel depicting an American boy’s childhood in Mexico, ensconced in a world comprised of communist European exiles, local union activists, street children, and avant-garde artists like Frida Kahlo. Joel Agee’s hallucinatory first novel begins in a house with a large garden in an unnamed Mexican town in the late 1940s, where six-and-a-half-year-old Peter reads, dreams, and plays with his friends. He is a nascent explorer, artist, philosopher, mystic, and scientist. His world is still new, not yet papered over with received knowledge. And the actual world around him is a unique one in history: a community of leftist emigrés who have found refuge in Mexico from the Nazi and fascist regimes of Europe, rubbing shoulders with Mexican labor activists and leftists such as Frida Kahlo. But the emigrés long for home — including Peter’s step-father, who wants to return to his native Germany. Going back to Europe may not be safe for any of them yet, however, which gives rise to anguished arguments among Peter’s parents’s and their tight group of friends. And slowly, Peter begins to comprehend that his world may be turned upside down – that he might be forced to take leave of everyone he knows: his best friend, Arón; his father’s friend Sándor, who talks about revolution and performs magic tricks; and Zita, the family’s live-in-maid, who has taught him the consoling mysteries of prayer . . . Steeped in the magic and myths of childhood — yet haunted by a harsh adult world bedeviled by instability and political turmoil — Joel Agee’s The Stone World is an unforgettable portrait of a family that will inevitably invite comparison with another classic family story, that of his father James Agee’s A Death in the Family.

Humanity will finally be saved or destroyed in the shattering conclusion to the post-apocalyptic and highly acclaimed NYT bestselling trilogy that won the Hugo Award three years in a row. The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

The Whitbread Prize–winning author of Oranges Are Not the Only Fruit delivers a novel that “transports us to something like the future of our own planet” (The Washington Post Book World). On the airwaves, all the talk is of the new blue planet—pristine and habitable, like our own was sixty-five million years ago, before we took it to the edge of destruction. Off the air, Billie Crusoe and the renegade Robo sapien Spike are falling in love. Along with Captain Handsome and Pink, they’re assigned to colonize the new blue planet. But when a technical maneuver intended to make it inhabitable backfires, Billie and Spike’s flight to the future becomes a surprising return to the distant past—“Everything is imprinted forever with what it once was.” What will happen when their story combines with the world’s story? Will they—and we—ever find a safe landing place? Playful, passionate, polemical, and frequently very funny, The Stone Gods will change forever the stories we tell about the earth, about love, and about stories themselves. “Scary, beautiful, witty and wistful by turns, dipping into the known past as it explores potential futures.” —The New York Times Book Review “[A book] that you don’t so much read as drink in, refuse to put down, cast inside of like a hunting dog, seeking against all odds the insight that will illuminate everything, a true answer to the fix we’re in.” —Los Angeles Times “A vivid, cautionary tale—or, more precisely, a keen lament for our irremediably incautious species.” —Ursula K. Le Guin, bestselling author of Changing Planes

"A novel wise in the complexities of adolescence and the human heart." --The Washington Post Longing to escape the rundown commune outside of Ithaca, New York where she lives with her organic-farmer mother, assorted half-siblings, and a cow named Marilyn, the precociously well-read Saskia White, twelve, imagines herself as the noble contemporary of Odysseus, Marco Polo, and Horatio Hornblower. But Saskia's elaborate fantasies are soon upstaged by her real-life, long-lost father, who leads Saskia and her best friend Jane on a camping trip that turns into an epic adventure of love, sex, and lies. Saskia is as unforgettable as her own heroes, a young girl whose story resonates with a rare and joyous sense of life and discovery.

Ontology and Providence in Creation critically examines a particular Leibnizean inspired understanding of God's creation of the world and proposes that a different understanding should be adopted. The Leibnizean argument proposes that God's understanding encompassed a host of possible worlds, only one of which he actualized. This proposition is the current orthodoxy when philosopher and theologians talk about the philosophical understanding of creation. Mark Robson argues that this commits the Leibnizean to the notion that possibility is determinate. He proposes that this understanding of creation does not do justice to the doctrine that God created the world out of nothing. Instead of possible worlds, Robson argues that we should understand possibility as indeterminate. There are no things in possibility, hence God created out of nothing. He examines how this conception of possibility is held by C.S. Peirce and how it was developed by Charles Hartshorne. Robson contends that not only does the indeterminate understanding of possibility take seriously the nothing of ex nihilo, but that it also offers a new solution to the problem of evil.

This is a seminal study with strong Apostolic messaging, yet its flowing style allows for easy assimilation of biblical truths, and provides accurate insights for the cerebral believer, who like Daniel and his companions, are usually the target of the world system. In this book various methodologies are outlined through which, spiritual Babylon seeks to entice the brightest and best of every Godly generation, to acculturize, rob of spiritual identity and manipulate to promote world kingdom ends. But thanks be to God, there is still a generation in the earth spiritually alert enough to operate within the world system, yet deploy their talents and giftings to bring honour and glory to God. Those with the Daniel mindset will decode dreams and visions and interpret judgements written on the kingdoms of this world in this season. God is still raising up an Apostolic and Prophetic generation, which would feast on heavenly manna, and consecrate themselves to spiritual and intellectual purity to accomplish God's Kingdom purposes....

Austrian-born author Dr. Franz E. Winkler was a follower of Dr. Rudolph Steiner, Austrian founder of anthroposophy, a spiritual philosophy of man. In Man: The Bridge between Two Worlds, which was first published in 1960, Dr. Winkler applied anthroposophical concepts to the problems of our time. The book became a great success and was subsequently translated into German, Dutch and Russian. “...a stirring of the life that glows in the deepest recesses of his reader’s consciousness.” — Barry Bingham, Louisville Courier-Journal, 1960 “Winkler points out things science has tended to ignore: the power of ideas, the reality of man’s inner world.” — Stanton Coblentz, Los Angeles Times, 1960

Applying all seven keys introduced in Book 1 of The Unveiling: The Book of Sevens, we now open The Seven Visions revealing seven facets of a comprehensive revelation. The goal is to bring understanding to the Book of Revelation that is readable, devotional, and applicable. The intent is to bring hope and light on this perplexing and rarely taught book. The Revelation is not intended to be an indecipherable enigma, it is not meant to puzzle and bewilder but to disclose God’s plan, purpose, and provision to His bond servants. Therefore, to that end, the purpose is to bring the authors comments on each facet of The Revelation to the reader with these goals in mind. The Book of Revelation is unveiled as a seven faceted jewel. The seven visions of the Book of Revelation open to God’s bond servants the insight and encouragement needed to persevere until He comes. It reveals the fulfillment of old testament prophecy with Israel’s Great Day of the Lord in 70 AD while in these same visions reveals the cataclysmic end of this age. These two tracks of judgment bring to a conclusion the “former days” and introduce “these last days” as prophetically revealed throughout Scripture. “Blessed is he who reads and those who hear the words of the prophecy, and heed the things which are written in it; for the time is near.” (Revelation 1:3)